{"title":"Friday September 25th 2026","description":null,"products":[{"product_id":"kamome-diner-limited-edition-region-free","title":"Kamome Diner (Limited Edition, Region Free) w\/SLIP","description":"\u003cp\u003eIn the heart of Helsinki, a small Japanese café sits quietly, waiting for customers. Run by the warm and optimistic Sachie, the diner attracts a handful of unlikely visitors, including fellow Japanese expatriates searching for connection far from home and Tommy, an eccentric Finnish otaku whose love of Japanese culture makes him one of the café's most devoted regulars. Together, they form an unexpected community, finding comfort in simple meals, shared conversations, and the small rituals of everyday life.\u003c\/p\u003e\n\u003cp\u003eShot on vibrant 35mm film and directed by Naoko Ogigami (Rent-a-Cat, Megane), Kamome Diner is a gentle and deeply charming celebration of friendship, food, and belonging. Filled with understated humour, memorable characters, and beautifully observed moments, this beloved modern cult classic invites audiences to slow down and savour life's simple pleasures.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eDirector Approved Special Edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e• 1080p High-Definition Presentation\u003cbr\u003e• \u003cstrong\u003eNEW \u003c\/strong\u003eInterview with Director Naoko Ogigami\u003cbr\u003e• \u003cstrong\u003eNEW\u003c\/strong\u003e \u003cem\u003eAn Ordinary Life\u003c\/em\u003e – Video Essay by Japanese Cinema Expert Jonathan Clements\u003cbr\u003e• \u003cem\u003eTake a Walk with a Cat in Helsinki\u003c\/em\u003e – Legacy 40-Minute Making-of Documentary\u003cbr\u003e• Original Theatrical Trailer\u003cbr\u003e• Collector's Booklet Featuring a \u003cstrong\u003eNEW\u003c\/strong\u003e Essay by Film Critic and Historian Alexandra Heller-Nicholas\u003cbr\u003e• Slipcover Featuring \u003cstrong\u003eNEW\u003c\/strong\u003e Artwork by \u003cem\u003eKoeri Gallery\u003c\/em\u003e with UV Spot Gloss Finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLimited Edition 1000 units. \u003c\/span\u003e\u003c\/p\u003e","brand":"Rocket","offers":[{"title":"Default Title","offer_id":45694231248940,"sku":"9675493143711","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/kamome-diner-limited-edition-region-free-wslip-new-blu-ray.webp?v=1790410731"},{"product_id":"joe-90-the-complete-series-limited-hardbox-edition-region-free","title":"Joe 90: The Complete Series (Limited Hardbox Edition, Region Free)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eImprint Television continues our Gerry and Sylvia Anderson releases with\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eJoe 90: The Complete Series\u003c\/em\u003e\u003cspan\u003e, a gloriously outlandish slice of 60s sci-fi television, and the final Anderson series to be produced entirely in the Supermarionation style.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eProfessor Ian McClaine invents the BIG RAT (Brain Impulse Galvanoscope Record and Transfer), a machine capable of copying the knowledge and skills of any expert and transferring them directly into a human brain! The World Intelligence Network harnesses this technology, and recruits the only available operative willing to take on the most dangerous missions on the planet, nine-year-old Joe McClaine.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eArmed each week with the brain patterns of fighter pilots, brain surgeons, safe-crackers and nuclear scientists, Joe McClaine travels the globe as WIN's Most Special Agent, tackling international terrorists, rogue states, and crises that would defeat any adult spy.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLimited Edition 5-Disc Blu-ray Hardbox featuring a 100-page Hardcover Booklet. 1500 copies only.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of all 30 episodes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eNEW Special Features TBC\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Amazing Adventures of Joe 90\u003c\/em\u003e\u003cspan\u003e – Feature Film (standard-definition)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Amazing Adventures of Joe 90\u003c\/em\u003e\u003cspan\u003e - Trailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eProject 90\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e– The Making of \u003c\/span\u003e\u003cem\u003eJoe 90 \u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cem\u003eWin Briefing\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003e- featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEpisode\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eLone-Handed 90\u003c\/em\u003e\u003cspan\u003e in alternate 1.66:1 aspect ratio\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpecial Glasses Tag\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpecial Glasses Recording Session\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English LPCM 2.0 Dual Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rocket","offers":[{"title":"Default Title","offer_id":45866302832684,"sku":"9337369055855","price":82.