{"product_id":"the-sacred-the-cursed-the-joko-anwar-collection","title":"The Sacred \u0026 The Cursed: The Joko Anwar Collection","description":"\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eHe’s the award-winning writer\/producer\/director who’s been called “truly brilliant” (\u003ci\u003eHeaven of\u003c\/i\u003e \u003ci\u003eHorror\u003c\/i\u003e), “a filmmaker who dares to walk where few have gone” (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eIndependent Observer\u003c\/i\u003e) and\u003c\/span\u003e “one of the best working in the genre today” (\u003ci\u003eVoices from the Balcony\u003c\/i\u003e). Now for the first time ever, \u003cb\u003eSeverin Films\u003c\/b\u003e brings together a quartet of classics by\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003e“The Indonesian Master of Horror”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eBloody Disgusting\u003c\/i\u003e) \u003cb\u003eJoko Anwar\u003c\/b\u003e: Anwar’s global breakthrough \u003cb\u003eSATAN’S SLAVES\u003c\/b\u003e redefined Indonesian cinema and remains a modern horror milestone. Far more than just a sequel, \u003cb\u003eSATAN’S SLAVES 2: COMMUNION\u003c\/b\u003e is an over-the-top and wickedly grisly haunted house masterpiece. \u003cb\u003eIMPETIGORE\u003c\/b\u003e, his love letter to the genre, shattered taboos and shocked international audiences like never before. And with the neo-noir hit \u003cb\u003eDEAD TIME\u003c\/b\u003e, Anwar merges supernatural folklore with contemporary terrors to craft a visually stunning nightmare. All four films are presented from\u003cb\u003e masters approved by Anwar\u003c\/b\u003e, \u003cb\u003ewith over 10 combined hours of Special Features produced exclusively for this collection\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: SATAN’S SLAVES (2017)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFor his 2017 breakthrough, \u003cb\u003eJoko Anwar\u003c\/b\u003e took the 1980 classic by Sisworo Gautama Putra and reinvented its themes of supernatural folklore to deliver an “extraordinary” (\u003cspan class=\"s2\"\u003e\u003ci\u003eMalevolent Dark\u003c\/i\u003e), “take-no-prisoners” (\u003ci\u003eSlash Film\u003c\/i\u003e), “deliciously creepy spectacle oozing with Satanic inspiration” (\u003ci\u003eDread Central\u003c\/i\u003e\u003c\/span\u003e)\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003ethat shattered box-office records \u003c\/span\u003eand single-handedly launched The New Golden Age of Indonesian Horror: When the matriarch of a struggling family dies after a mysterious illness, it will unlock a slow-burning nightmare of ancestral superstition, occult carnage a\u003cspan class=\"s2\"\u003end several of the most “gloriously crafted scares” (\u003ci\u003eWarped Perspective\u003c\/i\u003e) in modern horror history.\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (IMPETIGORE) and \u003cb\u003eBront Palarae\u003c\/b\u003e (GHOST IN THE CELL) star in “one of the best remakes of the last decade” (\u003ci\u003eHorror News\u003c\/i\u003e) and “a nerve-jangling good time where the mayhem hardly lets up” (\u003ci\u003eDaily Dead\u003c\/i\u003e), now\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003epresented from \u003c\/span\u003e\u003cb\u003ea master approved by the writer\/director with over 2 hours of Special Features\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Mother, Spirituality And World Music\u003c\/i\u003e – Interview With Actress Ayu Laksmi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Gope T. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo, English 5.1, English Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English, English SDH\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: SATAN’S SLAVES 2: COMMUNION (2022)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFive years after SATAN’S SLAVES broke box-office records and forever redefined Indonesian horror, \u003cb\u003eJoko Anwar\u003c\/b\u003e crafted his follow-up hailed as “truly disturbing” (\u003ci\u003eGizmodo\u003c\/i\u003e), “darker and more macabre than before” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e) and “one of the few sequels that totally surpasses the original” (\u003ci\u003eNerdly\u003c\/i\u003e): Having barely escaped their rural Satanic nightmare, the Suwono family now lives in a decrepit Jakarta apartment building that seethes with urban dread, grisly secrets and demonic havoc where the damned find no solace, evil demands its harvest and “\u003cspan class=\"s2\"\u003eevery scene is punctuated with horrific visions that you can’t unsee” (\u003ci\u003eThe Scariest Things\u003c\/i\u003e)\u003ci\u003e. \u003c\/i\u003eSATAN’S SLAVES stars\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e, \u003cb\u003eEndy Arfian\u003c\/b\u003e,\u003cb\u003e Nasar Anuz, Bront Palarae\u003c\/b\u003e, \u003cb\u003eEgi Fedly\u003c\/b\u003e and \u003cb\u003eAyu Laksmi\u003c\/b\u003e return for “\u003cspan class=\"s2\"\u003ea wickedly malevolent slice of Indonesian horror that’s right on in its razor-toothed execution” (\u003ci\u003eSlash Film\u003c\/i\u003e),\u003ci\u003e \u003c\/i\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003epresented \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003efrom a master approved by the writer\/director with 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Sunil G. