Originally published in sets of 10 between 1899 and 1904, Kunstformen der Natur, known in English as Art Forms in Nature by Ernst Haeckel, consists of 100 masterfully executed prints of microorganisms, animals, insects and more. This body of work has since become widely acclaimed for its beauty and biological accuracy. It was highly influential throughout 20th-century art, design and architecture and has inspired many artists, particularly throughout the Art Nouveau period, including Karl Blossfeldt and Émile Gallé. The plates within this publication reflect Haeckel's interest in symmetry, levels of organisation and the evolution of biological complexity. The subjects featured were carefully selected by Haeckel to highlight and illustrate this. From the complex geometric patterns and forms of Amphoridea to the ornamental symmetry of jellyfish and microorganisms, the composition of each plate is carefully considered and arranged for maximum visual impact. Featured prominently throughout the set of 100 plates are sea anemones, radiolarians, Aspidonia and a stunning collection Siphonophorae.
Each publication comes with a unique download code providing you with instant access to high-resolution files of all 100 plates featured within. Print them out and create beautiful decorative artworks for your home and office, or get creative and make stunning collages and mixed-media artworks. You can even incorporate them into your graphic design projects and take your work to the next level. When accessing your files, you will get access to the Vault Editions Skulls and Anatomy sample pack completely free.
Historians have speculated on a web of possible causes for the witchcraft that stated in Salem and spread across the region-religious crisis, ergot poisoning, an encephalitis outbreak, frontier war hysteria--but most agree that there was no single factor. Rather, as Emerson Baker illustrates in this seminal new work, Salem was "a perfect storm": a unique convergence of conditions and events that produced something extraordinary throughout New England in 1692 and the following years, and which has haunted us ever since.
Baker shows how a range of factors in the Bay colony in the 1690s, including a new charter and government, a lethal frontier war, and religious and political conflicts, set the stage for the dramatic events in Salem. Engaging a range of perspectives, he looks at the key players in the outbreak--the accused witches and the people they allegedly bewitched, as well as the judges and government officials who prosecuted them--and wrestles with questions about why the Salem tragedy unfolded as it did, and why it has become an enduring legacy.
Salem in 1692 was a critical moment for the fading Puritan government of Massachusetts Bay, whose attempts to suppress the story of the trials and erase them from memory only fueled the popular imagination. Baker argues that the trials marked a turning point in colonial history from Puritan communalism to Yankee independence, from faith in collective conscience to skepticism toward moral governance. A brilliantly told tale, A Storm of Witchcraft also puts Salem's storm into its broader context as a part of the ongoing narrative of American history and the history of the Atlantic World.