{"title":"Wednesday November 11th 2026","description":null,"products":[{"product_id":"the-sacred-the-cursed-the-joko-anwar-collection","title":"The Sacred \u0026 The Cursed: The Joko Anwar Collection","description":"\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eHe’s the award-winning writer\/producer\/director who’s been called “truly brilliant” (\u003ci\u003eHeaven of\u003c\/i\u003e \u003ci\u003eHorror\u003c\/i\u003e), “a filmmaker who dares to walk where few have gone” (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eIndependent Observer\u003c\/i\u003e) and\u003c\/span\u003e “one of the best working in the genre today” (\u003ci\u003eVoices from the Balcony\u003c\/i\u003e). Now for the first time ever, \u003cb\u003eSeverin Films\u003c\/b\u003e brings together a quartet of classics by\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003e“The Indonesian Master of Horror”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eBloody Disgusting\u003c\/i\u003e) \u003cb\u003eJoko Anwar\u003c\/b\u003e: Anwar’s global breakthrough \u003cb\u003eSATAN’S SLAVES\u003c\/b\u003e redefined Indonesian cinema and remains a modern horror milestone. Far more than just a sequel, \u003cb\u003eSATAN’S SLAVES 2: COMMUNION\u003c\/b\u003e is an over-the-top and wickedly grisly haunted house masterpiece. \u003cb\u003eIMPETIGORE\u003c\/b\u003e, his love letter to the genre, shattered taboos and shocked international audiences like never before. And with the neo-noir hit \u003cb\u003eDEAD TIME\u003c\/b\u003e, Anwar merges supernatural folklore with contemporary terrors to craft a visually stunning nightmare. All four films are presented from\u003cb\u003e masters approved by Anwar\u003c\/b\u003e, \u003cb\u003ewith over 10 combined hours of Special Features produced exclusively for this collection\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: SATAN’S SLAVES (2017)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFor his 2017 breakthrough, \u003cb\u003eJoko Anwar\u003c\/b\u003e took the 1980 classic by Sisworo Gautama Putra and reinvented its themes of supernatural folklore to deliver an “extraordinary” (\u003cspan class=\"s2\"\u003e\u003ci\u003eMalevolent Dark\u003c\/i\u003e), “take-no-prisoners” (\u003ci\u003eSlash Film\u003c\/i\u003e), “deliciously creepy spectacle oozing with Satanic inspiration” (\u003ci\u003eDread Central\u003c\/i\u003e\u003c\/span\u003e)\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003ethat shattered box-office records \u003c\/span\u003eand single-handedly launched The New Golden Age of Indonesian Horror: When the matriarch of a struggling family dies after a mysterious illness, it will unlock a slow-burning nightmare of ancestral superstition, occult carnage a\u003cspan class=\"s2\"\u003end several of the most “gloriously crafted scares” (\u003ci\u003eWarped Perspective\u003c\/i\u003e) in modern horror history.\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (IMPETIGORE) and \u003cb\u003eBront Palarae\u003c\/b\u003e (GHOST IN THE CELL) star in “one of the best remakes of the last decade” (\u003ci\u003eHorror News\u003c\/i\u003e) and “a nerve-jangling good time where the mayhem hardly lets up” (\u003ci\u003eDaily Dead\u003c\/i\u003e), now\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003epresented from \u003c\/span\u003e\u003cb\u003ea master approved by the writer\/director with over 2 hours of Special Features\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Mother, Spirituality And World Music\u003c\/i\u003e – Interview With Actress Ayu Laksmi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Gope T. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo, English 5.1, English Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English, English SDH\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: SATAN’S SLAVES 2: COMMUNION (2022)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFive years after SATAN’S SLAVES broke box-office records and forever redefined Indonesian horror, \u003cb\u003eJoko Anwar\u003c\/b\u003e crafted his follow-up hailed as “truly disturbing” (\u003ci\u003eGizmodo\u003c\/i\u003e), “darker and more macabre than before” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e) and “one of the few sequels that totally surpasses the original” (\u003ci\u003eNerdly\u003c\/i\u003e): Having barely escaped their rural Satanic nightmare, the Suwono family now lives in a decrepit Jakarta apartment building that seethes with urban dread, grisly secrets and demonic havoc where the damned find no solace, evil demands its harvest and “\u003cspan class=\"s2\"\u003eevery scene is punctuated with horrific visions that you can’t unsee” (\u003ci\u003eThe Scariest Things\u003c\/i\u003e)\u003ci\u003e. \u003c\/i\u003eSATAN’S SLAVES stars\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e, \u003cb\u003eEndy Arfian\u003c\/b\u003e,\u003cb\u003e Nasar Anuz, Bront Palarae\u003c\/b\u003e, \u003cb\u003eEgi Fedly\u003c\/b\u003e and \u003cb\u003eAyu Laksmi\u003c\/b\u003e return for “\u003cspan class=\"s2\"\u003ea wickedly malevolent slice of Indonesian horror that’s right on in its razor-toothed execution” (\u003ci\u003eSlash Film\u003c\/i\u003e),\u003ci\u003e \u003c\/i\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003epresented \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003efrom a master approved by the writer\/director with 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Sunil G. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eArchival Making-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuntime: 119 mins\u003c\/li\u003e\n\u003cli\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli\u003eSubtitles: English\u003c\/li\u003e\n\u003cli\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: IMPETIGORE (2019)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFollowing SATAN’S SLAVES, his HBO Asia series \u003ci\u003eFolklore\u003c\/i\u003e and the superhero blockbuster GUNDALA, \u003cb\u003eJoko Anwar\u003c\/b\u003e returned to horror with this “relentlessly frightening” (\u003ci\u003eCreepy Kingdom\u003c\/i\u003e) love letter to the genre that premiered at the 2020 Sundance Film Festival and remains “\u003cspan class=\"s2\"\u003ea gruesome descent into madness that will leave your skin crawling” (\u003ci\u003eDaily Dead\u003c\/i\u003e)\u003ci\u003e:\u003c\/i\u003e When a cynical young city woman travels to her remote ancestral village in search of an inheritance, she’ll instead unleash a legacy of dark tragedy, grim butchery and a grotesque family curse “\u003c\/span\u003e\u003cspan class=\"s5\"\u003edripping with