{"title":"Something Weird","description":"","products":[{"product_id":"death-curse-of-tartu-sting-of-death-used-dvd","title":"Death Curse of Tartu\/Sting of Death USED DVD","description":"\u003cp data-mce-fragment=\"1\"\u003eThose wacky Everglades! They're full of all sorts of wild, scary animals, some of which are even the supernatural manifestations of \"evil spirits and with doctors that turn themselves into giant alligators!\" Or snakes. And sharks. Really.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhich is what a group of four college kids encounter on an archaeological field trip with their teacher, Mr. Tison (FRED PINERO), and his wife, Julie (BABETTE SHERRILL), when they trudge deep into the Florida Everglades, stumble upon an ancient Indian burial ground, and activate the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeath Curse of Tartu\u003c\/b\u003e. Actually, their friend Sam Gunther earlier stumbled upon the spot and dug up an old stone tablet which warns of Tartu, a 400 year old Seminole witch doctor, who \"swore he'd come back from, change himself into wild creatures,\" and kill those who trespass on the sacred ground. And we know Tartu means it because Sam already made Mr. T's rotted corpse come to life and change into a boa constrictor that gave Sam the squeeze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd, sure enough, minutes after the kids set up camp, roast marshmallows(!), and start making out, Tartu again wakes, turns into wildlife, and starts offing the cast. Mr. Tison eventually decides the only way to stop Tartu is to find his resting place and destroy his remains but when he tries that, Tartu climbs out of his casket, turns into his young pre-rotted self, and goes chasing after the leading lady...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRegional rarities come in all styles and genres, but none may be as geographically specific or as atmospherically alien as the so-called \"swamp movies,\" primarily marketed to Southern audiences who could easily relate to these backwoods sagas. Shot in seven days by Florida exploitation filmmaker WILLIAM GREFFE, and sent out as a supporting feature with his berserk\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSting of Death\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1966),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeath Curse of Tartu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis as much a swamp movie as it is a horror film, and revels in its slimy water, overgrown vegetation, snakes, 'gators, and airboats the way another horror film would play up a haunted house or foggy graveyard. Of course, like any good exploitation director, Grefe' doesn't hesitate to chuck all the atmosphere and stop the film dead in its tracks to focus on college-age cuties shaking their booty to rock and roll.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDOUGLAS HOBART, who played the jellyfish man in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSting of Death\u003c\/b\u003e, plays the decomposed Tartu with booga-booga makeup that sort of resembles a monster clown. There's also a wonderfully goofy opening as an explorer (director BRAD GRINTER) enters Tartu's cave, is immediately killed, and the living corpse of the witch doctor then peruses papers carried by the explorer which just so happen to have the film's credit on them!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Special Edition has been digitally remastered from a 35mm swamp-soggy print, and includes...\u003cbr data-mce-fragment=\"1\"\u003eAnd remember, \"the human brain is very mysterious.\"\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":34587056341036,"sku":"014381080025U","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/death-curse-of-tartusting-of-death-used-dvd-used-dvd-014381080025u-9006569.jpg?v=1774819093"},{"product_id":"love-after-death-the-good-the-bad-and-the-beautiful-w-slipcover","title":"Love After Death + The Good, The Bad, And The Beautiful w\/SLIP","description":"\u003cp\u003eAn inter-dimensional portal exists between Herk Harvey’s CARNIVAL OF SOULS and Doris Wishman’s BAD GIRLS GO TO HELL . . . and it’s called LOVE AFTER DEATH. This is the story of Montel -- a sexually frustrated creep who seeks revenge on his cheating wife after she accidentally buries him alive. Produced somewhere in South America and remixed for American audiences by New York producer Charles Abrams, LOVE AFTER DEATH is a joyously deranged gem that features equal doses of gothic horror, sleazy melodrama, and absurdist experimentation. After watching this movie, you’ll never look at Edgar Allan Poe’s “The Premature Burial” the same way again.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eShot in New York by LOVE AFTER DEATH producer Charles Abrams and starring adult film princess Jennifer Welles, THE GOOD, THE BAD, AND THE BEAUTIFUL is an unknown jewel from the bizarro underground. The movie centers around the estate of a politician, where blackmail and scissor-murders go hand in hand with smoking weed and fetish whippings. Combining a trashy paperback feel with gutter-goth mood, this psychosexual spectacle would feel right at home with the work of exploitation auteur Joe Sarno.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003edirected by: Guaco Del Mar \u0026amp; Robert Canton\u003c\/p\u003e\n\u003cp\u003estarring: Guillermo De Córdova, Jennifer Welles, Janis Young\u003c\/p\u003e\n\u003cp\u003e1968 \/ 154 min (total) \/ 1.33:1 \/ English\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Region Free Blu-ray\u003c\/p\u003e\n\u003cp\u003e• LOVE AFTER DEATH:2K preservation from the only known 35mm print in existence\u003c\/p\u003e\n\u003cp\u003e• THE GOOD, THE BAD, AND THE BEAUTIFUL:2K preservation from the only known 16mm print in existence\u003c\/p\u003e\n\u003cp\u003e• Shorts and trailers from beyond the grave\u003c\/p\u003e\n\u003cp\u003e• Reversible cover artwork\u003c\/p\u003e\n\u003cp\u003e• English SDH subtitles\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":39360380174380,"sku":"814456023298S","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/love-after-death-the-good-the-bad-and-the-beautiful-wslip-new-blu-ray-814456023298s-2438133.jpg?v=1774817893"},{"product_id":"godmonsterofindianflatsused","title":"Godmonster of Indian Flats USED","description":"\u003cp\u003eJust when you thought it was safe to go back to the petting zoo, you meet... GODMONSTER OF INDIAN FLATS! Written and directed by infamous outsider artist Fredric C. Hobbs (ALABAMA'S GHOST), this is the story of an eight-foot-tall toxic sheep monster that blows up gas stations, smashes crooked politicians, and terrorizes stoners! From the surreal \"wild west\" locations to the outrageous monster effects, GODMONSTER OF INDIAN FLATS is easily the most berserk, out-of-control, and inexplicably deranged creature feature in the history of forever. This includes the scene where the Godmonster crashes a children's picnic. In the words of legendary filmmaker Frank Henenlotter, \"Get the straight jackets ready!\"\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":39411011747884,"sku":"760137122388U","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/235726966b3bbcbae84c3456139925c6acd9fc7f.jpg?v=1623098653"},{"product_id":"girl-gang-pin-down-girl","title":"Girl Gang \/ Pin Down Girl","description":"\u003cp\u003eIncludes: Girl Gang (1954)A lost female juvenile delinquent film, has been unearthed and it's something to behold! The hellcats in the title get off on marijuana and heroin, steal cars, assault boys, and delve into other areas of sordidness. Joanne Arnold, Timothy Farrell, Harry Keaton star in this production from noted schlockmeister George Weiss. 63 min. BW\/Rtg: NR Pin Down Girl (1951)Rock 'em, sock 'em melodrama rips the lid off the seamy underbelly of the women's pro wrestling biz, as a sleazy manager comes on to his charges and conspires with mobsters to fix (!) matches. Real-life gal grapplers Peaches Page and Clara Mortensen star, along with Ed Wood regular Timothy Farrell. AKA: \"Blonde Pickup,\" \"Racket Girls,\" \"Wrestling Racket Girls.\" 81 min. BW\/Rtg: NR Standard; Soundtrack: English; Subtitles: English (SDH); audio commentary; theatrical trailers.