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/joe-90-the-complete-series-limited-hardbox-edition-region-free-new-blu-ray.webp?v=1785772956"},{"product_id":"the-cinema-of-powell-pressburger-collection-two-4k-uhd-blu-ray-limited-edition-hardbox-region-free","title":"The Cinema of Powell \u0026 Pressburger - Collection Two (4K UHD\/Blu-ray, Limited Edition Hardbox, Region Free)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMichael Powell and Emeric Pressburger forged a filmmaking partnership that has forever influenced the silver screen, crafting a catalogue of twenty-four films that are among the most renowned works cinema has to offer.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis second selection features seven more entries from their powerful collaboration:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOne of Our Aircraft is Missing (1942) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eI Know Where I'm Going! (1945) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Red Shoes (1948) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eThe Small Back Room (1949) - 4K UHD + Blu-ray - \u003c\/span\u003e\u003cspan\u003eworldwide first on 4K UHD!\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eThe Tales of Hoffmann (1951) - 4K UHD + Blu-ray - \u003c\/span\u003e\u003cspan\u003eworldwide first on 4K UHD!\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOh... Rosalinda!! (1955) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Battle of the River Plate (1956) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis special collection also includes the feature documentary \u003c\/span\u003e\u003cspan\u003eCameraman - The Life and Work of Jack Cardiff\u003c\/span\u003e\u003cspan\u003e (2010) on Blu-ray, alongside hours of brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eand archival Special Features.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLimited Edition 12-Disc Hardbox (authoring and encoding by Fidelity In Motion) with an exclusive 236-page hardcover booklet, featuring pressbooks, programmes, and original production photographs, as well as a brand \u003c\/span\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eessay by critic Jeremy Arnold.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“Of course, all films are surrealist. They are because they are making something that looks like a real world but isn't.\u003c\/em\u003e” \u003c\/span\u003e\u003cspan\u003e- Michael Powell\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e1500 copies only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eOne of Our Aircraft is Missing (1942) - Imprint Collection #615\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe first film Powell \u0026amp; Pressburger made under the banner of The Archers, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eOne of Our Aircraft Is Missin\u003c\/em\u003eg\u003c\/span\u003e\u003cspan\u003e is riveting screen dynamite, described by the New York Times as \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“tremendously exciting … its motors never miss a beat.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOn its way back from a raid in Germany, a British bomber is shot down over Nazi-held Holland. Parachuting into Dutch farmlands under the cover of darkness, the crew connects with members of the local resistance, who shelter the Brits from their Nazi inquisitors as they make their way towards freedom.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring Godfrey Tearle (\u003c\/span\u003e\u003cem\u003eThe 39 Steps\u003c\/em\u003e\u003cspan\u003e), Eric Portman \u003cem\u003e(\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eA Canterbury Tale\u003c\/em\u003e\u003cspan\u003e), Hugh Williams, and Bernard Miles, the film was nominated for three Academy Awards, and its success brought about a new era for the duo of filmmakers.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historians Alain Silver and Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eThe Volunteer\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e– 1944 short film directed by Powell and Pressburger\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eAn Airman’s Letter to His Mother\u003c\/em\u003e\u003cspan\u003e – 1941 short film directed by Michael Powell\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eI Know Where I'm Going! (1945) - Imprint Collection #616\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA joyous romantic comedy starring Wendy Hiller (\u003c\/span\u003e\u003cem\u003eThe Elephant Man\u003c\/em\u003e\u003cspan\u003e) and Roger Livesey (\u003c\/span\u003e\u003cem\u003eA Matter of Life and Death\u003c\/em\u003e\u003cspan\u003e), this essential Powell \u0026amp; Pressburger outing has been fully restored in 4K by the BFI and The Film Foundation from the original nitrate camera negative.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePlucky Englishwoman Joan Webster travels to the remote islands of the Scottish Hebrides in order to marry a wealthy industrialist. Trapped by inclement weather on the Isle of Mull and unable to continue to her destination, Joan finds herself charmed by the straightforward, no-nonsense islanders around her and becomes increasingly attracted to naval officer Torquil MacNeil, who holds a secret that may change her life forever.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e“I reached the point of thinking there were no more masterpieces to discover, until I saw I Know Where I'm Going!”