{"title":"Monday August 31st 2026","description":null,"products":[{"product_id":"world-noir-vol-5-limited-edition-region-b","title":"World Noir Vol. 5 (Limited Edition, Region B)","description":"\u003cp\u003e\u003cstrong\u003eWorld Noir Vol 5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArguably the two most significant and dominant trends in post-war cinema developed on opposing sides of the globe, and opposing sides of the war - America oversaw the birth of film noir, with its hardboiled detectives and femme fatales, and then Italy developed its hugely influential brand of neorealism, with its emphasis on working class struggles, socio-political commentary, and documentary-like aesthetic. While on the surface the two disciplines seemed wildly different in approach, they also had surprising amount in common, sharing a focus on the lowest strata of society, a commitment to depicting its characters in stark and unglamorous ways, and a moral ambiguity to the storytelling that would occasionally tip over into cynical pessimism, reflecting the despair of the post-war period. These two cinematic languages would influence and bleed into one another throughout the 1940s and 50s, and presented here are three Italian neorealist films that clearly derive inspiration and themes from their US noir counterparts.\u003c\/p\u003e\n\u003cp\u003eTHE BANDIT\u003c\/p\u003e\n\u003cp\u003eReturning from war, Ernesto (Amedeo Nazzari,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNights of Cabiria\u003c\/em\u003e) comes home without a family to welcome him. A chance encounter with a gangster's moll, Lydia (Anna Magnani,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRome, Open City\u003c\/em\u003e) catapults him to a life of crime. Redolent of American gangster pictures of the 1930s and bathed in chiaroscuro lighting, like many Italian genre films, Alberto Lattuada's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Bandit\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a genre hybrid, at once noirish but infused with realism that brings to the fore the desperation of the post-War period. Newly restored, Radiance Films is proud to present this seminal film on any digital format for the first time outside of Italy. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAGAINST THE LAW\u003c\/p\u003e\n\u003cp\u003eA middle class man laundering money for the mob to make ends meet witnesses a murder during a currency exchange. Fingered as the murderer by police, he and his girlfriend attempt to clear his name. A Hitchcockian wrong man thriller in a crime framework, Pietro Germi’s scenario echoes the American noir, with a screenplay co-authored by the former head of Rome’s flying squad,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgainst the Law\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas noted for its realism on release where it was a hit with audiences and critics. Starring a charming Marcello Mastroianni in his first leading role, Flavio Calzavara’s under-seen gem is now restored in 4K and released for the first time on any format outside of Italy. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFOUR WAYS OUT\u003c\/p\u003e\n\u003cp\u003eA gang of four ordinary men steal two cases stuffed with money from a football ground. They split up to evade capture but misplaced allegiances and nerves threaten their freedom. A Hollywood-style noir by Pietro Germi (\u003cem\u003eThe Facts of Murder\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFour Ways Out\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(also known as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe City Defends Itself\u003c\/em\u003e) features the classic tropes of the genre, femme fatales, desperate men and a cityscape that threatens to swallow up its characters. Awarded Best Italian Film at the Venice Film Festival and newly restored in 4K, it is presented on home video for the first time outside of Italy. \u003c\/p\u003e\n\u003cp\u003eBLU-RAY LIMITED EDITION BOX SET SPECIAL FEATURES:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e4K restorations of all three films from the original camera negatives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal uncompressed mono PCM audio for all films\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNewly improved optional English subtitles for all films\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eReversible sleeves featuring newly designed artworks based on original posters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLimited edition 80-page perfect bound book featuring archival pieces and new writing by critics and experts including Farran Nehme, Pasquale Iannone, Beatrice Loyza and Roberto Curti\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLimited Edition of 3,000 copies presented in a rigid box with full-height Scanavo cases for each film and removable OBI strip leaving packaging free of certificates and markings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTHE BANDIT\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInterview with critic Fabio Melelli on Lattuada’s career (2026)\u003c\/li\u003e\n\u003cli\u003eInterview with Evelina Nazzari about her