Tired of playing supporting roles in Hollywood, Anna May Wong traveled to Europe in search of better parts. And did she find one! Her electric, sexually charged performance in Piccadilly is a revelation. Wong is mesmerizing as Shosho, the Chinese dishwasher who overnight becomes the toast of the town — and the object of every man’s desire. The camera adores Wong — her beauty glows in every frame. Piccadilly was the brilliant apex to director E. A. Dupont’s trilogy of theater films (Varieté and Moulin Rouge), showcasing his signature mix of great acting, dazzling imagery and balletic camera movements. Remastered by the BFI National Archive and presented in High Definition.
• Audio commentary by film historian Farran Smith Nehme
• Introduction to the 1929 sound version
• Neil Brand on the score for Piccadilly
• San Francisco International Asian American Film Festival panel: “Dangerous to Know: The Career and Legacy of Anna May Wong,” moderated by B. Ruby Rich