\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- Martin Scorsese\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eDisc One - 4K UHD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Interview with film critic \u0026amp; author Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eI Know Where I'm Going! Revisited\u003c\/em\u003e\u003cspan\u003e - 1994 documentary by Mark Cousins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio interview with actress Dame Wendy Miller by associate professor Dr. Brian McFarlane\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eThe Red Shoes (1948) - Imprint Collection #617\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDazzling Technicolor, fairytale visuals, and magical storytelling are at the heart of\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Red Shoe\u003c\/em\u003e\u003cspan\u003e\u003cem\u003es\u003c\/em\u003e, a masterpiece of filmmaking that is amongst some of the best films ever committed to celluloid.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBased on the 1845 story by Hans Christian Andersen, Powell \u0026amp; Pressburger elicited captivating performances from Anton Walbrook, Marius Goring, and Moira Shearer, crafting an Oscar-winning box office smash hit that is still captivating audiences today.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePainstakingly restored in 4K by the UCLA Film \u0026amp; Television Archive in association with the BFI, The Film Foundation, ITV Global Entertainment Ltd., and Janus Films, this breathtaking, timeless crown jewel is not only essential Powell \u0026amp; Pressburger, but essential cinema.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eNEW \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historian Pamela Hutchinson, author of \u003c\/span\u003e\u003cspan\u003eBFI Classics: The Red Shoes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by film historian Pamela Hutchinson, author of \u003c\/span\u003e\u003cspan\u003eBFI Classics: The Red Shoes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFilm scholar Ian Christie discusses \u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eA Profile of The Red Shoes\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- documentary (2000) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eThe Ballet of The Red Shoes\u003c\/span\u003e\u003cspan\u003e - featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eMartin Scorsese’s introduction to the 2009 Cannes screening\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with Thelma Schoonmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eThe Small Back Room (1949) - Imprint Collection #618\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eWorldwide first on 4K UHD!\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eProduced by Alexander Korda, \u003c\/span\u003e\u003cem\u003eThe Small Back Room\u003c\/em\u003e\u003cspan\u003e saw Powell \u0026amp; Pressburger move away from the Rank Organisation, despite the enormous success of\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e, returning to their roots to create this tense wartime drama.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSammy Rice is a bomb disposal expert, tortured by the loss of his foot and battling alcoholism. He is pushed to his limits when asked to disarm a deadly, unexploded German booby trap.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring David Farrar (\u003c\/span\u003e\u003cem\u003eBlack Narcissus\u003c\/em\u003e\u003cspan\u003e), Kathleen Byron (\u003c\/span\u003e\u003cem\u003eSaving Private Ryan\u003c\/em\u003e\u003cspan\u003e), Jack Hawkins (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Leslie Banks (\u003c\/span\u003e\u003cem\u003eThe Man Who Knew Too Much\u003c\/em\u003e\u003cspan\u003e), and Cyril Cusack (\u003c\/span\u003e\u003cem\u003eHarold and Maude\u003c\/em\u003e\u003cspan\u003e), this is a fascinating entry at a pivotal moment in the careers of Powell \u0026amp; Pressburger.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by film historians Jo Botting and Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio commentary by film scholar Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by film historians Jo Botting and Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio commentary by film scholar Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eRestoring The Small Back Room\u003c\/em\u003e\u003cspan\u003e - featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cem\u003eThe Making of an Englishman\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003e- featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eA Tortured Hero\u003c\/em\u003e\u003cspan\u003e - Kevin Macdonald on \u003c\/span\u003e\u003cspan\u003eThe Small Back Room \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eDefusing the Archers\u003c\/em\u003e\u003cspan\u003e - Ian Christie on \u003c\/span\u003e\u003cspan\u003eThe Small Back Room\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with cinematographer Christoper Challis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eThe Tales of Hoffmann (1951) - Imprint Collection #619\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eWorldwide first on 4K UHD!