father, actor Amedeo Nazzari (2026)\u003c\/li\u003e\n\u003cli\u003eInterview with Melelli and Nazzari about\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Bandit\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2026)\u003c\/li\u003e\n\u003cli\u003eInterview with critic Christina Newland on Anna Magnani (2026)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAGAINST THE LAW\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInterview with critic Manuela Lazic on Marcello Mastroianni (2026)\u003c\/li\u003e\n\u003cli\u003eInterview with Italian film expert Stephen Gundle on Flavio Calzavara (2026)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFOUR WAYS OUT\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlternate English language version of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFour Ways Out\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview with Pietro Germi expert Mario Sesti (2026)\u003c\/li\u003e\n\u003cli\u003eInterview with noir expert Imogen Sarah Smith (2026)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45517964476460,"sku":"5060974684298","price":57.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/world-noir-vol_-5-limited-edition-region-b-new-blu-ray.webp?v=1785624425"},{"product_id":"sweet-movie-4k-uhd-region-free-cover-c","title":"Sweet Movie (4K UHD, LE Mediabook, Region Free) Cover C","description":"\u003cp class=\"MsoNormal\"\u003eFormat: 1,66:1 (4K, 23.98fps, HDR) + (HD 1080p, 23.98fps)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eAudio: English, German LPCM 2.0 Mono\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eSubtitles: English, German\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eRunning time: 98 mins\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eBonus Features:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eExcremental Visions – Video Essay by Filmhistorian Daniel Bird\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eNicely Offensive – Interview with Director Dusan Makavejev\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eInterview with Editor Yann Dedet\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eQ+A with Director Dusan Makavejev (Audio)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman TV version (SD)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eTrailer\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\"Sweet Movie\" is an episodic film that tells of social oppression, consumption and power in two loosely connected storylines. At the centre is the virgin Miss Canada, who is awarded the title of 'purest woman in the world' at a bizarre beauty contest and married to a wealthy but emotionally cold businessman. Unwilling to submit to his image of the perfect wife, she flees and embarks on a journey of sexual and emotional self-liberation. At the same time, the film follows the captain Anna Planeta, who travels through Europe on a ship full of sweets, attracting men and children alike. Her seemingly playful actions turn out to be cruel rituals that symbolize political violence, exploitation and the loss of innocence.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eDušan Makavejev's scandalous cult film is a radical piece of anti-cinema that has lost none of its provocative power to this day. \"Sweet Movie\" is an excessive, anarchic Gesamtkunstwerk between surreal satire, political allegory and cinematic transgression that attacks bourgeois moral concepts as well as capitalism, sexual norms and ideological power structures. The film shocks, disturbs and fascinates at the same time - with deliberate taboo-breaking, grotesque images and bitter humour. Fiercely controversial, censored and celebrated since its release, \"Sweet Movie\" is considered a milestone of the transgressive auteur film of the 1970s and an indispensable work for lovers of uncompromising cinematic art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman import, not all extras may be English friendly!\u003c\/span\u003e\u003c\/p\u003e","brand":"Steve the German","offers":[{"title":"Default Title","offer_id":45562134167596,"sku":"880882622329","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/sweet-movie-4k-uhd-le-mediabook-region-free-cover-c-new-4k-uhd-880882622329-5804258.jpg?v=1779450192"},{"product_id":"sweet-movie-4k-uhd-region-free-cover-b","title":"Sweet Movie (4K UHD, LE Mediabook, Region Free) Cover B","description":"\u003cp class=\"MsoNormal\"\u003eFormat: 1,66:1 (4K, 23.98fps, HDR) + (HD 1080p, 23.98fps)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eAudio: English, German LPCM 2.0 Mono\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eSubtitles: English, German\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eRunning time: 98 mins\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eBonus Features:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eExcremental Visions – Video Essay by Filmhistorian Daniel Bird\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eNicely Offensive – Interview with Director Dusan Makavejev\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eInterview with Editor Yann Dedet\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eQ+A with Director Dusan