{"product_id":"house-of-psychotic-women-rarities-collection-limited-edition-used","title":"House Of Psychotic Women: Rarities Collection (Limited Edition) USED","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2012 \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan\u003e published \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHouse of Psychotic Women\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, billed as “an autobiographical topography of female neurosis in horror and exploitation films.” It soon became one of the most “vital” \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eTim Lucas, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVideo Watchdog\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cspan\u003e and “astonishing” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDaily Grindhouse\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003egenre tomes of all time. To mark the book’s 10\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e anniversary, award-winning writer\/programmer\/filmmaker Janisse (WOODLANDS DARK AND DAYS BEWITCHED) now presents four of the strongest and strangest explorations of onscreen delirium and hysteria, \u003c\/span\u003e\u003cb\u003eall\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eon American Blu-ray for the first time\u003c\/b\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan\u003e stars in 1974’s \u003c\/span\u003e\u003cb\u003eIDENTIKIT\u003c\/b\u003e\u003cspan\u003e (aka THE DRIVER’S SEAT) \u003c\/span\u003e\u003cspan\u003eas a hostile woman who travels to Rome to find \u003c\/span\u003e\u003cspan\u003ethe most dangerous liaison\u003c\/span\u003e\u003cspan\u003e. In the surreal 1986 Polish horror-comedy \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan\u003e, a female vampire discovers that love may be the \u003c\/span\u003e\u003cspan\u003ecruelest curse of all. \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan\u003e stars in the startling 1975 amnesiac giallo \u003c\/span\u003e\u003cb\u003eFOOTPRINTS\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003efrom the director of THE FIFTH CORD. And British screenwriter and radical theatre icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003edirects\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e1972’s harrowing \u003c\/span\u003e\u003cb\u003eTHE OTHER SIDE OF THE UNDERNEATH.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eEach film has been \u003c\/span\u003e\u003cb\u003erestored from original vault elements, with all-new introductions\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eby the author\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ehours of Special Features produced exclusively for this collection. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: Identikit (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan\u003e stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find \u003c\/span\u003e\u003cspan\u003ethe most dangerous liaison of all\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e Academy Award\u003c\/span\u003e\u003cspan\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003enominee \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan\u003e (THE OFFENCE), \u003c\/span\u003e\u003cb\u003eMona Washbourne\u003c\/b\u003e\u003cspan\u003e (THE COLLECTOR) and \u003c\/span\u003e\u003cb\u003eAndy Warhol\u003c\/b\u003e\u003cspan\u003e co-star in this \u003c\/span\u003e\u003cspan\u003e“unique, hallucinatory neo noir” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCult Film Freaks\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) – barely released in America as THE DRIVER’S SEAT – directed by \u003c\/span\u003e\u003cb\u003eGiuseppe Patroni Griffi \u003c\/b\u003e\u003cspan\u003e(‘TIS PITY SHE’S A WHORE), \u003c\/span\u003e\u003cspan\u003eadapted from the unnerving novella by \u003c\/span\u003e\u003cb\u003eMuriel Spark\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Prime Of Miss Jean Brodie\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cspan\u003efeaturing cinematography by three-time Oscar\u003c\/span\u003e\u003cspan\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(APOCALYPSE NOW, THE LAST EMPEROR), now \u003c\/span\u003e\u003cb\u003erestored in 4K\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eby Cinematheque of Bologna and Severin Films. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eIntroduction By Kier-La Janisse, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary With TCM Underground Curator Millie De Chirico\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eA Lack Of Absence —\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e Writer And Literary Historian Chandra Mayor On Muriel Spark And \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Driver's Seat\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ Optional English Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRuntime: 102 min\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: I Like Bats (1986)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDirected and co-written by \u003c\/span\u003e\u003cb\u003eGrzegorz Warchol\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– the Polish actor best known for his performance in THREE COLORS: WHITE – this 1986 Perspektywa Film Group production combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos. \u003c\/span\u003e\u003cb\u003eKatarzyna Walter\u003c\/b\u003e\u003cspan\u003e stars as a happily single young vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. \u003c\/span\u003e\u003cspan\u003eCo-scripted