otherworldly weirdness” (\u003ci\u003eWhen It Was Cool\u003c\/i\u003e)\u003c\/span\u003e\u003cspan class=\"s2\"\u003e. \u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (SATAN’S SLAVES 1 \u0026amp; 2), \u003cb\u003eArio Bayu\u003c\/b\u003e (THE QUEEN OF BLACK MAGIC) and \u003cb\u003eMarissa Anita\u003c\/b\u003e (\u003ci\u003eNightmares and Daydreams\u003c\/i\u003e) star in the modern shock classic where “\u003cspan class=\"s2\"\u003eAnwar goes for broke in terms of gonzo bloodshed, over-the-top reveals and a ballsy approach to shattering cinematic taboos” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e)\u003c\/span\u003e,\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003enow presented from a master approved by the writer\/director\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eWriter\/Director Joko Anwar On IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eIMPETIGORE And Beyond \u003c\/i\u003e– Interview With Actress Christine Hakim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE And The SATAN'S SLAVES Films With Actress Asmara Abigail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eCamera Tests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 107 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: DEAD TIME (2007)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eWith only his second film as writer\/director, \u003cb\u003eJoko Anwar \u003c\/b\u003ecaptured international acclaim, rewrote the rules of Indonesian cinema and launched his global career via the “disturbing and absolutely magnificent noir-horror that was a great prelude of what was about to follow” (\u003ci\u003eAsian Movie Pulse\u003c\/i\u003e): In a city sweltering with violence and despair, a jaded cop and a desperate reporter investigate a series of brutal killings that will trap them in a web of superstition, corruption, ghoulish creatures and “the best political thriller since the heyday of Alan Pakula” (\u003ci\u003eSight and Sound\u003c\/i\u003e). \u003cb\u003eFachry Albar\u003c\/b\u003e (THE FORBIDDEN DOOR) and \u003cb\u003eArio Bayu\u003c\/b\u003e (IMPETIGORE) star in this “strange, unpredictable and beautiful film that will take you for quite a ride” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) – also known as KALA – \u003cb\u003enow presented from a scan approved by the writer\/director with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On His Early Filmmaking Inspirations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eActress Faradina Mufti On The Films Of Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of Joko Anwar’s Filmography By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of DEAD TIME By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":46121055223852,"sku":"760137218081","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-sacred-the-cursed-the-joko-anwar-collection-new-blu-ray.jpg?v=1789200706"},{"product_id":"black-zombie","title":"Black Zombie","description":"\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003e\u003cstrong\u003eBlack Zombie\u003c\/strong\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003edigs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins. Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power. A symbol of stolen agency was recast as an object of fear, while Black spiritual traditions were distorted, sensationalized, and erased. Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Zombie\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNight of the Living Dead\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Serpent and the Rainbow \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ealongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. 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(4K UHD, Limited Edition)","description":"\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFOUR DISC \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eLIMITED EDITION\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 6 HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e BONUS MORRICONE SOUNDTRACK CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e \u003c\/p\u003e\n\u003cp class=\"p5\"\u003eIt’s been called a “one-of-a-kind giallo” (\u003ci\u003eThe Digital Bits\u003c\/i\u003e) that “delivers shocks with the precision of a Swiss watch” (\u003ci\u003eStarburst\u003c\/i\u003e). 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class=\"s3\"\u003e \u003c\/span\u003efeaturing exquisite cinematography by \u003cb\u003eSergio Salvati\u003c\/b\u003e (THE PSYCHIC), grisly special effects by \u003cb\u003ePaolo Ricci\u003c\/b\u003e (EATEN ALIVE) and an intense score by \u003cb\u003ePino Donaggio\u003c\/b\u003e (DON’T LOOK NOW, CARRIE), \u003cb\u003enewly\u003c\/b\u003e \u003cb\u003erestored and\u003c\/b\u003e \u003cb\u003escanned in 4K from the original camera negative with over 3 hours of Special Features. \u003c\/b\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e \u003c\/p\u003e\n\u003cp class=\"p5\"\u003eDisc 1 UHD (Film + Special Feature):\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003eDisc 2: Blu-ray (Film + Special Features):\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eMr. Poe And Me\u003c\/i\u003e – Interview With Screenwriter Biagio Proietti\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eOf Bats And Cats\u003c\/i\u003e – Interview With Special Effects Artist Paolo Ricci\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eNine Lives\u003c\/i\u003e – Interview With Camera Operator Roberto Forges Davanzati\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eSymphony For A Black Cat\u003c\/i\u003e – Interview With Composer Pino Donaggio\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003eDisc 3: Blu-ray (Special Features):\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eFrightened Dagmar\u003c\/i\u003e – Career Interview With Actress Dagmar Lassander\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eFrom Poe Into Fulci: The Spirit Of Perverseness\u003c\/i\u003e – Interview With Stephen Thrower, Author Of \u003ci\u003eBeyond Terror: The Films Of Lucio Fulci\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eAt Home With David Warbeck\u003c\/i\u003e – Archiv\u003cspan class=\"s5\"\u003eal\u003c\/span\u003e Interview\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eIn The Paw-Prints Of The Black Cat\u003c\/i\u003e – Locations Featurette\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eRuntime: 92 mins\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli 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