Makavejev (Audio)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman TV version (SD)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eTrailer\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\"Sweet Movie\" is an episodic film that tells of social oppression, consumption and power in two loosely connected storylines. At the centre is the virgin Miss Canada, who is awarded the title of 'purest woman in the world' at a bizarre beauty contest and married to a wealthy but emotionally cold businessman. Unwilling to submit to his image of the perfect wife, she flees and embarks on a journey of sexual and emotional self-liberation. At the same time, the film follows the captain Anna Planeta, who travels through Europe on a ship full of sweets, attracting men and children alike. Her seemingly playful actions turn out to be cruel rituals that symbolize political violence, exploitation and the loss of innocence.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eDušan Makavejev's scandalous cult film is a radical piece of anti-cinema that has lost none of its provocative power to this day. \"Sweet Movie\" is an excessive, anarchic Gesamtkunstwerk between surreal satire, political allegory and cinematic transgression that attacks bourgeois moral concepts as well as capitalism, sexual norms and ideological power structures. The film shocks, disturbs and fascinates at the same time - with deliberate taboo-breaking, grotesque images and bitter humour. Fiercely controversial, censored and celebrated since its release, \"Sweet Movie\" is considered a milestone of the transgressive auteur film of the 1970s and an indispensable work for lovers of uncompromising cinematic art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman import, not all extras may be English friendly!\u003c\/span\u003e\u003c\/p\u003e","brand":"Steve the German","offers":[{"title":"Default Title","offer_id":45562136690732,"sku":"880882616212","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/sweet-movie-4k-uhd-le-mediabook-region-free-cover-b-new-4k-uhd-880882616212-7480548.jpg?v=1779450191"},{"product_id":"sweet-movie-4k-uhd-le-mediabook-region-free-cover-a","title":"Sweet Movie (4K UHD, LE Mediabook, Region Free) Cover A","description":"\u003cp class=\"MsoNormal\"\u003eFormat: 1,66:1 (4K, 23.98fps, HDR) + (HD 1080p, 23.98fps)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eAudio: English, German LPCM 2.0 Mono\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eSubtitles: English, German\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eRunning time: 98 mins\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eBonus Features:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eExcremental Visions – Video Essay by Filmhistorian Daniel Bird\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eNicely Offensive – Interview with Director Dusan Makavejev\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eInterview with Editor Yann Dedet\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eQ+A with Director Dusan Makavejev (Audio)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman TV version (SD)\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eTrailer\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\"Sweet Movie\" is an episodic film that tells of social oppression, consumption and power in two loosely connected storylines. At the centre is the virgin Miss Canada, who is awarded the title of 'purest woman in the world' at a bizarre beauty contest and married to a wealthy but emotionally cold businessman. Unwilling to submit to his image of the perfect wife, she flees and embarks on a journey of sexual and emotional self-liberation. At the same time, the film follows the captain Anna Planeta, who travels through Europe on a ship full of sweets, attracting men and children alike. Her seemingly playful actions turn out to be cruel rituals that symbolize political violence, exploitation and the loss of innocence.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eDušan Makavejev's scandalous cult film is a radical piece of anti-cinema that has lost none of its provocative power to this day. \"Sweet Movie\" is an excessive, anarchic Gesamtkunstwerk between surreal satire, political allegory and cinematic transgression that attacks bourgeois moral concepts as well as capitalism, sexual norms and ideological power structures. The film shocks, disturbs and fascinates at the same time - with deliberate taboo-breaking, grotesque images and bitter humour. Fiercely controversial, censored and celebrated since its release, \"Sweet Movie\" is considered a milestone of the transgressive auteur film of the 1970s and an indispensable work for lovers of uncompromising cinematic art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eGerman import, not all extras may be English friendly!\u003c\/span\u003e\u003c\/p\u003e","brand":"Steve the German","offers":[{"title":"Default Title","offer_id":45562137509932,"sku":"880882466916","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/sweet-movie-4k-uhd-le-mediabook-region-free-cover-a-new-4k-uhd-880882466916-5757662.jpg?v=1779450192"},{"product_id":"break-in-the-circle-4k-uhd-limited-collectors-edition-region-free","title":"Break in the Circle (4K UHD, Limited Collector's Edition, Region Free)","description":"\u003cp\u003eHollywood heavyweight Forrest Tucker stars as a low-level smuggler playing for high stakes in this slick Eurocrime espionage thriller from acclaimed Hammer director Val Guest.