{"title":"Tuesday March 17th 2026","description":null,"products":[{"product_id":"dead-kids-blu-ray-limited-edition","title":"Dead Kids (Blu-Ray, Limited Edition)","description":"\u003cp\u003e\u003cstrong\u003e(Michael Laughlin, 1981, 102\/100 mins)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRelease date: 24 March 2026\u003c\/em\u003e\u003cbr\u003eLimited Edition Blu-ray\u003c\/p\u003e\n\u003cp\u003eMichael Murphy (\u003cem\u003eTanner ’88\u003c\/em\u003e), Louise Fletcher (\u003cem\u003eOne Flew Over the Cuckoo’s Nest\u003c\/em\u003e), Dan Shor (\u003cem\u003eWise Blood\u003c\/em\u003e), and Fiona Lewis (\u003cem\u003eA Day at the Beach\u003c\/em\u003e) head the impressive cast of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDead Kids\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(also known as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStrange Behavior\u003c\/em\u003e), a darkly comic blend of horror and science fiction from director Michael Laughlin (\u003cem\u003eStrange Invaders\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eIn a small midwestern town, police chief John Brady (Murphy) investigates a bizarre series of murders. As the corpses pile up, all signs point to the hellish mind-control experiments of a twisted scientist...\u003c\/p\u003e\n\u003cp\u003eCo-written by Bill Condon (\u003cem\u003eGods and Monsters\u003c\/em\u003e), with a soundtrack by Tangerine Dream (\u003cem\u003eSorcerer\u003c\/em\u003e), and produced in New Zealand by the legendary Australian producer Antony I Ginnane (\u003cem\u003eSnapshot\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrand-new 4K restoration from the original negative by Powerhouse Films\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTwo presentations of the film: the original Australian theatrical version,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDead Kids\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(102 mins); and the US theatrical version,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStrange Behavior\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(100 mins)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with director and co-writer Michael Laughlin, and filmmaker David Gregory (2014)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with co-writer Bill Condon and actors Dan Shor and Dey Young (2008)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview with actor Michael Murphy (2026)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLasting Bonds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): actor Fiona Lewis fondly looks back on the film’s production\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAn Actor’s Dream\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): interview with actor Dey Young\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Effects of ‘Strange Behavior’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014): interview with special make-up effects artist Craig Reardon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Very Delicious Conversation with Dan Shor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2016): extensive interview with the actor, filmed in Central Park, New York\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePodcasting After Dark: Dan Shor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024): excerpts from a career-spanning audio interview\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e‘Not Quite Hollywood’: Antony I Ginnane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008): interview with the legendary producer, filmed for Mark Hartley’s acclaimed documentary on Australian cinema\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLightning Strikes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): new presentation of a 2004 interview with Ginnane about the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePerfect Strangers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): appreciation by the academic and Australian cinema specialist Stephen Morgan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIsolated score\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePatton Oswalt trailer commentary (2023, 4 mins): short critical appreciation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage galleries: promotional and publicity material, and behind the scenes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition exclusive 80-page book with a new essay by Paul Duane, an exclusive extract from producer Antony I Ginnane’s unpublished memoirs, archival interviews with director Michael Laughlin, actor Michael Murphy, and composers Tangerine Dream, and full film 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premiere)\u003c\/p\u003e\n\u003cp\u003eMichael Murphy (\u003cem\u003eTanner ’88\u003c\/em\u003e), Louise Fletcher (\u003cem\u003eOne Flew Over the Cuckoo’s Nest\u003c\/em\u003e), Dan Shor (\u003cem\u003eWise Blood\u003c\/em\u003e), and Fiona Lewis (\u003cem\u003eA Day at the Beach\u003c\/em\u003e) head the impressive cast of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDead Kids\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(also known as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStrange Behavior\u003c\/em\u003e), a darkly comic blend of horror and science fiction from director Michael Laughlin (\u003cem\u003eStrange Invaders\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eIn a small midwestern town, police chief John Brady (Murphy) investigates a bizarre series of murders. As the corpses pile up, all signs point to the hellish mind-control experiments of a twisted scientist...