{"product_id":"the-stupefying-siren-tales-of-pamela-sutch","title":"The Stupefying Siren Tales of Pamela Sutch w\/SLIP","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eExperience the mesmerizing works of one of underground cinema’s most eccentric and unique female video auteurs. Writer, director, and martial arts black belt Pamela Sutch began her career as an actress for New Jersey’s W.A.V.E. Productions; starring in dozens of their seminal ‘90s classics (\u003cem\u003ePsycho Sisters\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSorority Slaughter\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRana: Queen of the Amazon\u003c\/em\u003e) and becoming an internationally recognized indie scream queen. In the early 2000s, Pam obtained a camera of her own and launched Siren Tales Productions; heroically directing a bewildering array of distinctive video features that meet somewhere at the aesthetic crossroads of Gary Whitson, Doris Wishman, \u0026amp; Neil Breen. \u003c\/p\u003e\n\u003cp\u003eSaturn’s Core is proud to present this new collection which compiles six of Pamela Sutch’s genre hopping video features from the 2000s including a sexy, modern homage to the railroad track-tying Perils of Pauline serials of the 1910s (\u003cem\u003eThe Gosh Darned Mortgage\u003c\/em\u003e) co-starting her W.A.V.E. cohorts Tina Krause \u0026amp; Debbie D., a pair of baffling vine-assaulting, custom Sci-Fi epics (\u003cem\u003eOperation Storm Cloud\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eProject Gamma Ray\u003c\/em\u003e), a duo of body-swapping \/ gender transformation fetish yarns (\u003cem\u003eTransformed\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGenetics\u003c\/em\u003e), and a familial murder mystery (\u003cem\u003eCatastrophy\u003c\/em\u003e) with a non-human cast comprised solely of real feline kitty cats (and one bird)!\u003c\/p\u003e\n\u003cp\u003edirected by: Pamela Sutch\u003cbr\u003estarring: Pamela Sutch, Rebecca Anderson, Stephen McKay, Tina Krause, Debbie D., Leigh Jacobs, Partrick O'Connor\u003cbr\u003e2000-2008 \/ 295 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Gosh Darned Mortgage\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith director Pamela Sutch moderated by Heidi Honeycutt, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Spit on Your Celluloid: The History of Women Directing Horror Movies\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCatastrophy\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith Ross Snyder of Saturn’s Core, co-director of the documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMail Order Murder: The Story of W.A.V.E. Productions\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOperation Storm Cloud\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith Mike Connelly \u0026amp; Tara Connelly of the Underground Espionage podcast\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on Genetics featuring director Pamela Sutch in conversation on the Gruesome \u0026amp; Gilling Podcast\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"Answering the Siren Call” - Extended interview with actress \/ filmmaker Pamela Sutch from the documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMail Order Murder: The Story of W.A.V.E. Productions\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Strange Tapes Strange Show: Episode 30” - Scott Miller from Strange Tapes in conversation with filmmaker Pamela Sutch\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOuttakes from the Pamela Sutch Strange Tapes Strange Show episode\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“The Making of Catastrophy” - archival featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival outtakes and bloopers from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Gosh-Darned Mortgage\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival outtakes and bloopers from\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eProject Gamma Ray\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival outtakes and bloopers from\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eOperation Storm Cloud\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSiren Tales Productions trailer vault\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":45417187803180,"sku":"810161489121","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-stupefying-siren-tales-of-pamela-sutch-wslip-new-blu-ray-810161489121-1637483.webp?v=1774942752","url":"https:\/\/www.orbitdvd.com\/products\/the-stupefying-siren-tales-of-pamela-sutch","provider":"Orbit DVD","version":"1.0","type":"link"}