\u003c\/p\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":39474331877420,"sku":"738329255107no","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/girl-gang-pin-down-girl-new-blu-ray-738329255107-5616884.jpg?v=1774817348"},{"product_id":"the-films-of-doris-wishman-the-moonlight-years-w-slipcover","title":"The Films of Doris Wishman: The Moonlight Years w\/SLIP","description":"\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e1965-1969 \/ 623 min (combined) \/ \u003c\/span\u003e1.37:1, 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eA TASTE OF FLESH: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eINDECENT DESIRES: Commentary with queer film historian Liz Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by author Mike Watt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003ePASSION FEVER: Preserved from the Something Weird S-VHS master*\u003c\/li\u003e\n\u003cli\u003eMY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Moonlight Years” photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40595128647724,"sku":"814456025209","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/the-films-of-doris-wishman-the-moonlight-years-wslip-new-blu-ray-814456025209-1063906.jpg?v=1772397742"},{"product_id":"the-sore-losers","title":"The Sore Losers","description":"\u003cp data-mce-fragment=\"1\"\u003eAn alien being known to humans as Blackie (Jack Yarber), returns to earth after a failed attempt to kill 12 beatniks in the 1950s. Instead, he was only able to kill nine and hide their bodies in the woods behind a Drive-In theater. He blames his failure on the location of his landing, The deep south, mostly Mississippi. Now he must finish the job with the help of his human friend Mike (Mike Maker) and a mysterious criminal (Kerine Elkins). The only thing standing in his way is a group of renegade aliens (The Japanese rock group Guitar Wolf).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e(1997) is a bizarre blend of 50’s and 60’s pop culture from director J. Michael McCarthy. Cutting his teeth on music videos and shorts,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis filled with love for the trashy side of pop culture with the bizarre editing choices of early Godard films (Some lovely nods to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBand of Outsiders\u003c\/em\u003e). Like Godard’s films, we see wild jump cuts and plenty of handheld shots. There is also an ever-changing overhead narration between Blackie, an FBI agent, and an unseen announcer. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe matter of fact blending of sci-fi and juvenile delinquent films is also aided by some energetic performances from the cast that references the films of John Waters, Doris Wishman, Russ Meyer, and even some Herschell Gordon Lewis styled gore. It feels like a color version of all those lovely sexploitation films in Something Weird Video’s catalog. The pacing never lets up so there is no time to really worry about the story.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe story is the only real problem with the movie. The world of the aliens and the rules they follow are not really explained. So some plot points come up and feel head-scratchingly out of place. The dialog and wacky nature of the movie keep it from being lost in these details. This is a mood piece and a tribute to a specific era of low budget weirdness. So by this logic,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a fun 80 minutes of punk rock fun.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecomes to Blu-ray from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.guerrillamonsterfilms.com\/index2.html\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.guerrillamonsterfilms.com\/index2.html\"\u003eBig Broad Guerrilla Monster\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eProductions. This three-disc set is packed to the gills with extras and plenty of love. The Movie comes to us on Blu-ray-R on Disc 1, with the bulk of extras on Disc 2 (DVD-R), and the film’s soundtrack on Disc 3 (CD).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe film comes with two audio tracks. First up is The English Surround 5.1 Dolby Digital is rough around the edges. There are some uneven sound effects, some coming from the film’s production. Motorcycles are deafeningly loud, while cars are quiet. Some of the film’s ADR work is even more noticeable with a couple of moments of background (The worst one around the 7-minute mark). The dialog is mostly level with the expectation of some moments when the film’s soundtrack cuts in. The numerous songs never become overpowering. The second track is the English Stereo which shares some of the same issues, with the expectation of the motorcycle, which now sounds leveled. English, French, German, Italian, Japanese, Korean, Portuguese, and Spanish subtitles are included.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1080p HD Transfer comes with a new scan of the original 16mm film. It is shown with a 1.33.1 aspect ratio (4:3) with no signs of cropping on the corners of the image. There is some minor natural film grain, with only one moment where it gets washed out during a cab fire. Flesh tones look natural and black levels are balanced. The primary colors are vivid with the reds looking candy-colored. There is also plenty of texture on clothes and the rough back roads. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFans of this film are in for a treat with the overpowering amount of extras. The first disc comes with a director’s commentary, and the rest on disc 2 divided up into Photo and Video sections.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDirector’s Commentary: J. Michael McCarthy discusses the film’s production, his influences, and about every other detail you can imagine in this constantly entertaining track. McCarthy comes off as a nice and down to Earth guy with plenty of humble thoughts on his work. You’ll have to listen to this track twice to absorb all the information.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhoto galleries: There is a series of photo galleries under the titles Chicago Underground, New York Underground, Los Angeles, Memphis, Nurses and Nudes, Emmy Collins Gallery, Gator Bait, Photographers, JSL Shooting Locations, and Meeting Susan.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrailers: There are two trailers. Both are in rough condition with the second one featuring narration.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDemo Reel: A 4-minute reel of J. Michael McCarthy’s work from a number of projects (including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003c\/em\u003e).\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree Nurse Lost: A deleted scene with three Nurses that was not completed during production.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Films of Emmy Collins: A series of short films by Collins with “Jack The Dipper”,” Headshot”,” Punk vs. Hippie”, “TV Humper”, and “The Egoist”.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJMM Music Videos: A gallery that includes videos for Guitar Wolf, Oblivians, The Clears, The Makers,200 Sachen, Poli Sci Clone, River City Tanlines, Real Losers, The Cute Lepers, The Flakes, and The True Lovers.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlue Soldier: a 9 minute videotaped cabaret.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSan Fran Super 8: A reel of Super 8 footage with the crew of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eduring a trip to a 1997 screening. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVisual Effects: A series of footage showcasing the effects in the film. Included are Wheat, Kevin Webster, Dragonwyck, and Joe Riley.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eComplete soundtrack: Disc 3 is a CD of the film’s complete soundtrack.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sore Losers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis a bizarre letter to yesteryear’s trash. This new Blu-ray is the perfect way to experience it. Minus the audio issues, this is a fantastic disc. Recommended.