\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eAnother fantastical Technicolor outing from Powell \u0026amp; Pressburger, this musical fantasy is an adaptation of the opera of the same name by Jacques Offenbach, with an exquisite score performed by the Royal Philharmonic Orchestra.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMany collaborators from \u003cem\u003eThe Red Shoes\u003c\/em\u003e returned to work on this film, including actors and ballet dancers Moira Shearer, Ludmilla Tchérina, Robert Helpmann, and Léonide Massine, as well as cinematographer Christopher Challis and editor Reginald Mills. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eNominated for two Academy Awards,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ewas described by filmmaker George A. Romero as his \u003c\/span\u003e\u003cem\u003e“favourite film of all time; the movie that made me want to make movies”\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by film historians Alain Silver \u0026amp; Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by film historians Alain Silver \u0026amp; Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eInterview with film critic \u0026amp; author Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eFilm critic Kim Newman on \u003c\/span\u003e\u003cspan\u003eThe Tales of Hoffman\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eIntroduction from Martin Scorsese\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with Thelma Schoonmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eStills Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eOh... Rosalinda!! (1955) - Imprint Collection #620\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFour years after \u003c\/span\u003e\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e, Powell \u0026amp; Pressburger set another 1800s comedic opera aglow in Technicolor with Johann Strauss’ \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eOh… Rosalinda!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring Michael Redgrave (\u003c\/span\u003e\u003cem\u003eThe Lady Vanishes\u003c\/em\u003e\u003cspan\u003e), Mel Ferrer (\u003c\/span\u003e\u003cem\u003eWar and Peace\u003c\/em\u003e\u003cspan\u003e), Anthony Quayle (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Ludmilla Tchérina (\u003c\/span\u003e\u003cem\u003eThe Red Shoes, The Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e) and Anton Walbrook (\u003c\/span\u003e\u003cem\u003eThe Life and Death of Colonel Blimp\u003c\/em\u003e\u003cspan\u003e).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhen the hapless Colonel Eisenstein is sent to prison over a legal misunderstanding, his wife Rosalinda finds herself pursued by an old American flame, setting in motion a whirl of mistaken identities, disguises, and romantic deceptions that culminate in a dazzling masked ball where nobody is quite who they seem.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOne of the first films to be produced in CinemaScope, this playful, extravagant musical outing set in post-war Vienna is a gem in the Powell \u0026amp; Pressburger filmography.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historians Jonathan Rigby and Kevin Lyons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eInterview with film historian Matthew Sweet\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eThe Battle of the River Plate (1956) - Imprint Collection #621\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBased on true events from one of the first major naval engagements of World War II, Powell \u0026amp; Pressburger's captivating VistaVision drama stars John Gregson (\u003c\/span\u003e\u003cem\u003eThe Lavender Hill Mob\u003c\/em\u003e\u003cspan\u003e), Anthony Quayle (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Bernard Lee (\u003c\/span\u003e\u003cem\u003eThe Third Man, Goldfinger\u003c\/em\u003e\u003cspan\u003e), and Peter Finch (\u003c\/span\u003e\u003cem\u003eNetwork\u003c\/em\u003e\u003cspan\u003e).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhen Commodore Harwood gambles that the German battleship Graf Spee will make for the River Plate, three British cruisers engage in a ferocious battle.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by Captain Patrick Dove's famous memoir,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eI Was Graf Spee's Prisoner\u003c\/em\u003e\u003cspan\u003e, this wartime epic used real ships and is a true spectacle of filmmaking. Nominated for three BAFTA Awards, \u003c\/span\u003e\u003cem\u003eThe Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e remains Powell \u0026amp; Pressburger's most commercially successful film.