{"product_id":"ozploitation-rarities-volume-one-region-free-used","title":"Ozploitation Rarities: Volume One (Region Free) USED","description":"\u003cp\u003e\u003cb\u003eIntroducing OZPLOITATION RARITIES VOL 1, three BRAND NEW restorations of lost and overlooked Australian thrillers slathered in sleaze, salacious secrets, and cold-blooded murder, featuring over FOUR HOURS of NEW extras including interviews and commentaries with key cast and crew!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFeaturing the sun-soaked terror LADY STAY DEAD, the seductive schlock FINAL CUT (AKA DEATH GAMES), and the Hitchcockian sci-fi CROSSTALK, this irresistible set also includes NEW outer and disc art and three cases with original artwork.  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“Highly atmospheric, gripping, even tense. CROSSTALK is one of the better Australian thrillers of the 1980s”.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Scott Murray, Australian Film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConfined by his mysterious employers to a luxury high-rise apartment, wheelchair-bound computer programmer Ed Ballinger (Gary Day), attempts to correct a malfunction in the I-500 – the world’s most sophisticated surveillance system. Confronted by increasingly bizarre readouts, he discovers that not only is the computer’s intelligence growing – but it has witnessed a vicious murder!\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEd becomes obsessed with solving the crime – and soon both man and machine are plunged into a vortex of technological horror…\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoasting a pulse-pounding, blood-soaked finale and one of Ozploitation cinema’s most iconic jolt moments (featuring a severed head in a washing machine), CROSSTALK is a stylish cinematic blend of Hitchcock, Kubrick and Italian giallo shocks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCROSSTALK is presented in a new 2K transfer approved by the film’s cinematographer, Vincent Monton (LONG WEEKEND, ROADGAMES), showcasing all of its neon lit anamorphic widescreen visuals – and cementing its reputation as Ozploitation’s premiere hi-tech thriller of the 1980s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLady, Stay Dead\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"rowsize_copyfreev\"\u003e\n\u003cdiv class=\"copyfreeviewbox_wide_blue\"\u003e\n\u003cp\u003e\u003cspan\u003eFrom maverick filmmaker Terry Bourke (NIGHT OF FEAR) comes one of the most unapologetically brutal, nasty and flesh-filled films in Ozploitation cinema.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiving in a luxury villa on a deserted Sydney beach, millionairess pop singer Marie Coleby (Deborah Coulls) makes the grave mistake of antagonizing her unhinged peeping Tom gardener (Chard Hayward) – leading to a vicious rape and a macabre murder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unexpected arrival of Marie’s sister Jenny (Louise Howitt) hinders the disposal of the body – so she is added to the insane handyman’s kill list. With Jenny equally determined to stay alive, so begins a cat-and-mouse battle of wits climaxing in an after dark assault that violently showcases garden shears, a chainsaw and homemade petrol bombs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBranded \u003cem\u003e“distasteful and sleazy”\u003c\/em\u003e by the UK press – and featuring one of the most visceral set-pieces in Ozploitation cinema (death by aquarium) – LADY, STAY DEAD is presented here in a newly scanned and restored 2K master from the 35mm interpos, making it an essential re-discovery for slaughter-seeking film fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFinal Cut\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the fast lane world of sex, drugs and rock’n’roll, Dominic Black (David Clendinning), a millionaire entrepreneur, reins supreme. Bored with the usual showbiz diversions, he prefers to indulge in playing elaborate mind games – and making movies where the performers end up dead!\u003c\/p\u003e\n\u003cp\u003eAfter a documentary cameraman (Lou Brown) and his journalist girlfriend (Jennifer Cluff) witness one of Dominic’s party guests being hunted and killed in a chilling, hallucinatory chase, the immoral tycoon fears they may have captured the shocking event on film.\u003c\/p\u003e\n\u003cp\u003eHe lures the inquisitive pair to his luxury Surfers Paradise penthouse for a weekend of cat-and-mouse games where there are blood splattered bodies in the pool, on the balcony and in the cupboards… but in this complex, deadly nightmare, nothing is what it seems.\u003c\/p\u003e\n\u003cp\u003eSet against the tranquil backdrop of sundrenched beaches and glittering blue seas, this little seen psychological thriller (from the writer of FANTASM) delivers non-stop twists and turns in a violent, flesh-filled tale of voyeurism, pornography, snuff films and complex human manipulation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDirector:\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eRoss Dimsey, Mark Egerton, Terry Bourke\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCast:\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eGary Day; John Ewart; Kim Deacon; Chard Hayward; Deborah Coulls; Louise Howitt; David Clendenning; Jennifer Cluff; Lou Brown\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\u003c\/ul\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\u003c\/ul\u003e\n\u003cdiv aria-hidden=\"true\" role=\"tabpanel\" aria-labelledby=\"tab-label-attributeextras\" data-role=\"content\" id=\"attributeextras\" class=\"data item content\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cul class=\"ul1\"\u003e\u003c\/ul\u003e\n\u003cstrong\u003eExtras:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eCROSSTALK\u003c\/u\u003e\u003c\/p\u003e\n\u003cb\u003eNEW! REAR WINDOW MEETS 2001 – a visual essay from screenwriter and author Stephen VaggNEW! SHOOTING HITCHCOCK DOWNUNDER – an interview with cinematographer Vincent MontonNEW! NOT QUITE HOLLYWOOD interview with executive producer Ross MatthewsNEW! The VHS Experience\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eArchival interviews with director Mark Egerton, executive producer Ross Matthews and composer Chris Neill\u003c\/li\u003e\n\u003cli\u003eArchival interview with original writer\/director Keith Salvat conducted by film critic David Stratton (audio only)\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eExtended Theatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eLADY, STAY DEAD\u003c\/u\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW! NOT QUITE HOLLYWOOD interview with actor Roger Ward\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003eNEW! 2024 interview with actor Chard Hayward (audio only)NEW! The VHS Experience\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eTHE D.W. GRIFFITH OF OZPLOITATION – a visual essay on the career of filmmaker Terry Bourke by filmbuff Paul Harris\u003c\/li\u003e\n\u003cli\u003eArchival interview with co-producer John Hipwell conducted by filmbuff Paul Harris (audio only)\u003c\/li\u003e\n\u003cli\u003eTerry Bourke trailer reel\u003c\/li\u003e\n\u003cli\u003eStills Gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eFINAL CUT\u003c\/u\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW! Audio commentary with producer Mike Williams moderated by screenwriter Shayne Armstrong (Acolytes, Bait 3D)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNEW! OZ VOYEURS – a visual essay from Author and TV historian Andrew Mercado\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNEW! NOT QUITE HOLLYWOOD interview with director Ross Dimsey\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNEW! The VHS Experience\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eStills Gallery\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":44880879386668,"sku":"9344256099991U","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/ozploitation-rarities-volume-one-region-free-damaged-new-blu-ray-9344256099991d-4401121.webp?v=1770064565","url":"https:\/\/www.orbitdvd.com\/products\/ozploitation-rarities-volume-one-region-free-used","provider":"Orbit DVD","version":"1.0","type":"link"}