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDirector- J. Michael McCarthy\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCast- Jack Yarber (as John Oblivian), Kerine Elkins, Mike Maker, Guitar Wolf\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCountry of Origin- USA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDiscs- 3\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":40801800683564,"sku":"SORELOSERS","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/the-sore-losers-new-blu-ray-sorelosers-1904916.jpg?v=1772396237"},{"product_id":"copy-of-the-curious-dr-humpp","title":"The Curious Dr. Humpp DVD USED","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTHE CURIOUS DR. HUMPP isn’t a movie -- it’s a rite of passage. Easily one of the most brainbreaking sensory overloads in exploitation history, the story follows Dr. Humpp and his army of grotesque monsters as they kidnap couples and drain their “blood forces of sex” to keep the doctor eternally young. Directed by the prolific Emilio Vieyra in Argentina, this movie combines artful gothic horror with unhinged sex, comic book pulp, and a talking brain in a jar. Plus a monster who plays the guitar. Basically, this is what might have happened if Mario Bava collaborated with Doris Wishman after an acid binge. AGFA + Something Weird are thrilled to present a brand new restoration of this iconic sex-horror classic, complete with a new commentary track from filmmaker Frank Henenlotter (BASKET CASE). Plus LA VENGANZA DEL SEXO, Vieyra’s original “horror” cut of THE CURIOUS DR. HUMPP in its original Spanish language -- available for the first time ever on home video with English subtitles!\u003c\/p\u003e\n\u003cp\u003edirected by: Emilio Vieyra\u003c\/p\u003e\n\u003cp\u003e1969 \/ 87 min \/ 1.37:1 \/ English\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41100431523884,"sku":"014381973624u","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/the-curious-dr-humpp-dvd-used-used-dvd-014381973624u-5843742.jpg?v=1772390709"},{"product_id":"the-monster-of-camp-sunshine-honeymoon-of-terror-used","title":"The Monster of Camp Sunshine \/ Honeymoon of Terror W\/SLIP USED","description":"\u003cp\u003eTHE MONSTER OF CAMP SUNSHINE: Shot by anonymous maniacs in New York, this is a trash-art berserker that feels like what would happen if a 1980s slasher was teleported inside of a 1960s nudist film. A nurse and fashion model head to Camp Sunshine for a weekend of fun, sun, and cigarettes. But little do they know that Hugo, the camp’s gardener, has been transformed into an axe-wielding psychopath after drinking radioactive water! Combining experimental visuals with camp flair, this is a crackpot time capsule featuring Monty Python-esque animation, someone named Ron Cheney, Jr., and, at the end, \"a brief summary of the movie for those who wish to relive its magic moments.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHONEYMOON OF TERROR: An early dreamscape from director Peter Perry (MY TALE IS HOT), HONEYMOON OF TERROR (aka ECSTACY ON LOVERS’ ISLAND) is a moody mash-up of horror chills and nudie thrills that feels like a Looney Tunes cartoon made for adults. Frank and Marion are newlyweds who embark on their honeymoon to Thunder Island, only to run afoul of a psychotic, club-footed lumberjack with a lust for violence!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003edirected by: Ferenc Leroget\u003c\/p\u003e\n\u003cp\u003estarring: Various\u003c\/p\u003e\n\u003cp\u003e1964 \/ 200 min (combined) \/ 1.37:1 \u0026amp; 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cp\u003e• Region Free Blu-ray\u003c\/p\u003e\n\u003cp\u003e• 2K restorations from the original 35mm camera negatives\u003c\/p\u003e\n\u003cp\u003e• Nudie-horror trailers from Hugo’s shack\u003c\/p\u003e\n\u003cp\u003e• Bonus movie: ALL MEN ARE APES! (1965, 63 mins), transferred from the original Something Weird S-VHS master\u003c\/p\u003e\n\u003cp\u003e• Inside cover artwork\u003c\/p\u003e\n\u003cp\u003e• English SDH subtitles\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41251159638060,"sku":"814456024196US","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-monster-of-camp-sunshine-honeymoon-of-terror-wslip-used-used-blu-ray-814456024196us-9348582.jpg?v=1779077287"},{"product_id":"love-after-death-the-good-the-bad-and-the-beautiful-used","title":"Love after Death \/ The Good, The Bad, And The Beautiful W\/SLIP USED","description":"\u003cspan\u003eAn interdimensional portal exists between Herk Harvey's CARNIVAL OF SOULS and Doris Wishman's BAD GIRLS GO TO HELL... and it's called LOVE AFTER DEATH. This is the story of Montel - a sexually frustrated creep who seeks revenge on his cheating wife after she accidentally buries him alive. Produced somewhere in South America and remixed for American audiences by New York producer Charles Abrams, LOVE AFTER DEATH is a joyously deranged gem that features equal doses of gothic horror, sleazy melodrama, and absurdist experimentation. After watching this movie, you'll never look at Edgar Allan Poe's \"The Premature Burial\" the same way again. Shot in New York by LOVE AFTER DEATH producer Charles Abrams and starring adult film princess Jennifer Welles, THE GOOD, THE BAD, AND THE BEAUTIFUL is an unknown jewel from the bizarro underground. The movie centers around the estate of a politician, where blackmail and scissor-murders go hand in hand with smoking weed and fetish whippings. Combining a trashy paperback feel with gutter-goth mood, this psychosexual spectacle would feel right at home with the work of exploitation auteur Joe Sarno.\u003c\/span\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41251169894444,"sku":"814456023298US","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/love-after-death-the-good-the-bad-and-the-beautiful-wslip-used-used-blu-ray-814456023298us-1989277.jpg?v=1772389322"},{"product_id":"the-bushwacker-the-ravager-w-lobby-cards-booklet-used","title":"The Bushwhacker\/The Ravager (LIMITED EDITION) W\/LOBBY CARDS \u0026 BOOKLET USED","description":"\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgEEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\"Some viewers may think that this movie is a total and complete train wreck but I say that it is nothing short of a cheese ball masterpiece.\" - Todd Martin, Horrornews.net\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgFEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTHE BUSHWHACKER\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"AdPoic\" aria-level=\"3\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 24px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cspan class=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-ved=\"2ahUKEwjuxq-4lvWUAxVwnWoFHez_ADIQ0fEReggIAggACAYQAA\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTHE BUSHWHACKER\u003c!--TgQPHd|[]--\u003e\u003c!--TgQPHd|[[null,[],\u0026quot;\u0026quot;,0,null,null,[null,null,null,null,null,null,null,null,null,null,null,null,null,null,null,[{\u0026quot;3524\u0026quot;:[0]}]],null,null,[],null,null,null,null,\u0026quot;\u0026quot;,0]]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgHEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDirector:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e B. Ron Eliot | \u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eYear:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e 1968 | \u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eRuntime:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e 86 min | \u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eLanguage:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e English\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eStarring:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Dan Martin, Merci Montello, Barbara Kline, Forman Shane\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgIEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eSynopsis:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Along with \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eThe Ravager\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e, this 1968 film represents the end of 60s sexploitation, pushing boundaries toward extreme, horror-oriented content before hardcore films dominated the market. After vanishing for decades, these films were rescued by Something Weird Video. \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cu class=\"wfWfIf fxyaSe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: underline dotted; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cspan class=\"jAOkJc\" role=\"button\" id=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-ved=\"2ahUKEwjuxq-4lvWUAxVwnWoFHez_ADIQ3egReggIAggACAgQAQ\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' tabindex=\"0\"\u003eThe Bushwhacker\u003c!--TgQPHd|[]--\u003e\u003c!