{"product_id":"the-cars-that-ate-paris-the-plumber-blu-ray-bfi-limited-edition-region-b","title":"The Cars That Ate Paris + The Plumber (Blu-ray, BFI Limited Edition, Region B) w\/SLIP","description":"\u003cp\u003e\u003cstrong\u003eThe Cars That Ate Paris (1974), Peter Weir’s debut feature, is a dark satire set in the rural Australian town of Paris, where residents deliberately cause car crashes and repurpose the wrecks. Limited edition set also includes Peter Weir rarity The Plumber (1979).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA new 4K restoration of Peter Weir’s cult Australian New Wave debut, available on Blu-ray in the UK for the first time.\u003c\/p\u003e\n\u003cp\u003eWhile travelling across Australia in search of work, two brothers collide with an oncoming car. The sole survivor is taken in by the residents of the nearby small town of Paris, but their strange behaviour—and the alarming number of road accidents in the area—quickly unsettles him. It soon becomes clear that the town’s feral youth rule the streets at night in souped-up cars, and the local hospital is overflowing with brain-damaged crash victims.\u003cbr\u003eShot in widescreen on Panavision cameras, Peter Weir’s (The Truman Show, Dead Poet’s Society) debut feature is a biting satire of small-town life. It was also one of Stanley Kubrick’s favourite films and a direct inspiration for George Miller’s Mad Max series.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis limited edition two disc set also include Peter Weir’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Plumber.\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThis made-for-television psychological thriller follows an anthropology student and her husband whose lives are disrupted when an over-familiar plumber begins intrusive ‘repairs’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigitally remastered by the National Film and Sound Archive of Australia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eLimited edition 2-disc set\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly restored in 4K by the National Film \u0026amp; Sound Archive of Australia and presented in High Definition\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNewly\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003erecorded audio \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ecommentary on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e by Dr Stephen Morgan\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eMy First Film: Terry Camilleri on The Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (2026)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly recorded interview with one of the stars of the film\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e – \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 11 mins): archive interview with the director\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eGuardian Interview: Peter Weir\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(1985\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 70 mins, audio only\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e) \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eextensive interview with the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e acclaimed director, recorded around the release of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ePeter Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eOscar\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e-winning film \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eWitness\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e3 T\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eo Go: Michael \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(197\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e0\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 3\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethree young filmmakers, of whom Peter Weir was one, were commissioned by the Australian Commonwealth Film Unit to each \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ewrite and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e direct a half-hour fiction drama on the theme of ‘Youth’. These were combined for cinema release as \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e3 To Go\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e. \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eMichael\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e was Weir’s contribution to the project\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNobody Leaves Paris! No One!\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e’ \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e(2026, 15 mins): a newly commissioned video essay by Chris O’Neill looking at \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris  \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Hal McElroy (2008, 6 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean interview with the one of the producers of \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e, originally recorded by filmmaker Mark Hartley for his documentary \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNot Quite Hollywood\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1979, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e): remastered in 2K, Peter Weir’s made-for-television thriller \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003efollows an anthropology student and her husband whose lives are disrupted when an over-familiar plumber begins intrusive ‘repairs’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly recorded audio commentary on \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eby Alexandra Heller-Nicholas and Josh Nelson\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIncredible \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW62674914 BCX0\"\u003eFloridas\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1972, 13 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eportrait\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eAustralian composer Richard Meale \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e – \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 8 mins): archive interview with the director \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003ePeter Weir's Dream within a Dream \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2026, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e8\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: sparked by the discovery of rare outtakes from \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003ePicnic at Hanging Rock\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethis \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly made \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ework\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ePolish \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003efilmmaker \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eJakub Duszynski offers \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enew \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003einsight into Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1975 masterpiece\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eTrailers\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eImage galleries \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIllustrated booklet featuring a new written interview with Peter Weir, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean original \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ereview\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eessay\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eby Dr Stephen Morgan and on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eTara Judah and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e writing about his short films by Peter Weir\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45577920413740,"sku":"5035673015674","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-cars-that-ate-paris-the-plumber-blu-ray-bfi-limited-edition-region-b-wslip-new-blu-ray-5035673015674-3645953.webp?v=1780074846","url":"https:\/\/www.orbitdvd.com\/products\/the-cars-that-ate-paris-the-plumber-blu-ray-bfi-limited-edition-region-b","provider":"Orbit DVD","version":"1.0","type":"link"}