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSet against the atmospheric backdrops of Hamburg and Cornwall, Break in the Circle co-stars Eva Bartok as a determined undercover agent and Marius Goring as a millionaire harbouring a dark secret.\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184516150 BCX0\"\u003e\u003cstrong\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eBreak in the Circle makes its debut on physical media in 4K for the very first time!\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184516150 BCX0\"\u003e\u003cstrong\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eA fascinating outlier in the Hammer library, this stylish crime thriller has been painstakingly restored in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e4K from the original film negatives\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003efor the highest quality viewing experience possible.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559740\":240}' class=\"EOP Selected SCXW184516150 BCX0\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184516150 BCX0\"\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eThough Hammer is best known for horror,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Emphasis\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eBreak in the Circle\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003erepresents the studio’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003esole full-blooded\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SpellingErrorV2Themed SCXW184516150 BCX0\"\u003eEurocrime\u003c\/span\u003e\u003cspan data-ccp-charstyle=\"Strong\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eespionage thriller\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003ereleased at the same time as\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SpellingErrorV2Themed SCXW184516150 BCX0\"\u003eQuatermass\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SpellingErrorV2Themed SCXW184516150 BCX0\"\u003eXperiment\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e- it gives a glimpse into what the studios output might have looked like, had it not been for the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SpellingErrorV2Themed SCXW184516150 BCX0\"\u003eboxoffice\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003esuccess of its horror output. This\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003emak\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003ees\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eBreak\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW184516150 BCX0\"\u003eIn\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ethe Circle\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ean essential discovery for collectors, noir\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eenthusiasts\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand Hammer completists alike.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559740\":240}' class=\"EOP Selected SCXW184516150 BCX0\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184516150 BCX0\"\u003e\u003cspan class=\"TextRun SCXW184516150 BCX0\" lang=\"EN-GB\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Normal (Web)\" class=\"NormalTextRun SCXW184516150 BCX0\"\u003eA must-have for fans of classic crime cinema, espionage thrillers, and Hammer’s lesser-known gems.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3-disc 4K UHD \u0026amp; Blu-ray Limited Collector’s Edition \u003c\/p\u003e\n\u003cp\u003eDiscover three distinct versions of the film alongside a wealth of brand-new extras and archival material: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree versions of \u003cem\u003eBreak in the Circle\u003c\/em\u003e:  \u003c\/li\u003e\n\u003cli\u003eAs-filmed version  \u003c\/li\u003e\n\u003cli\u003eUK cinema widescreen version  \u003c\/li\u003e\n\u003cli\u003eBlack-and-white re-edited US cinema version  \u003c\/li\u003e\n\u003cli\u003ePresented across one UHD and two Blu-rays, with content duplicated across both formats  \u003c\/li\u003e\n\u003cli\u003eSubtitles in English, French, Italian, Spanish and German across every version of the film \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Special Features \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEurocrime – a new feature exploring Hammer’s unique contribution to European crime thrillers, with Sergio Angelini, Laura Mayne and Barry Forshaw\u003c\/li\u003e\n\u003cli\u003eHammer in Hamburg – then-and-now comparison of the film’s German locations  \u003c\/li\u003e\n\u003cli\u003eHammer in Cornwall – then-and-now comparison of the film’s UK locations  \u003c\/li\u003e\n\u003cli\u003eBrand-new commentary with film historian Richard Holliss and author\/screenwriter Gavin Collinson  \u003c\/li\u003e\n\u003cli\u003eBrand-new commentary with film critic Adrian Martin  \u003c\/li\u003e\n\u003cli\u003eGallery of stills and publicity material\u003cstrong\u003e, \u003c\/strong\u003eaccompanied by selections from\u003cstrong\u003e \u003c\/strong\u003eDoreen Carwithen’s score\u003cstrong\u003e \u003c\/strong\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCollector’s Booklet \u003c\/p\u003e\n\u003cp\u003eFeaturing new writing and archival material, including: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWayne Kinsey on the making of this fast-paced thriller  \u003c\/li\u003e\n\u003cli\u003eMiriam Balanescu on Forrest Tucker’s small-but-significant British film output  \u003c\/li\u003e\n\u003cli\u003eWayne Kinsey on the use of Bray Studios in Hammer productions  \u003c\/li\u003e\n\u003cli\u003eNeil Sinyard comparing the original novel with the finished film  \u003c\/li\u003e\n\u003cli\u003eSarah Morgan profiling Eva Bartok  \u003c\/li\u003e\n\u003cli\u003eArchive interview with director Val Guest  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"table table-bordered\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage\u003c\/td\u003e\n\u003ctd\u003e5.1 \/ Mono \/ English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of discs\u003c\/td\u003e\n\u003ctd\u003e3 (1 x UHD, 2 x Blu-ray)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRegion\u003c\/td\u003e\n\u003ctd\u003eABC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCertification\u003c\/td\u003e\n\u003ctd\u003ePG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRun time\u003c\/td\u003e\n\u003ctd\u003e92 minutes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSubtitles\u003c\/td\u003e\n\u003ctd\u003eEnglish\/French\/Italian\/Spanish\/German\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eActors\u003c\/td\u003e\n\u003ctd\u003eForrest Tucker, Eva Bartok, Marius Goring, Guy Middleton, Eric Pohlmann, Arnold Marlé, Fred Johnson, David King-Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduced By\u003c\/td\u003e\n\u003ctd\u003eMichael Carreras, Mickey Delamar\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWritten By\u003c\/td\u003e\n\u003ctd\u003eVal Guest\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDirected By\u003c\/td\u003e\n\u003ctd\u003eVal Guest\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRelease Date\u003c\/td\u003e\n\u003ctd\u003e1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStudio\u003c\/td\u003e\n\u003ctd\u003eHammer Films Production Ltd.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45584433283116,"sku":"5061058621017","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/break-in-the-circle-4k-uhd-limited-collectors-edition-region-free-new-4k-uhd-5061058621017-9756269.webp?v=1780249748"},{"product_id":"peter-sellers-centenary-collection-studiocanal-region-b","title":"Peter Sellers Centenary Collection (StudioCanal, Region B)","description":"\u003cp\u003e\u003cspan\u003eStep into the golden age of British comedy with this essential boxset celebrating the genius of Peter Sellers. From sly satire to uproarious farce, these eight films showcase Sellers at his most mischievous, magnetic, and masterful. A protean comic actor who first came to attention on the popular radio series The Goon Show (1951-1960), Peter Sellers remains one of the world’s most acclaimed comedy stars. Graduating from radio and TV to significant film roles, Sellers demonstrated a remarkable gift for character transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE LADYKILLERS (1955)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE LADYKILLERS follows the hilarious capers of a group of small-time crooks, taking on more than they can handle in the form of their sweet elderly landlord, Mrs. Wilberforce (BAFTA Award winning actress Katie Johnson; How To Murder A Rich Uncle). The criminal gang, posing as a string quartet, are unprepared for their landlord’s meddling when one of the ‘musicians’ cases gets caught in a door, revealing the group’s true identity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE SMALLEST SHOW ON EARTH (1957)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA young married couple inherit a small-town, run-down cinema. Spurred on by a rival cinema owner attempt to buy it off them, they do it up so they can eventually get a bigger sale price. However, they soon find themselves increasingly attracted to the fleapit and the three old staff members that go with it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCARLTON BROWNE OF THE F.O. (1959)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCARLTON-BROWNE OF THE F.O. follows the story of a long-forgotten British colony suddenly becoming geopolitically hot property due to its rare mineral deposits, with the Foreign Office scrambling to reassert influence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI’M ALRIGHT JACK (1959)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUpon leaving the army, upper class twit Windrush (Ian Carmichael) takes a job in industry. Before long he has inadvertently started a national strike, which is subsequently mishandled by everyone involved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTWO-WAY STRETCH (1960)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConstantly taking advantage of the prison governor’s liberal methods towards authority, convict and criminal mastermind Dodger Lane (Sellers) decides to commit the ultimate crime with the ultimate alibi. Along with a misfit crew of fellow inmates he plans to escape from prison, steal a priceless cache of diamonds and then return to his cell before anyone notices. Who said genius was easy?