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by cinema historian Stuart Galbraith IV, with Michael Wynd, researcher at the National Museum of the Royal New Zealand Navy\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Interview with film historian Sheldon Hall\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTalking Film: Powell \u0026amp; Pressburger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eProfile of the Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e - documentary\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eGerman Theatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eRestoration samples\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.78:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eBonus Disc: Cameraman - The Life and Work of Jack Cardiff (2010)\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2001, Jack Cardiff (1914 - 2009) became the first director of photography in Academy Awards history to win an Honorary Oscar. However, the first time he held the famous statuette in his hand was a half-century earlier, when his Technicolor camerawork was awarded for Powell \u0026amp; Pressburger's \u003c\/span\u003e\u003cem\u003eBlack Narcissus\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBeyond John Huston's\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe African Queen and King Vidor's War and Peace\u003c\/em\u003e\u003cspan\u003e, the films of the British-Hungarian creative duo (\u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e) guaranteed immortality for the renowned cameraman whose career spanned seventy years.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with director Craig McCall by film historian Ian Christie \u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eJack’s Actress Portraits\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eJack’s Behind-the-Scenes Movies\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e– featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eCinematographer and Director Relationship\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eWorking with Three-Strip Technicolor\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003ePhoto Galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e ________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eHardcover Booklet\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis 236-page hardcover booklet includes original production photographs from the films, as well as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eOne Of Our Aircraft Is Missing\u003c\/em\u003e\u003cspan\u003e - original Australian programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove as a Force of Nature\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eessay by critic Jeremy Arnold on \u003c\/span\u003e\u003cspan\u003eI Know Where I'm Going\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- Original Australian programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e - original production notes \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eOh... Rosalinda!!\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e- original press kit\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rocket","offers":[{"title":"Default Title","offer_id":45931886215212,"sku":"9337369055558","price":242.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-cinema-of-powell-pressburger-collection-two-4k-uhdblu-ray-limited-edition-hardbox-region-free-new-4k-uhd.webp?v=1786091301"},{"product_id":"directed-by-stanley-kubrick-4k-uhd-imprint-limited-edition-hardbox-region-free","title":"Directed By Stanley Kubrick (4K UHD, Imprint Limited Edition Hardbox, Region Free)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBefore \u003c\/span\u003e\u003cem\u003eSpartacus\u003c\/em\u003e\u003cspan\u003e, before \u003c\/span\u003e\u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e\u003cspan\u003e, and before \u003c\/span\u003e\u003cem\u003eThe Shining\u003c\/em\u003e\u003cspan\u003e, there was a young man in New York City with a camera and an unshakeable conviction that he was going to change cinema.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStanley Kubrick directed his first four formative features before the age of thirty, outside \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe Hollywood studio system, on shoestring budgets, and with a visual intelligence and artistic ambition that announced the arrival of a singular talent.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFrom the self-financed debut he would later try to suppress, to a Kirk Douglas-produced anti-war masterpiece that remains one of the defining films of its decade, these four films trace one of the most compressed and dramatic artistic evolutions in cinematic history:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFear and Desire (1953) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eKiller's Kiss (1955) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Killing (1956) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003ePaths of Glory (1957) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAll fully restored in 4K from their original elements, this set features authoring and encoding by Fidelity In Motion, hours of brand \u003c\/span\u003e\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSpecial Features, a 100-page hardcover booklet featuring brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eessays and original production stills, and a second 144-page hardcover booklet featuring scripts for\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKubrick met producer James B. Harris while playing chess in Washington Square, who once described Kubrick as\u003c\/span\u003e\u003cspan\u003e \u003cem\u003e“the most intelligent, most creative person I ever came in contact with”\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e. The