by feminist writer\/activist \u003c\/span\u003e\u003cb\u003eKrystyna Kofta\u003c\/b\u003e\u003cspan\u003e and featuring poet, songwriter and cabaret icon \u003c\/span\u003e\u003cb\u003eJonasz Kofta\u003c\/b\u003e\u003cspan\u003e in his sole film role, \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003es\u003c\/b\u003e\u003cb\u003ecanned in 2K from the only 35mm print known to exist\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eIntroduction By Kier-La Janisse, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary With Kamila Wielebska, Actor And Co-Editor Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eA Story Of Sin: Surrealism In Polish Cinema\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 1.66.1\u003c\/li\u003e\n\u003cli\u003eAudio: Polish Mono\u003c\/li\u003e\n\u003cli\u003eOptional English Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRuntime: 81 min\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: Footprints (1975) – U.S. Cut and Italian Cut\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the most criminally underseen giallo of the ‘70s, \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan\u003e (A LIZARD IN A WOMAN’S SKIN, FLAVIA THE HERETIC) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? \u003c\/span\u003e\u003cb\u003eNicoletta Elmi\u003c\/b\u003e\u003cspan\u003e (DEEP RED), \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eLila Kedrova\u003c\/b\u003e\u003cspan\u003e (THE TENANT) and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan\u003e co-star in this “visually stunning gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) – also known as FOOTPRINTS ON THE MOON – directed by \u003c\/span\u003e\u003cb\u003eLuigi Bazzoni\u003c\/b\u003e\u003cspan\u003e (THE FIFTH CORD) with cinematography by three-time Oscar\u003c\/span\u003e\u003cspan\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003c\/b\u003e\u003cspan\u003e (THE BIRD WITH THE CRYSTAL PLUMAGE), now \u003c\/span\u003e\u003cb\u003escanned in 4K from the original camera negatives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eIntroduction By Kier-La Janisse, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eTo The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e— Interview With Actress Ida Galli\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eNicoletta Elmi: Italian Cinema's Imp Ascendent\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e — Video Essay By Film Scholars Alexandra Heller-Nicholas And Craig Martin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Film Historian Kat Ellinger (Italian Cut)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eLight Of The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e— Interview With Cinematographer Vittorio Storaro\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ Optional English Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRuntime: 93 min (U.S. Cut) \/ 96 min (Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: The Other Side of the Underneath (1972)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt’s been called “harrowing” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e), “seriously disturbing” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) and “part documentary, part primal scream” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eScreen Slate\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e). More than half a century later, it remains all that and more: In 1972, screenwriter\/feminist\/radical theater icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan\u003e adapted her own multimedia stage production \"A New Communion for Freaks, Prophets and Witches\" into a nightmarish exploration of reason, chaos and her own battles with mental illness unlike anything audiences have seen before or since. \u003c\/span\u003e\u003cb\u003eSheila Allen\u003c\/b\u003e\u003cspan\u003e (CHILDREN OF THE DAMNED), \u003c\/span\u003e\u003cb\u003eAnn Lynn\u003c\/b\u003e\u003cspan\u003e (THE BLACK TORMENT), renowned visual artist \u003c\/span\u003e\u003cb\u003ePenny Slinger\u003c\/b\u003e\u003cspan\u003e and Arden herself star in the only British feature film of the 1970s solo-directed by a woman, recently \u003c\/span\u003e\u003cb\u003erestored in 2K by the British Film Institute.\u003c\/b\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eIntroduction By Kier-La Janisse, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExtended Workprint Version Of The Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSheila Allen Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatasha Morgan Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExtended Sequences\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePenny Slinger Live At The Miskatonic Institute of Horror Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePENNY SLINGER: OUT OF THE SHADOWS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 1.33.1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRuntime: 111 min\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSEV11078BR\u003c\/span\u003e\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":42604360826924,"sku":"760137110781U","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/house-of-psychotic-women-rarities-collection-limited-edition-used-used-blu-ray-760137110781u-9789766.jpg?v=1779578829","url":"https:\/\/www.orbitdvd.com\/products\/house-of-psychotic-women-rarities-collection-limited-edition-used","provider":"Orbit DVD","version":"1.0","type":"link"}