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePETERSELLERS WILFRID HYDE-WHITE “TWO WAY STRETCH” starring MAURICE DENHAM LIONEL JEFFRIES BERYL REID DAVID LODGE IRENE HANDL LIZ FRASER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eONLY TWO CAN PLAY (1962)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeter Sellers stars as John Lewis, the small-town Welsh librarian who is offered an escape from his mundane life and henpecked-husband routine when councillor’s wife Liz (Mai Zetterling, The Witches) takes a shine to him. Alas, none of their carefully calculated schemes for a romantic tryst come to fruition thanks to a series of comic complications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE WRONG ARM OF THE LAW (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Wrong Arm of the Law is a 1963 British comedy directed by Cliff Owen and starring Peter Sellers, Bernard Cribbins, Lionel Jeffries, John Le Mesurier and Bill Kerr. In London, a gang of criminals from Australia led by Jack Coombes (Bill Kerr) impersonate policemen to carry out robberies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHEAVENS ABOVE! (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe inimitable Peter Sellers stars as John Smallwood, an idealistic Reverend appointed to the parish of an upper-class village by mistake.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a bad habit of telling the truth at all times, Smallwood makes several clerical decisions that shock his wealthy, landed-gentry parishioners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEXTRAS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e32-page booklet\u003c\/span\u003e\u003c\/p\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45716770193452,"sku":"5055201853462","price":71.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/peter-sellers-centenary-collection-studiocanal-region-b-new-blu-ray-5055201853462-7425925.jpg?v=1782668469"},{"product_id":"the-abominable-snowman-4k-uhd-standard-edition-region-free","title":"The Abominable Snowman (4K UHD, Standard Edition, Region Free)","description":"\u003cp\u003e\u003cspan\u003eHammer legend Peter Cushing and Hollywood hard-man Forrest Tucker give powerful performances as a well-meaning scientist and an arrogant entrepreneur, both intent on trapping the fabled Yeti, in Hammer's \u003c\/span\u003e\u003cem\u003eThe Abominable Snowman\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRe-teaming Quatermass creator Nigel Kneale and BAFTA-winning director Val Guest, this thrilling fantasy horror has been painstakingly restored by Hammer in 4K from the best available film elements.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDr Rollason and his team, on a scientific expedition in the Himalayas, are guests at an isolated monastery. Then a second expedition turns up – intent on trapping the legendary Yeti in a money-making venture.\u003c\/p\u003e\n\u003cp\u003eThis edition comprises:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo iterations of The Abominable Snowman: the widescreen 2.35:1 UK Theatrical Version and the widescreen 2.35:1 US Theatrical Version re-titled The Abominable Snowman of the Himalayas.\u003c\/li\u003e\n\u003cli\u003eBrand-new 5.1 mix for both versions of the film alongside the original mono film soundtrack.\u003c\/li\u003e\n\u003cli\u003eEnglish, French, Italian, Spanish and German subtitles on each version of the film.\u003c\/li\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman with actor and comedian Toby Hadoke and Nigel Kneale’s biographer Andy Murray.\u003c\/li\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman of the Himalayas with cult movie expert Toby Roan and Cereal at Midnight podcaster Heath Holland.\u003c\/li\u003e\n\u003cli\u003eArchive 1999 commentary featuring writer Nigel Kneale, director Val Guest and Hammer expert Marcus Hearn.\u003c\/li\u003e\n\u003cli\u003eNew audio essay on big monsters in film by celluloid cryptid expert Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making of The Abominable Snowman, with contributions from Toby Hadoke, Andy Murray, Wayne Kinsey, Dick Klemensen, Richard Hollis and Jon Dear.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making of long-since-lost TV play The Creature, on which The Abominable Snowman was based, with contributions from Toby Hadoke, Andy Murray, Gavin Collinson, Richard Holliss, Jon Dear and Hannah Cooper.\u003c\/li\u003e\n\u003cli\u003eNew documentary on design maestro Bernard Robinson and the design and set-building carried out by Hammer on films such as this. With Hammer expert Wayne Kinsey.\u003c\/li\u003e\n\u003cli\u003eNew documentary on cinema's passion for rampaging cryptids, with contributions from director\/producer\/actor\/writer Ted A. Bohus, writer\/editor Mike Gingold, artist and film historian Stephen R. Bissette and writer\/director\/producer Casey Walker.