--TgQPHd|[[[\u0026quot;\/m\/0cs3q7z\u0026quot;,\u0026quot;\u0026quot;,0,\u0026quot;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\u0026quot;,\u0026quot;TV\/MOVIE\u0026quot;],\u0026quot;\u0026quot;,0,[null,null,null,1,null,null,null,null,null,null,null,null,[291933,null,1],null,null,[{\u0026quot;205\u0026quot;:[null,\u0026quot;\/m\/0cs3q7z\u0026quot;],\u0026quot;1219\u0026quot;:[null,null,\u0026quot;TV\/MOVIE\u0026quot;,null,null,\u0026quot;\/m\/0cs3q7z\u0026quot;],\u0026quot;3524\u0026quot;:[69]}]],null,0,null,\u0026quot;\u0026quot;,0]]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/u\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e, from director Byron Mabe (SHE-FREAK), follows a group stranded in the southwest desert, hunted by a coonskin-cap-wearing killer.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgJEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eRelease Details:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Presented by American Arcana on Blu-ray for the first time, uncut from the Something Weird Archives.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"AdPoic\" aria-level=\"3\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 24px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eSPECIAL FEATURES\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cul class=\"KsbFXc U6u95\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgLEAA\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eBRAND NEW HD TRANSFER FROM 35MM PRINT\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgLEAE\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e12 PAGE BOOKLET BY ROBIN BOUGIE OF CINEMA SEWER\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgLEAI\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDOUBLE SIDED COVER\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgLEAM\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eLOBBY CARD REPRODUCTIONS\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgLEAQ\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eORIGINAL TRAILERS\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003c!--TgQPHd|[]--\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgMEAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTechnical Info:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e American Arcana\/Something Weird, Blu-ray Disc (A B C), BD50 1080p, 24fps mono audio.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003chr class=\"j3tEEe\" data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 32px 0px; text-decoration: none; border-bottom: 0px rgb(128, 128, 128);'\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAIIAAgOEAA\" data-complete=\"true\" data-processed=\"true\" aria-owns=\"action-menu-parent-container\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41736398962732,"sku":"BUSHWACKU","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-bushwhackerthe-ravager-limited-edition-wlobby-cards-booklet-used-used-blu-ray-bushwacku-4317340.jpg?v=1755538283"},{"product_id":"dracula-the-dirty-old-man-used","title":"Dracula The Dirty Old Man W\/SLIP USED","description":"\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"z5840q-i7tc8l-92m0ua-e0uyqg\" data-cel-widget=\"productDescription_feature_div\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDracula enslaves Dr. Irving Jekyll, turning him into the lycanthropic JackalMan, demanding that he lure female blood donors to his L. A. cabin retreat.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"wz93xx-oe1nop-2n3gku-dua78g\" data-cel-widget=\"detailBullets_feature_div\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41920854261804,"sku":"814456026329US","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/dracula-the-dirty-old-man-wslip-used-used-blu-ray-814456026329us-7065904.jpg?v=1777821492"},{"product_id":"the-scavengers","title":"The Scavengers","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch3 itemprop=\"description\"\u003eWhen a renegade Confederate detachment invades a frontier town, they'll spark a rampage of sadism, racism, violation and vengeance.\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eINCLUDES THE R-RATED + UNRATED VERSIONS BOTH FULLY RESTORED FOR THE FIRST TIME EVER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne year after HOT SPUR forever changed exploitation cinema, writer\/producer Bob Cresse and director Lee Frost fused their sex and violence template with the cultural chaos of 1969, then defiled it all in a raw orgy of nihilistic brutality: When a renegade Confederate detachment invades a frontier town, they'll spark a rampage of sadism, racism, violation and vengeance that still has the power to shock audiences more than half a century later. John Bliss (THE THING WITH TWO HEADS), Maria Lease (LOVE CAMP 7), Bruce Kimball (DRIVE-IN MASSACRE) and Uschi Digard (SUPERVIXENS) star in the final unforgettable Cresse\/Frost collaboration, now scanned in 4K from the original camera negative recently discovered in a Paris lab and presented in both its Unrated and R-Rated Release Versions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Vinegar Syndrome's Joe Rubin, Severin Films' Andrew Furtado And Temple Of Schlock's Chris Poggiali (Unrated Version Only)\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer (Hot Version)\u003c\/li\u003e\n\u003cli\u003eOur Family Album - Promotional Program Replica\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43064843206700,"sku":"760137150480","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-scavengers-new-blu-ray-760137150480-2557257.jpg?v=1755534364"},{"product_id":"hot-spur","title":"Hot Spur","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBob Cresse and Lee Frost applied their distinctive sleaze aesthetic to this revenge western they advertised as \"91 minutes of Freudian fury!\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRESTORED UNCENSORED FOR THE FIRST TIME EVER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHaving struck gold with shockumentaries like ECCO and MONDO BIZARRO, producer Bob Cresse and writer\/director Lee Frost applied their distinctive sleaze aesthetic to a revenge western they advertised as \"91 minutes of Freudian fury!\" It would soon redefine the 'roughie,' be named one of the Top Ten Movies of 1969 by conservative publication National Review and become one of the most notorious exploitation films in history. Joseph Mascolo (Days Of Our Lives), Virginia Gordon (THE ANIMAL) and John Alderman (TRADER HORNEE) star in this infamous Olympic International hit now scanned uncut in 4K from the recently rediscovered negative, with Special Features from the Something Weird archive that include the 1963 Frost\/Cresse stripper epic HOLLYWOOD'S WORLD OF FLESH and the 1968 nudie-cutie short THE CASTING DIRECTOR starring Bob Cresse and directed by David F. Friedman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Vinegar Syndrome's Joe Rubin, Severin Films' Andrew Furtado And Bob Cresse Friend\/Former Something Weird General Manager Tim Lewis\u003c\/li\u003e\n\u003cli\u003eRecently Discovered Audio Discussion On Frost\/Cresse By David F. Friedman And Something Weird Founder Mike Vraney\u003c\/li\u003e\n\u003cli\u003eHOLLYWOOD'S WORLD OF FLESH - Early Frost\/Cresse Feature (64 mins)\u003c\/li\u003e\n\u003cli\u003eTHE CASTING DIRECTOR - Rare Short Starring Bob Cresse, Directed By David F. Friedman\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eTeaser\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43064861720620,"sku":"760137150473","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/hot-spur-new-blu-ray-760137150473-8267812.jpg?v=1755534365"},{"product_id":"the-road-to-ruin-forbidden-fruit-the-golden-age-of-the-exploitation-picture-vol-15","title":"The Road to Ruin (Forbidden Fruit: The Golden Age of the Exploitation Picture Vol. 15)","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"One of the most popular films of the exploitation cinema was Willis Kent’s The Road to Ruin, about a group of wholesome high schoolers whose flirtations with vice launch them down a slippery moral slope to death and degradation. Unlike the genre’s more campy and hysterical scare films, such as Reefer Madness, The Road to Ruin is a finely crafted melodrama that is deceptively effective, building to an unexpectedly devastating climax. Filmed first as a silent in 1928 and then remade as a talkie in 1934 (both of which are featured in this edition), The Road to Ruin owes much of its success to actress Helen Foster, who stars in both versions as the love-hungry teen whose need for acceptance leads her to Jazz Age perdition. Newly restored from archival 35mm elements, The Road to Ruin is presented in cooperation with Something Weird, the Sonney Amusement Enterprises Film Collection, and the UCLA Film \u0026amp; Television Archive.