two forged the Harris-Kubrick Pictures Corporation in 1955, with\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003ethe first of their three-picture collaboration. We are honoured to have James B. Harris, now at the age of 97, participate in brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW and exclusive\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eaudio commentaries for \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLimited Edition 8-Disc Hardbox - 1500 copies only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eFear and Desire (1953) - Imprint Collection #622\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShot on the slopes of the San Gabriel Mountains with a borrowed camera and a cast of five, \u003c\/span\u003e\u003cem\u003eFear and Desire\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003eis the audacious debut of a twenty-three-year-old Stanley Kubrick - a film he would later attempt to suppress but which now stands as a haunting origin document.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFour soldiers crash behind enemy lines during a nameless war and must fight their way back to safety.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLaced with moral disintegration and psychological torment, this Kubrick debut stars Frank Silvera, Kenneth Harp, and Paul Mazursky, presented here in both the 70-minute Premiere Version and the 61-minute Theatrical Version on both 4K UHD and Blu-ray.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10) of the 70-minute Premiere Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10) of the 61-minute Theatrical Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by filmmaker and film historian Daniel Kremer on the 70-minute Premiere Version\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration of the 70-minute Premiere Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration of the 61-minute Theatrical Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by filmmaker and film historian Daniel Kremer on the 70-minute Premiere Version\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003cem\u003ePaths to Glory\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e- film historian Jeremy Arnold on young Kubrick’s \u003cem\u003eFears and Desires\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003e\u003cem\u003eThe Seafarers\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e - 1953 short by Stanley Kubrick (4K restoration)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eKiller's Kiss (1955) - Imprint Collection #623\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBefore focusing on cinema, Kubrick was a prolific street photographer, working for Look Magazine for five years from age 17. It was these skills that helped craft\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003eat the age of 25, a fiery noir shot on location in New York City that serves as a time capsule of 1950s Manhattan.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWashed-up boxer Davey Gordon is barely scraping by on the Lower East Side, and he witnesses his neighbour Gloria being attacked by her violent employer. In trying to protect her, he pulls both of them into a spiral of pursuit and violence through the city’s most treacherous corners.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by professor and film scholar Jason A. Ney\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by professor and film scholar Jason A. Ney\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eKisses Before the Knockout\u003c\/strong\u003e\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003e- film historian Paul Lynch on early Kubrick and \u003c\/span\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eThe Killing (1956) - Imprint Collection #624\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAdapted from Lionel White’s novel with dialogue by crime novelist Jim Thompson, \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e is a shattering, non-linear noir that anticipates the modern heist film by four decades.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAfter five years in prison, criminal Johnny Clay has one last job in mind: rob a racetrack on race day, take two million dollars, then finally go straight. With a small team of carefully chosen insiders, the plan seems foolproof, until one man tells his wife, and one wife is not what she appears…\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFeaturing Sterling Hayden, Marie Windsor, and Elisha Cook Jr. in career-defining performances, with cinematography from Lucien Ballard (\u003c\/span\u003e\u003cem\u003eThe Wild Bunch\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e)\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e is a remarkable feat of filmmaking, inspiring countless directors since its release and cited by Quentin Tarantino as the inspiration for \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eReservoir Dog\u003c\/em\u003es\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eColeen Gray: Looking Back\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e - 2004 interview with actress Coleen Gray, newly edited by filmmaker Robert Fischer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003eInterview with