\u003c\/li\u003e\n\u003cli\u003eNew video essay by Heather Wixson on why less-is-more in films with big monsters – and how Val Guest put that theory into practice.\u003c\/li\u003e\n\u003cli\u003eSidebar: The Abominable Snowman. Film critic and writer Tim Lucas discusses this and similar films of the period with Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eArchive interview with Val Guest from 2002.\u003c\/li\u003e\n\u003cli\u003eOriginal trailer and censor card.\u003c\/li\u003e\n\u003cli\u003eExtensive image gallery of stills and publicity material.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45754426490924,"sku":"5061058621222","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-abominable-snowman-4k-uhd-standard-edition-region-free-new-4k-uhd-5061058621222-4232883.webp?v=1783167069"},{"product_id":"the-abominable-snowman-4k-uhd-limited-collectors-edition-region-free","title":"The Abominable Snowman (4K UHD, Limited Collector's Edition, Region Free)","description":"\u003cp\u003e\u003cspan\u003eHammer legend Peter Cushing and Hollywood hard-man Forrest Tucker give powerful performances as a well-meaning scientist and an arrogant entrepreneur, both intent on trapping the fabled Yeti, in Hammer's The Abominable Snowman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRe-teaming Quatermass creator Nigel Kneale and BAFTA-winning director Val Guest, this thrilling fantasy horror has been painstakingly restored by Hammer in 4K from the best available film elements.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDr Rollason and his team, on a scientific expedition in the Himalayas, are guests at an isolated monastery. Then a second expedition turns up – intent on trapping the legendary Yeti in a money-making venture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis Limited Edition comprises:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour discs in a stylish digipak: two UHDs and two Blu-rays, with the content duplicated on both UHD and Blu-ray.\u003c\/li\u003e\n\u003cli\u003eTwo iterations of The Abominable Snowman: the widescreen 2.35:1 UK Theatrical Version and the widescreen 2.35:1 US Theatrical Version re-titled The Abominable Snowman of the Himalayas.\u003c\/li\u003e\n\u003cli\u003eBrand-new 5.1 mix for both versions of the film alongside the original mono film soundtrack.\u003c\/li\u003e\n\u003cli\u003eEnglish, French, Italian, Spanish and German subtitles on each version of the film.\u003c\/li\u003e\n\u003cli\u003ePackaged in a high-end, leather-feel slipcase with debossed foil titling.\u003c\/li\u003e\n\u003cli\u003eRigid inner box featuring new artwork by illustrator and artist Joe Avery.\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster of original one-sheets.\u003c\/li\u003e\n\u003cli\u003eEight art cards featuring facsimiles of the original cinema lobby cards.\u003c\/li\u003e\n\u003cli\u003e120-page book featuring new articles on the film, cast and crew.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisk Features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman with actor and comedian Toby Hadoke and Nigel Kneale’s biographer Andy Murray.\u003c\/li\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman of the Himalayas with cult movie expert Toby Roan and Cereal at Midnight podcaster Heath Holland.\u003c\/li\u003e\n\u003cli\u003eArchive 1999 commentary featuring writer Nigel Kneale, director Val Guest and Hammer expert Marcus Hearn.\u003c\/li\u003e\n\u003cli\u003eNew audio essay on big monsters in film by celluloid cryptid expert Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making of The Abominable Snowman, with contributions from Toby Hadoke, Andy Murray, Wayne Kinsey, Dick Klemensen, Richard Hollis and Jon Dear.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making on long-since-lost TV play The Creature, on which The Abominable Snowman was based, with contributions from Toby Hadoke, Andy Murray, Gavin Collinson, Richard Holliss, Jon Dear and Hannah Cooper.\u003c\/li\u003e\n\u003cli\u003eNew documentary on design maestro Bernard Robinson and the design and set-building carried out by Hammer on films such as this. With Hammer expert Wayne Kinsey.\u003c\/li\u003e\n\u003cli\u003eNew documentary on cinema's passion for rampaging cryptids, with contributions from director\/producer\/actor\/writer Ted A. Bohus, writer\/editor Mike Gingold, artist and film historian Stephen R. Bissette and writer\/director\/producer Casey Walker.\u003c\/li\u003e\n\u003cli\u003eNew video essay by Heather Wixson on why less-is-more in films with big monsters – and how Val Guest put that theory into practice. • Sidebar: The Abominable Snowman. Film critic and writer Tim Lucas discusses this and similar films of the period with Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eArchive interview with Val Guest from 2002.\u003c\/li\u003e\n\u003cli\u003eOriginal trailer and censor card.\u003c\/li\u003e\n\u003cli\u003eExtensive image gallery of stills and publicity material.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBook Features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew article by Bruce Hallenbeck, who takes a look at the making of The Abominable Snowman.