\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12}' data-sheets-textstyleruns='{\"1\":0}{\"1\":75,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":92,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}{\"1\":295,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":309,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}{\"1\":311,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":327,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}{\"1\":552,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":568,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}{\"1\":773,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":789,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}'\u003eOne of the most popular films of the exploitation cinema was Willis Kent’s The Road to Ruin, about a group of wholesome high schoolers whose flirtations with vice launch them down a slippery moral slope to death and degradation. Unlike the genre’s more campy and hysterical scare films, such as Reefer Madness, The Road to Ruin is a finely crafted melodrama that is deceptively effective, building to an unexpectedly devastating climax. Filmed first as a silent in 1928 and then remade as a talkie in 1934 (both of which are featured in this edition), The Road to Ruin owes much of its success to actress Helen Foster, who stars in both versions as the love-hungry teen whose need for acceptance leads her to Jazz Age perdition. Newly restored from archival 35mm elements, The Road to Ruin is presented in cooperation with Something Weird, the Sonney Amusement Enterprises Film Collection, and the UCLA Film \u0026amp; Television Archive.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Road to Ruin (1934) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Road to Ruin (1928) by film historian Anthony Slide | Gallery of exploitation trailers\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":28864},\"15\":\"Helvetica Neue\",\"16\":12}' data-sheets-textstyleruns='{\"1\":0}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":37,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":73,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":135,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":159,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":175,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}'\u003eAudio commentary for The Road to Ruin (1934) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Road to Ruin (1934) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Road to Ruin (1928) by film historian Anthony Slide | Gallery of exploitation trailers\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":28864},\"15\":\"Helvetica Neue\",\"16\":12}' data-sheets-textstyleruns='{\"1\":0}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":37,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":73,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":135,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":159,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":175,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}'\u003eAudio commentary for The Road to Ruin (1928) by film historian Anthony Slide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Road to Ruin (1934) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Road to Ruin (1928) by film historian Anthony Slide | Gallery of exploitation trailers\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":28864},\"15\":\"Helvetica Neue\",\"16\":12}' data-sheets-textstyleruns='{\"1\":0}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":37,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":73,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":135,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}{\"1\":159,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12,\"6\":1}}{\"1\":175,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Helvetica\",\"4\":12}}'\u003eGallery of exploitation trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":43122154274860,"sku":"738329265977no","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-road-to-ruin-forbidden-fruit-the-golden-age-of-the-exploitation-picture-vol-15-new-blu-ray-738329265977-5424179.jpg?v=1755534279"},{"product_id":"hey-folks-its-intermission-time-video-party","title":"Hey Folks! It's Intermission Time Video Party!","description":"\u003cp data-mce-fragment=\"1\"\u003eWHOMP WHOMP NO SLIP\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003edirected by: Various\u003cbr data-mce-fragment=\"1\"\u003estarring: Various\u003cbr data-mce-fragment=\"1\"\u003e718 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion Free 2-disc Blu-ray\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDisc 1\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eTransferred from the original Something Weird S-VHS masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eHEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eCommentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eHEY FOLKS! 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IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eInsert with writing by Something Weird's Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDisc 2\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eTransferred from the original Something Weird S-VHS masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\n• Insert with writing by Something Weird's Lisa Petrucci\n\nDisc 2\n• Transferred from the original Something Weird S-VHS masters\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eHEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":43215799746604,"sku":"814456029337","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/hey-folks-its-intermission-time-video-party-new-blu-ray-814456029337-2907443.webp?v=1755534029"},{"product_id":"backwoods-double-feature-common-law-wife-jennie-wife-child","title":"Backwoods Double Feature: Common Law Wife + Jennie, Wife\/Child","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch3 itemprop=\"description\"\u003eTwo Southern Dramas with older men and younger woman -- things are taken care of, the backwoods way. Traditional Hickploitation films.\u003c\/h3\u003e\n\u003cp\u003eMan and Wife, the Backwoods Way! Wealthy old coot Shugfoot Rainey wants to trade in his over-the-hill mistress for his young niece, \"Baby Doll\" Jonelle, a pouty-faced stripper from New Orleans. But Rainey's mistress, Linda, has a surprise for both: according to Texas law, she's Shugfoot's COMMON LAW WIFE and has no intention of leaving quietly. Jonelle, however, is so eager to get her greedy mitts on Uncle Rainey's loot that she ups the ante by having a moronic moonshiner put cyanide in Shugfoot's whiskey! All of which lead to the two women eventually squaring off in a surprisingly violent showdown. With its small-town setting and hilariously rotten characters, Common Law Wife is an overripe slice of Southern sleaze courtesy of cult director Larry Buchanan, the outrageous auteur of Mars Needs Women! Also included is the feature, \"Jennie, Wife\/Child,\" a twenty-year-old is unhappily married to the way-too-old-for-her, Albert Peckingpaw. Jennie is so unhappy she puts the moves on Mario, the hunky hired hand. But when Albert realizes Jennie and Mario have been making' bacon in the barn, he drugs them, chains them in the cellar, and digs their graves. Which is when Lulu Belle, the cheerful \"town floozie,\" unexpectedly pays Albert a visit. From the director of The Sadist and featuring music by Davie Allan and the Arrows, and photography by Vilmos Zsigmond (Close Encounters of the Third Kind), Jennie, Wife\/Child easily exudes the long-lost charms of an evening at a Carolina drive-in!