\u003c\/p\u003e\n\u003cp\u003eCo-written by Bill Condon (\u003cem\u003eGods and Monsters\u003c\/em\u003e), with a soundtrack by Tangerine Dream (\u003cem\u003eSorcerer\u003c\/em\u003e), and produced in New Zealand by the legendary Australian producer Antony I Ginnane (\u003cem\u003eSnapshot\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION 4K UHD SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrand-new 4K HDR restoration from the original negative by Powerhouse Films\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTwo presentations of the film: the original Australian theatrical version,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDead Kids\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(102 mins); and the US theatrical version,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStrange Behavior\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(100 mins)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with director and co-writer Michael Laughlin, and filmmaker David Gregory (2014)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with co-writer Bill Condon and actors Dan Shor and Dey Young (2008)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInterview with actor Michael Murphy (2026)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLasting Bonds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): actor Fiona Lewis fondly looks back on the film’s production\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAn Actor’s Dream\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): interview with actor Dey Young\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Effects of ‘Strange Behavior’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014): interview with special make-up effects artist Craig Reardon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Very Delicious Conversation with Dan Shor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2016): extensive interview with the actor, filmed in Central Park, New York\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePodcasting After Dark: Dan Shor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024): excerpts from a career-spanning audio interview\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e‘Not Quite Hollywood’: Antony I Ginnane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008): interview with the legendary producer, filmed for Mark Hartley’s acclaimed documentary on Australian cinema\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLightning Strikes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): new presentation of a 2004 interview with Ginnane about the film\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePerfect Strangers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2026): appreciation by the academic and Australian cinema specialist Stephen Morgan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIsolated score\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePatton Oswalt trailer commentary (2023, 4 mins): short critical appreciation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage galleries: promotional and publicity material, and behind the scenes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition exclusive 80-page book with a new essay by Paul Duane, an exclusive extract from producer Antony I Ginnane’s unpublished 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Co-starring Hungarian screen siren Eva Bartok and a very on-form Alan Wheatley as a bullish intelligence operative, Spaceways has been painstakingly restored by Hammer in 4K from the original film negatives.\u003c\/p\u003e\n\u003cp\u003eStephen Mitchell, chief engineer on the world’s first space station, has the bad luck to be married to a gold-digging shrew. 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Bohus discuss 1950s sci-fi films and the differences in style between those made in the US and the UK.\u003c\/li\u003e\n\u003cli\u003eA gallery of stills and publicity material alongside tracks from Ivor Slaney’s score.\u003c\/li\u003e\n\u003cli\u003eSidebar: Spaceways: Film critic and writer Tim Lucas discusses Spaceways and sci-fi films of the period with artist and film historian Stephen R. Bissette.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe discs feature:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew commentary with writer, filmmaker and film programmer Heidi Honeycutt and TV and film critic Sarah Morgan.\u003c\/li\u003e\n\u003cli\u003eNew commentary with writer\/editor David Flint.\u003c\/li\u003e\n\u003cli\u003eTwo Nations Divided by a Common Genre: writer\/publisher Wayne Kinsey and director\/producer\/actor\/writer Ted A. 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Bissette.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe booklet features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArticle by Hammer expert Wayne Kinsey examining the making of Hammer's first sci-fi film.\u003c\/li\u003e\n\u003cli\u003eNew article by Heidi Honeycutt, who takes a look at the social, sexual and political tropes at play in Spaceways.\u003c\/li\u003e\n\u003cli\u003eNew article by Andrew Pixley, who does a deep dive on Hammer's run of radio-to-film adaptations.\u003c\/li\u003e\n\u003cli\u003eNew article by Sarah Morgan, who examines director Terence Fisher's occasional forays into science fiction.\u003c\/li\u003e\n\u003cli\u003eNew article by Neil Sinyard, who compares Spaceways to the original novel and investigates the work of its author, Charles Eric Maine.\u003c\/li\u003e\n\u003cli\u003eNew article by Miriam Balanescu, who looks at the effect of the Cold War on sci-fi and the hybrid genre Sci-fi Noir.\u003c\/li\u003e\n\u003cli\u003eNew article by Robert J.E. Simpson, who investigates the connective tissue that links Howard Duff, Hammer and the Lupino family.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe features, packaging and specification on this page are not final and are subject to change.\u003c\/p\u003e\n\u003ctable class=\"table table-bordered\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage\u003c\/td\u003e\n\u003ctd\u003e5.1 \/ Mono \/ English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":45154228797484,"sku":"5061058620270","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/spaceways-4k-uhd-limited-collectors-edition-region-free-new-4k-uhd.webp?v=1785662568"},{"product_id":"fackham-hall-4k-uhd-region-free","title":"Fackham Hall (4K UHD, Region Free)","description":"\u003cdiv class=\"col-md-6 pr-md-5\"\u003e\n\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"dkhuu-1ibv5w-qztxe2-p8kx33\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eA British Comedy from comedian turned screenwriter Jimmy Carr; mistaken identities, forbidden love, and one very inconvenient corpse turn the grand English manor of Fackham Hall into total bedlam in this comedy of class, romance, manners, and mischief. 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