\u003c\/li\u003e\n\u003cli\u003eNew article by Andrew Pixley, who examines the making of the original tv play on which the film is based.\u003c\/li\u003e\n\u003cli\u003eNew article by Wayne Kinsey, who compares scripts for the original tv play against the film.\u003c\/li\u003e\n\u003cli\u003eNew article by Andy Murray, who examines the potential influences working on Nigel Kneale during the creation of this story.\u003c\/li\u003e\n\u003cli\u003eNew article by Sarah Morgan, who profiles actor Richard Wattis, star of several Hammer films and a mainstay of British film and tv.\u003c\/li\u003e\n\u003cli\u003eNew article by Neil Sinyard, who profiles director Val Guest and his body of work.\u003c\/li\u003e\n\u003cli\u003eNew article by Barry Forshaw, who assesses Hammer's use of monster tropes and their playing against type.\u003c\/li\u003e\n\u003cli\u003eNew article by Wayne Kinsey, who takes a top-down look at what was happening with Hammer in 1957.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003especial features and artwork subject to potential change\u003c\/p\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45754432487468,"sku":"5061058621024","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-abominable-snowman-4k-uhd-limited-collectors-edition-region-free-new-4k-uhd.webp?v=1785663308"},{"product_id":"the-abominable-snowman-blu-ray-region-free","title":"The Abominable Snowman (Blu-ray, Region Free)","description":"\u003cp\u003e\u003cspan\u003eHammer legend Peter Cushing and Hollywood hard-man Forrest Tucker give powerful performances as a well-meaning scientist and an arrogant entrepreneur, both intent on trapping the fabled Yeti, in Hammer's \u003c\/span\u003e\u003cem\u003eThe Abominable Snowman\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRe-teaming Quatermass creator Nigel Kneale and BAFTA-winning director Val Guest, this thrilling fantasy horror has been painstakingly restored by Hammer in 4K from the best available film elements.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDr Rollason and his team, on a scientific expedition in the Himalayas, are guests at an isolated monastery. Then a second expedition turns up – intent on trapping the legendary Yeti in a money-making venture.\u003c\/p\u003e\n\u003cp\u003eThis edition comprises:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo iterations of The Abominable Snowman: the widescreen 2.35:1 UK Theatrical Version and the widescreen 2.35:1 US Theatrical Version re-titled The Abominable Snowman of the Himalayas.\u003c\/li\u003e\n\u003cli\u003eBrand-new 5.1 mix for both versions of the film alongside the original mono film soundtrack.\u003c\/li\u003e\n\u003cli\u003eEnglish, French, Italian, Spanish and German subtitles on each version of the film.\u003c\/li\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman with actor and comedian Toby Hadoke and Nigel Kneale’s biographer Andy Murray.\u003c\/li\u003e\n\u003cli\u003eNew commentary on The Abominable Snowman of the Himalayas with cult movie expert Toby Roan and Cereal at Midnight podcaster Heath Holland.\u003c\/li\u003e\n\u003cli\u003eArchive 1999 commentary featuring writer Nigel Kneale, director Val Guest and Hammer expert Marcus Hearn.\u003c\/li\u003e\n\u003cli\u003eNew audio essay on big monsters in film by celluloid cryptid expert Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making of The Abominable Snowman, with contributions from Toby Hadoke, Andy Murray, Wayne Kinsey, Dick Klemensen, Richard Hollis and Jon Dear.\u003c\/li\u003e\n\u003cli\u003eNew documentary on the making of long-since-lost TV play The Creature, on which The Abominable Snowman was based, with contributions from Toby Hadoke, Andy Murray, Gavin Collinson, Richard Holliss, Jon Dear and Hannah Cooper.\u003c\/li\u003e\n\u003cli\u003eNew documentary on design maestro Bernard Robinson and the design and set-building carried out by Hammer on films such as this. With Hammer expert Wayne Kinsey.\u003c\/li\u003e\n\u003cli\u003eNew documentary on cinema's passion for rampaging cryptids, with contributions from director\/producer\/actor\/writer Ted A. Bohus, writer\/editor Mike Gingold, artist and film historian Stephen R. Bissette and writer\/director\/producer Casey Walker.\u003c\/li\u003e\n\u003cli\u003eNew video essay by Heather Wixson on why less-is-more in films with big monsters – and how Val Guest put that theory into practice.\u003c\/li\u003e\n\u003cli\u003eSidebar: The Abominable Snowman. Film critic and writer Tim Lucas discusses this and similar films of the period with Stephen R. Bissette.\u003c\/li\u003e\n\u003cli\u003eArchive interview with Val Guest from 2002.\u003c\/li\u003e\n\u003cli\u003eOriginal trailer and censor card.\u003c\/li\u003e\n\u003cli\u003eExtensive image gallery of stills and publicity material.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45772573737004,"sku":"5061058621239","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-abominable-snowman-blu-ray-region-free-new-blu-ray-5061058621239-5342909.webp?v=1783453278"}],"url":"https:\/\/www.orbitdvd.com\/collections\/date-08-31-26.oembed?page=2","provider":"Orbit DVD","version":"1.0","type":"link"}