\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eArchival commentary for Common Law Wife from Director Larry Buchanan\u003c\/li\u003e\n\u003cli\u003e'That's Hickploitation' new feature\u003c\/li\u003e\n\u003cli\u003eOriginal new commentary for Common Law Wife by Millie De Chirico\u003c\/li\u003e\n\u003cli\u003eOriginal new commentary for Jennie Wife\/Child by Millie De Chirico\u003c\/li\u003e\n\u003cli\u003eLisa Petrucci from Something Weird Video provides our liner notes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43467542790188,"sku":"760137150558no","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/backwoods-double-feature-common-law-wife-jennie-wifechild-new-blu-ray-760137150558-4025720.jpg?v=1755533448"},{"product_id":"the-cocaine-fiends-the-pace-that-kills-forbidden-fruit-the-golden-age-of-the-exploitation-picture-vol-16","title":"The Cocaine Fiends \/ The Pace That Kills (Forbidden Fruit: The Golden Age of the Exploitation Picture Vol. 16)","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0}{\"1\":285,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":304,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}{\"1\":432,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":450,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12}}' data-sheets-userformat='{\"2\":14593,\"3\":{\"1\":0,\"3\":1},\"11\":4,\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"A cocaine-snorting gangster (Noel Madison) lures a small-town waitress (Thelma Daniels) to the big city, where a series of tragedies unfold. When her brother (Dean Benton) attempts to locate her, he falls into his own whirlpool of drugs and moral degradation. The 1928 silent version (The Pace That Kills) was so successful that producer Willis Kent remade it seven years later, and released it under a variety of titles, including The Cocaine Fiends, as it is best known today. Both films are presented here in 4K restorations, from archival 35mm elements preserved by the UCLA Film \u0026amp; Television Archive and the Library of Congress, and are presented in cooperation with Something Weird and the Sonney Amusement Enterprises Film Collection.\"}' data-sheets-root=\"1\"\u003eA cocaine-snorting gangster (Noel Madison) lures a small-town waitress (Thelma Daniels) to the big city, where a series of tragedies unfold. When her brother (Dean Benton) attempts to locate her, he falls into his own whirlpool of drugs and moral degradation. The 1928 silent version (The Pace That Kills) was so successful that producer Willis Kent remade it seven years later, and released it under a variety of titles, including The Cocaine Fiends, as it is best known today. Both films are presented here in 4K restorations, from archival 35mm elements preserved by the UCLA Film \u0026amp; Television Archive and the Library of Congress, and are presented in cooperation with Something Weird and the Sonney Amusement Enterprises Film Collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":39,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":75,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":137,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":161,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":180,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":222,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":240,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}' data-sheets-userformat='{\"2\":47169,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12,\"18\":1}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Cocaine Fiends (1935) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Pace That Kills (1928) by film historian Anthony Slide | The Cocaine Fiends 1973 re-release trailer | Gallery of exploitation trailers\"}' data-sheets-root=\"1\"\u003eAudio commentary for The Cocaine Fiends (1935) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":39,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":75,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":137,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":161,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":180,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":222,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":240,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}' data-sheets-userformat='{\"2\":47169,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12,\"18\":1}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Cocaine Fiends (1935) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Pace That Kills (1928) by film historian Anthony Slide | The Cocaine Fiends 1973 re-release trailer | Gallery of exploitation trailers\"}' data-sheets-root=\"1\"\u003eAudio commentary for The Pace That Kills (1928) by film historian Anthony Slide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":39,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":75,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":137,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":161,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":180,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":222,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":240,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}' data-sheets-userformat='{\"2\":47169,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12,\"18\":1}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Cocaine Fiends (1935) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Pace That Kills (1928) by film historian Anthony Slide | The Cocaine Fiends 1973 re-release trailer | Gallery of exploitation trailers\"}' data-sheets-root=\"1\"\u003eThe Cocaine Fiends 1973 re-release trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-textstyleruns='{\"1\":0,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":21,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":39,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":75,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":137,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":161,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":180,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}{\"1\":222,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":1}}{\"1\":240,\"2\":{\"2\":{\"1\":2,\"2\":28864},\"3\":\"Calibri\",\"4\":12,\"6\":0}}' data-sheets-userformat='{\"2\":47169,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"14\":{\"1\":2,\"2\":28864},\"15\":\"Calibri\",\"16\":12,\"18\":1}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary for The Cocaine Fiends (1935) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films | Audio commentary for The Pace That Kills (1928) by film historian Anthony Slide | The Cocaine Fiends 1973 re-release trailer | Gallery of exploitation trailers\"}' data-sheets-root=\"1\"\u003eGallery of exploitation trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":43679333679148,"sku":"738329267001no","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-cocaine-fiends-the-pace-that-kills-forbidden-fruit-the-golden-age-of-the-exploitation-picture-vol-16-new-blu-ray-738329267001-1015555.jpg?v=1755532255"},{"product_id":"michael-findlays-flesh-trilogy-region-free-w-hardcover-slip-and-booklet-used","title":"The Flesh Trilogy w\/HARDCASE USED","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFew filmmakers were more closely associated with the darkest, grimiest, and most shocking side of 1960s sexploitation than notorious auteur \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eMichael Findlay\u003c\/span\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Ultimate Degenerate\u003c\/span\u003e\u003cspan\u003e), and no films better personify his uniquely twisted approach to the genre than the infamous \"Flesh\" trilogy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the first entry in the trilogy, THE TOUCH OF HER FLESH, Findlay himself stars as Richard Jennings, happily married to the beautiful Claudia (Angelique Pettyjohn). Richard leaves for a business trip only to return and discover Claudia in bed with her lover! Panic stricken, Richard staggers to the street and is hit by a car, losing an eye and gaining a limp as a result. Scorned and vengeful, Richard adopts a new identity and begins a murderous rampage against all women he deems \"immoral.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn THE CURSE OF HER FLESH, the middle entry of the trilogy, Findlay returns as the bloodthirsty and eye-patched Richard Jennings. Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the final installment of the trilogy, THE KISS OF HER FLESH, Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria (Uta Erikson), is hellbent on putting an end to \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRichard's orgiastic rampage...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll three of these perverted classics of underground sleaze have been newly restored in 2K from their uncensored 35mm camera negatives and are making their world Blu-ray debut from Distribpix Inc. and Something Weird!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eBonus Features:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e1. 