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eArchival Making-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuntime: 119 mins\u003c\/li\u003e\n\u003cli\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli\u003eSubtitles: English\u003c\/li\u003e\n\u003cli\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: IMPETIGORE (2019)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFollowing SATAN’S SLAVES, his HBO Asia series \u003ci\u003eFolklore\u003c\/i\u003e and the superhero blockbuster GUNDALA, \u003cb\u003eJoko Anwar\u003c\/b\u003e returned to horror with this “relentlessly frightening” (\u003ci\u003eCreepy Kingdom\u003c\/i\u003e) love letter to the genre that premiered at the 2020 Sundance Film Festival and remains “\u003cspan class=\"s2\"\u003ea gruesome descent into madness that will leave your skin crawling” (\u003ci\u003eDaily Dead\u003c\/i\u003e)\u003ci\u003e:\u003c\/i\u003e When a cynical young city woman travels to her remote ancestral village in search of an inheritance, she’ll instead unleash a legacy of dark tragedy, grim butchery and a grotesque family curse “\u003c\/span\u003e\u003cspan class=\"s5\"\u003edripping with otherworldly weirdness” (\u003ci\u003eWhen It Was Cool\u003c\/i\u003e)\u003c\/span\u003e\u003cspan class=\"s2\"\u003e. \u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (SATAN’S SLAVES 1 \u0026amp; 2), \u003cb\u003eArio Bayu\u003c\/b\u003e (THE QUEEN OF BLACK MAGIC) and \u003cb\u003eMarissa Anita\u003c\/b\u003e (\u003ci\u003eNightmares and Daydreams\u003c\/i\u003e) star in the modern shock classic where “\u003cspan class=\"s2\"\u003eAnwar goes for broke in terms of gonzo bloodshed, over-the-top reveals and a ballsy approach to shattering cinematic taboos” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e)\u003c\/span\u003e,\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003enow presented from a master approved by the writer\/director\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eWriter\/Director Joko Anwar On IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eIMPETIGORE And Beyond \u003c\/i\u003e– Interview With Actress Christine Hakim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE And The SATAN'S SLAVES Films With Actress Asmara Abigail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eCamera Tests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 107 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: DEAD TIME (2007)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eWith only his second film as writer\/director, \u003cb\u003eJoko Anwar \u003c\/b\u003ecaptured international acclaim, rewrote the rules of Indonesian cinema and launched his global career via the “disturbing and absolutely magnificent noir-horror that was a great prelude of what was about to follow” (\u003ci\u003eAsian Movie Pulse\u003c\/i\u003e): In a city sweltering with violence and despair, a jaded cop and a desperate reporter investigate a series of brutal killings that will trap them in a web of superstition, corruption, ghoulish creatures and “the best political thriller since the heyday of Alan Pakula” (\u003ci\u003eSight and Sound\u003c\/i\u003e). \u003cb\u003eFachry Albar\u003c\/b\u003e (THE FORBIDDEN DOOR) and \u003cb\u003eArio Bayu\u003c\/b\u003e (IMPETIGORE) star in this “strange, unpredictable and beautiful film that will take you for quite a ride” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) – also known as KALA – \u003cb\u003enow presented from a scan approved by the writer\/director with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On His Early Filmmaking Inspirations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eActress Faradina Mufti On The Films Of Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of Joko Anwar’s Filmography By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of DEAD TIME By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":46121055223852,"sku":"760137218081","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/SEV21808BR_3D.jpg?v=1789045826","url":"https:\/\/www.orbitdvd.com\/products\/the-sacred-the-cursed-the-joko-anwar-collection","provider":"Orbit DVD","version":"1.0","type":"link"}