producer James B Harris conducted by Alan K. Rode at the Arthur Lyons Film Noir Festival\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eQ\u0026amp;A session with producer James B. Harris from the Rancho Mirage Library \u0026amp; Observatory (2023)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003e\u003cstrong\u003ePharos of Chaos\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e- 1983 feature documentary on the legendary actor Sterling Hayden\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eInterview with producer\/director Wolf Eckart Buhler (on\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003ePharos of Chaos\u003c\/em\u003e\u003cspan\u003e)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003ePaths of Glory (1957) - Imprint Collection #625\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJust three years before taking on the cinematic epic \u003c\/span\u003e\u003cem\u003eSpartacus\u003c\/em\u003e\u003cspan\u003e, Stanley Kubrick had a breakthrough with anti-war drama\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e. Co-produced by Kirk Douglas’ production company, Bryna Productions, and James B. Harris, this feat of filmmaking cemented Kubrick as a world-class director and set the stage for the remarkable career that would follow.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFrance, 1916. General Mireau, hungry for promotion, orders his regiment to take an impregnable German position known as the Anthill. When the suicidal assault predictably fails, Mireau orders three of his own soldiers court-martialled for cowardice to deflect the blame. Their defence falls to Colonel Dax, a former criminal lawyer turned battlefield commander, who finds that the tribunal has been decided before it begins.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBased on Humphrey Cobb’s celebrated 1935 novel, \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e was banned in France until 1975 and was nominated at the BAFTAs for Best Film and a Writers' Guild of America Award.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eCharlie Rose Remembers Stanley Kubrick\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eRoundtable discussion on the life of Stanley Kubrick, featuring filmmaker Martin Scorsese, wife of Stanley Kubrick Christiane Kubrick, and film producer Jan Harlan, moderated by Charlie Rose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003eQ\u0026amp;A with producer James B. Harris hosted by the Rancho Mirage Library \u0026amp; Observatory\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eHardcover Booklet\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eA 100-page hardcover booklet featuring a brand \u003c\/span\u003e\u003cstrong\u003eNEW\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eessay \u003c\/span\u003e\u003cspan\u003e‘\u003cem\u003ePaths of Glory: Kubrick’s Monument to Barbarism\u003c\/em\u003e’\u003c\/span\u003e\u003cspan\u003e by film historian Tim Pelan, a brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eessay \u003cem\u003e‘\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eEarly Kubrick\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e’\u003c\/em\u003e by author and former Chicago Reader film critic Jonathan Rosenbaum, and dozens of original production stills.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eScripts Booklet\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA 144-page hardcover booklet featuring scripts for \u003c\/span\u003e\u003cem\u003eKiller’s Kiss, The Killing\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e","brand":"Rocket","offers":[{"title":"Default Title","offer_id":45931896832044,"sku":"9337369055633","price":174.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/directed-by-stanley-kubrick-4k-uhd-imprint-limited-edition-hardbox-region-free-new-4k-uhd.webp?v=1786091303"},{"product_id":"kingdom-hospital-the-complete-series-region-free-1","title":"Kingdom Hospital: The Complete Series (Region Free)","description":"\u003cp\u003e\u003cem\u003eSoap opera meets THE SHINING in this star-studded miniseries that was nominated for two Emmy Awards; based on the Danish miniseries RIGET (KINGDOM), it is centered around the bizarre and preternatural Kingdom Hospital, where we meet a cast of peculiar characters inhabiting a quietly menacing setting. When Peter Rickman is hit by an inebriated driver, the last thing he sees before lapsing into unconsciousness is a vaguely human form who announces its mission to send Peter to rid the hospital of the evil that dwells there. Once inside the hospital's halls, Peter meets the hypochondriac, psychic Mrs. Druse, and Dr. Hook, the brilliant surgeon who lives in the basement; when patients and staff begin to hear the cries coming from the walls, this unlikely band of allies sets out to solve the mystery of the ghostly inhabitants of Kingdom Hospital.\u003c\/em\u003e\u003c\/p\u003e","brand":"Rocket","offers":[{"title":"Default Title","offer_id":45951642271788,"sku":"9337369057699","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/kingdom-hospital-the-complete-series-region-free-new-blu-ray_f93059f9.jpg?v=1786695020"}],"url":"https:\/\/www.orbitdvd.com\/collections\/date-09-25-26.oembed","provider":"Orbit DVD","version":"1.0","type":"link"}