2-Disc Region Free Blu-ray Set\u003cbr\u003e2. Reversible cover artwork\u003cbr\u003e3. English SDH subtitles for the films\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eBlu-ray Disc #1\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e1. THE TOUCH OF HER FLESH (1967) newly restored from its original 35mm camera negative\u003cbr\u003e2. Feature length audio commentary with film historian Heather Drain\u003cbr\u003e3. \"Master Class With Roberta Findlay\" - an extensive discussion with actress and creative partner of director Michael Findlay, recorded in 2019 at the Offscreen Film Festival in Brussels, Belgium\u003cbr\u003e4. Theatrical trailers for THE TOUCH OF HER FLESH and THE CURSE OF HER FLESH\u003cbr\u003e5. Archival image gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eBlu-ray Disc #2\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e1. THE CURSE OF HER FLESH (1968) newly restored from its 35mm camera negative\u003cbr\u003e2. THE KISS OF HER FLESH (1968) newly restored from its 35mm camera negative\u003cbr\u003e3. Feature length audio commentaries by film historian Heather Drain for THE CURSE OF HER FLESH and THE KISS OF HER FLESH\u003c\/span\u003e\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":43768774197292,"sku":"814456028613U","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/michael-findlays-flesh-trilogy-whardcase-used-used-blu-ray-814456028613u-8759854.jpg?v=1777614856"},{"product_id":"maniac-1934","title":"Maniac (1934)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eSo perverse that it continues to shock and offend viewers 90 years after its release, Dwain Esper’s Maniac is a deranged retelling of Edgar Allan Poe’s “The Black Cat” in the guise of an educational film on mental illness. This no-budget thriller by self-taught filmmakers has a wildly fragmented style. Its intrusive use of title scrolls, stock footage, and gratuitous nudity make it one of the first true underground films (with a gruesome wink at the eyeball-slicing scene of Un chien andalou). Maniac is presented here in a new 4K restoration, from the original camera negative and other 35mm elements preserved by the UCLA Film \u0026amp; Television Archive, and is presented in cooperation with Something Weird and the Sonney Amusement Enterprises Film Collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio interview with director Dwain Esper and screenwriter Hildagarde Esper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eThe true crime short films of Dwain Esper and Louis Sonney: You Can't Beat the Rap, The Last Hour of Killer Mears, The March of Crime, and The March of Crime (2nd Ed.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio commentary by Bret Wood, author of Marihuana, Motherhood, and Madness: Three Screenplays from the Exploitation Cinema of Dwain Esper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003e2024 Re-release trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTrailers for Dwain Esper's The Seventh Commandment, Narcotic, and Marihuana: Weed With Roots in Hell\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":43917986463788,"sku":"738329267698no","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/maniac-1934-new-blu-ray-738329267698-3282855.jpg?v=1755530378"},{"product_id":"ron-sullivan-the-early-years","title":"Ron Sullivan: The Early Years","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBefore becoming known as one of the masters of big budget theatrical hardcore under the name Henri Pachard, Ron Sullivan cut his teeth making dark, brooding, and often outrageous sexploitation thrillers which reveled in the macabre as much as they did eroticism. Presented here are a trio of Sullivan's finest early efforts, all newly scanned and restored from 35mm negative materials and on Blu-ray for the first time, from Distribpix. In LUST WEEKEND (1967), Sullivan's directing debut, a naive couple are lured by a group of sadistic perverts to a large country manor where they are subjected to increasingly depraved and violent acts of torture. An unflinchingly grotesque and sublimely weird roughie, Sullivan expertly merges sex and horror through an underground filmmaking aesthetic, which decades later still packs plenty of squirm-inducing jolts. In THE BIZARRE ONES (1968), Sullivan continues his fascination with sexual perversions, focusing on man-hating Deirdre who picks up a young male hitchhiker and lures him to her country dungeon wherein he is subjected to the torments of Dierdre and her equally vicious friends. Featuring appearances from Warhol superstars Taylor Mead and Louis Waldon, this trippy and unusual roughie more than lives up to its title. In SCORPIO 70 (1970), Sullivan tries his hand at a more transitional narrive in this flashback structured story of smuggling, sexual indiscretions, and ultimately murder, all aboard a boat. Featuring an early starring role for Jennifer Welles (Career Bed) in addition to a catchy original soundtrack by James Taylor, this softcore thriller produced by Sam Lake (The Nesting) is at last making its home video debut.\u003c\/p\u003e\n\u003cp\u003edirected by: Ron Sullivan\u003cbr\u003estarring: Claire Adams, John Keeler, Mary Lamay, Eva Piatkowitz, Claire Eclaire, Cherrie Winters, Steve Treadwell, Gary West, Sagg Taras, Jennifer Welles, Stacey Michaels, Michael Hanes, Hollis Solomon, Blaine Quincy, Iris Brooks, Jessica Stuart and Tomba\u003cbr\u003e1967, 1968, 1970 \/ 220 min (combined) \/ 1.37:1, 1.37:1, 1.33:1 \/ English DTS-HD MA 1.0\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eLust Weekend (68 min) and The Bizarre Ones (72 min) were restored from their original 35mm camera negatives and Scorpio 70 (80 min) was restored from its 35mm blow-up interpositive, and are all presented in their original theatrical aspect ratios\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBrand new video interview with Ron Sullivan collaborator Don Walters\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn archival video interview with Ron Sullivan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn audio interview between Ron Sullivan and adult film historian Ashley West as featured on The Rialto Report\u003c\/li\u003e\n\u003cli\u003eThe original theatrical trailer for Lust Weekend\u003c\/li\u003e\n\u003cli\u003eAn archival image gallery \u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":43999931105324,"sku":"810161481569","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/Ron_Sullivan_Early_Years_STD_Front_2500x_f2f8ffc5-c2e6-4cbc-a115-de0dae483650.webp?v=1780845577"},{"product_id":"the-pickup","title":"The Pickup","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWhen two bagmen are robbed of $1 million in Las Vegas mob money by a seductive pair of con artists, it triggers a frenzy of violence and vengeance.\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough their collaborations included such exploitation classics as HOUSE ON BARE MOUNTAIN, LOVE CAMP 7, THE THING WITH TWO HEADS and RACE WITH THE DEVIL, this 1969 crime shocker from writer\/director\/cinematographer Lee Frost and co-writer\/producer\/star Wes Bishop was thought lost for decades. But with the recent discovery of its original camera negative in a Paris vault, it can now be seen restored and uncut for the first time ever: When two bagmen for the L.A. syndicate are robbed of $1 million in Las Vegas mob money by a seductive pair of con artists, it will trigger a desperate frenzy of carnal violence and brutal vengeance. Lynn Harris (THE EROTIC ADVENTURES OF ZORRO), legendary producer Bob Cresse (HOT SPUR, THE SCAVENGERS), sexploitation icon David F. Friedman and mysteriously disappeared folk singer Jim Sullivan co-star in this extreme 'roughie' newly scanned in 4K.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSirens On The Road: Post-Noir Vision And Beatnik Glory In THE PICK-UP - Video Essay By Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli\u003ePhoto Gallery With Commentary By Something Weird Video's Mike Vraney And Exploitation Legend David F. Friedman\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44246295773228,"sku":"760137176923","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-pickup-new-blu-ray-760137176923-1502395.jpg?v=1755527775"},{"product_id":"peek-a-boo-b-girl-rhapsody-copy","title":"Peek-A-Boo \/ B Girl Rhapsody","description":"\u003cp\u003eFrom the era of pasties and a g-string come a bevy of burlesque beauties performing their signature striptease acts, accompanied by a raucous gang of hairy-armed, baggy-pants comedians, testing the boundaries of what was morally permissible on the midcentury movie screen. Both Peek-a-Boo and “B” Girl Rhapsody are directed by burlesque impresario Lillian Hunt, who shot the film in a style that preserves the theatrical experience, never allowing the viewer to cross the footlights, never affording the audience too close a view. The results are two time capsules that offer priceless front-row views of old-school bump and grind (shot on location at the New Follies Theater in Los Angeles), a treat for nostalgic octogenarians and millennial New Burlesque fans alike.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cp\u003e-Audio commentary for Peek-A-Boo by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films 1919-1959\u003c\/p\u003e\n\u003cp\u003e-Audio commentary for \"B\" Girl Rhapsody by Alexandra Heller-Nicholas\u003c\/p\u003e\n\u003cp\u003e-Theatrical trailers\u003c\/p\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":44403728416812,"sku":"738329254438","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/peek-a-boo-b-girl-rhapsody-new-blu-ray-738329254438-9522980.jpg?v=1755526957"},{"product_id":"satans-bed-scare-their-pants-off-w-slip","title":"Satan's Bed + Scare Their Pants Off w\/SLIP","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCrime, kidnapping, white slavery, ritualistic cults, and other sordid activities were all fodder for the most outlandish roughies of the 1960s. Produced primarily in New York by a mix of budding filmmakers and “legit” craftspeople moonlighting in the seedier areas of cinema, these trashy tales became the bedrock of what later exploitation features would take in even more extreme directions. Distribpix Inc. + Something Weird offer the Blu-ray debut of a notorious pairing of two of the most twisted such efforts, both newly restored in 4K from their 35mm original camera negatives!\u003c\/p\u003e\n\u003cp\u003eIn SATAN’S BED, a pre-fame Yoko Ono stars as Ito, a young Japanese woman who arrives in New York to reunite with her husband, only to discover he’s gotten mixed up in a life of drugs and crime. Meanwhile, a gang of strung out dope fiends unable to satisfy their kicks, kidnap and torment beautiful women. A truly twisted mutant film which combines an unfinished hard boiled crime drama with a nasty sexploitation thriller, this Michael \u0026amp; Roberta Findlay effort offers one sick surprise after another.\u003c\/p\u003e\n\u003cp\u003eIn SCARE THEIR PANTS OFF, innocent young women are being drugged and kidnapped off the streets of Manhattan, only to awaken in a mysterious dark room where they are tormented by hideously deformed creatures…or are they? Combining a sex-cult oriented nudity with a crime thriller, and touches of oddball humor, this truly unique sleaze pic was the sole directing effort from John Maddox and was produced by the legendary Ron Sullivan (aka Henri Pachard).\u003c\/p\u003e\n\u003cp\u003edirected by: Michael and Roberta Findlay, Ron Sullivan\u003cbr\u003estarring: Yoko Ono, Val Avery, Glen Nielson, Roberta Findlay, Mary St. Feint, Sean Laney, Jon Woods, Alou Mitsou, Claire Adams\u003cbr\u003e1965 and 1968 \/ 73 min, 63 min \/ 1.37:1 \/ English DTS-HD MA 1.0\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eSATAN’S BED (73 min) and SCARE THEIR PANTS OFF (63 min) are newly restored in 4K from their 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eOriginal trailers for Satan’s Bed and Scare Their Pants Off\u003c\/li\u003e\n\u003cli\u003eOpening title card featurette\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003e“Something Weird” shorts\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":44603573895212,"sku":"810161484515","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/satans-bed-scare-their-pants-off-wslip-new-blu-ray-810161484515-5691685.webp?v=1755525844"},{"product_id":"krazee-kidz-video-party","title":"Krazee Kidz Video Party w\/SLIP","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eIn the 1990s, Something Weird Video mesmerized a generation of film fanatics by unearthing the most wildly surreal genre films of all time—all via the magic of VHS. KRAZEE KIDZ VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring five deranged kiddie features—all preserved from the original Something Weird S-VHS masters—this collection serves as a time machine to a beloved era in home video history.\u003c\/p\u003e\n\u003cp\u003eTHE BIG BAD WOLF (1957, 53 mins, Color)\u003cbr\u003eInflicting trauma on kids across the country during its original theatrical run, this is a surreal anthropomorphic nightmare that masquerades as a children's film.\u003c\/p\u003e\n\u003cp\u003eFUN IN BALLOON LAND (1965, 53 mins, Color)\u003cbr\u003eCalling all “weirdees” for this campy amateur production that documents the 45th annual Thanksgiving Day Parade in Philadelphia and other strange sights.\u003c\/p\u003e\n\u003cp\u003ePOLLY POCKETS (1960s, 25 mins, Color)\u003cbr\u003eMeet us at the Castle of Gloom for this un-aired kiddie TV show pilot that's best viewed under the influence of a mind-altering substance. \u003c\/p\u003e\n\u003cp\u003eTHE PRINCESS AND THE MAGIC FROG (1965, 78 mins, Color)\u003cbr\u003eLeprechauns, wizards, and puppets unite in this WIZARD OF OZ homage that was filmed by the lunatics responsible for THE MAGIC CHRISTMAS TREE.\u003c\/p\u003e\n\u003cp\u003eKINGDOM OF CROOKED MIRRORS (1963, 76 mins, Color)\u003cbr\u003eResembling an acid-tinged, live-action cartoon, this Russian fairy tale is an imaginative, stylish, and wonderfully surreal discovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: various\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring:\u003cspan\u003e \u003c\/span\u003evarious\u003cbr\u003e1957-1965 \/ 301 min (combined) \/ 1.33:1 \/ English DTS-HD MA 1.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003ePreserved from the original 1990s Something Weird S-VHS tape masters\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNightmarish trailers and drive-in snipes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eWatch the full, uninterrupted program in “all nite slumber party” mode\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":45091703357484,"sku":"810161484980","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/krazee-kidz-video-party-wslip-new-blu-ray-810161484980-3461378.webp?v=1772343793"},{"product_id":"please-dont-eat-my-mother-dvd-used","title":"Please Don't Eat My Mother (DVD) USED","description":"\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"ettgxl-aluz73-c2rbwr-hqxriv\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003ePretty young ladies make the perfect plant food. Henry Fudd, an overage mama's boy and part time peeping tom, is the proud owner of two very peculiar plants he keeps locked in his bedroom. Named Adam and Eve and looking like overgrown Venus Flytraps with giant mouths filled with razor sharp teeth, the plants not only talk, but eat humans--especially the sexy centerfold kind. Definitely not for the kiddies, \"Please Don't Eat My Mother!\" also features legendary sex kitten Rene Bond as one of the plant's more delectable meals.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"ssdmh3-9yxlhk-jfz47v-5tctbg\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":45388257427500,"sku":"014381974720U","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/please-dont-eat-my-mother-dvd-used-used-dvd-014381974720u-5768644.jpg?v=1775862554"},{"product_id":"a-scream-in-the-streets-dvd-used","title":"A Scream in the Streets (DVD) USED","description":"\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"bn7x0n-8yz2mh-wgx3lq-qqvvna\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003ePlain clothes cops Eddie Haskell and Bob Streeker hate freaks. No, not the sideshow kind. The \"freaks\" they're after are the criminal scum running amok in Los Angeles--like the neighborhood voyeur who peeps on lesbian housewives, and the slimy sadist who goes berserk at a massage parlor. But Number 1 on their hit list is a cheerful serial killer whose hobby is hacking up ladies in a local park. Geared for the seventies drive-in crowd, \"A Scream in the Streets\" is as gleefully preoccupied with sex as it is with cops and robbers and deftly mixes crime and carnality with an abundance of sizzling starlets!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"uobgc7-qy5wf0-ir886l-rhzt7b\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":45529840091180,"sku":"014381081220U","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/a-scream-in-the-streets-dvd-used-used-dvd-014381081220u-7330207.jpg?v=1780608012"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/collections\/something-weird-5695662.jpg?v=1755525730","url":"https:\/\/www.orbitdvd.com\/collections\/something-weird.oembed?page=4","provider":"Orbit DVD","version":"1.0","type":"link"}