{"title":"Canadian International Pictures","description":"\u003cp\u003eDiscover Canadian International Pictures films, from Forbidden Love to The Christmas Martian, at Orbit DVD. Explore Canadian documentaries, drama and unusual genre films through the label's physical releases.\u003c\/p\u003e","products":[{"product_id":"mindfield-used","title":"Mindfield W\/SLIP AND BOOKLET USED *SEE NOTE*","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*SLIP HAS WEAR\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMontreal police detective Sgt. Kellen O'Reilly's (Michael Ironside) investigation into a spate of grisly murders leads to a shocking connection to a CIA-sponsored mind control experiment run by scientist Dr. Satorius (Christopher Plummer)... and to the terrifying revelation that O'Reilly himself was one of the program's subjects. Intense Canadian thriller, based on the novel by William Deverell, also stars Lisa Langlois, Stefan Wodoslawsky, Sean McCann. 91 min. Widescreen; Soundtracks: English, French; Subtitles: English (SDH); interviews; theatrical trailer; more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":41708221562924,"sku":"814456026237US","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/mindfield-wslip-and-booklet-used-see-note-used-blu-ray.jpg?v=1787523366"},{"product_id":"the-amityville-curse-nevariant","title":"The Amityville Curse w\/SLIP (New Slip Variant)","description":"\u003cp\u003eA return to the most dangerous house in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A return to the most dangerous house in the world    \\n\\nAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.    \\n\\nOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.  \"}'\u003eAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A return to the most dangerous house in the world    \\n\\nAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.    \\n\\nOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.  \"}'\u003eOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A return to the most dangerous house in the world    \\n\\nAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.    \\n\\nOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.  \"}'\u003edirected by: \u003c\/span\u003eTom Berry\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A return to the most dangerous house in the world    \\n\\nAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.    \\n\\nOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.  \"}'\u003estarring: \u003c\/span\u003eDawna Wightman, Kim Coates, Cassandra Gava, Helen Hughes, Anthony Dean Rubes, Jan Rubes, David Stein\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A return to the most dangerous house in the world    \\n\\nAfter purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.    \\n\\nOne of the most overlooked entries in any major horror franchise, The Amityville Curse deviates from series formula, to surprising, amusing, and unsettling effect. Handsomely shot by Rodney Gibbons (My Bloody Valentine) and based on a novel by famed parapsychologist Hans Holzer – who also wrote the source material for Amityville II: The Possession – this inspired oddity is full of memorable horror flourishes and moments of jaw-dropping weirdness. With a lively ensemble that includes Kim Coates (Innocent Blood), Cassandra Gava (Conan the Barbarian), Helen Hughes (The Incubus), and Jan Rubes (Witness), The Amityville Curse is essential Canuxploitation viewing.  \"}'\u003e1990 \/ 91 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eScanned in 2K from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eAmityville Memories (2022, 16 min.) - An interview with director Tom Berry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eActing in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eShooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eRodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eBooklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from the original 35mm camera negative  \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Amityville Memories (2022, 16 min.) - An interview with director Tom Berry  \\n• Acting in Amityville (2022, 12 min.) - An interview with actress Dawna Wightman  \\n• Shooting Amityville (2022, 12 min.) - An interview with cinematographer Rodney Gibbons  \\n• Rodney Remembers (2022, 11 min.) - Gibbons reflects on his body of work  \\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with ghost hunter\/author Alexandra Holzer  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":43396354900012,"sku":"814456026220s","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-amityville-curse-wslip-new-slip-variant-new-blu-ray.webp?v=1785762731"},{"product_id":"the-devil-at-your-heels-w-slip-used","title":"The Devil At Your Heels w\/SLIP USED","description":"\u003cdiv class=\"c-message_kit__blocks 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c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp\u003eThe story of a daredevil…  Ken Carter wants to jump a car a mile.\u003c\/p\u003e\n\u003cp\u003eSeasoned stunt driver Ken Carter has spent the past 20 years risking his life jumping cars three times a week. Feeling the pain from decades of injuries, he recognizes the end of his career is near. But before he calls it a day, he’s determined to achieve legend status – by jumping a car a mile over the St. Lawrence Seaway. After spending his life savings building a rocket car, he joins forces with ABC’s Wide World of Sports to build a massive ramp and put all the pieces in place to make his dream a reality. When the network sends Evel Knievel to inspect, he’s shocked by the danger involved and concludes this is the “daredevil stunt that might end all daredevil stunts.” \u003c\/p\u003e\n\u003cp\u003eAn epic journey to the heart of one man’s dangerous obsession, The Devil at Your Heels is one of the most beloved films ever to emerge from The National Film Board of Canada. Playfully narrated by celebrated Canadian actor Gordon Pinsent, this immersion in the mind of an inspired – if overly ambitious – dreamer is often described as a forerunner to American Movie. CIP is proud to present this timeless cult classic alongside four shorts by director Robert Fortier, including his earlier Ken Carter film, The Mad Canadian.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Robert Fortier\u003cbr\u003estarring: Gordon Pinsent, Ken Carter, Kenny Powers, Evel Knievel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1981 \/ 102 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 16mm interpositive by the National Film Board of Canada\u003c\/li\u003e\n\u003cli\u003eSelected-scene commentary featuring director Robert Fortier\u003c\/li\u003e\n\u003cli\u003eDaredevil Director (2025, 18 min.) – New interview with Fortier\u003c\/li\u003e\n\u003cli\u003eNew audio interview with Gloria DeMario (2025, 8 min.)\u003c\/li\u003e\n\u003cli\u003eKeller on Carter (2025, 10 min.) – Rocket car designer Richard Keller on his collaboration with Carter\u003c\/li\u003e\n\u003cli\u003eLong John Baldry interview (1989, 4 min.) – Archival interview with the musician who created “Ken’s Theme”\u003c\/li\u003e\n\u003cli\u003eSomeone Else’s Movie episode on the film featuring Becky Shrimpton and host Norm Wilner\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast excerpt (2018, 9 min.) – Elric Kane and Brian Saur discuss the film\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast introduction (2024, 8 min.) – Kane and Saur introduce the film at The American Cinematheque\u003c\/li\u003e\n\u003cli\u003eThe Movies That Made Me excerpt (2020, 7 min.) – Kier-La Janisse and Caelum Vatnsdal discuss the film\u003c\/li\u003e\n\u003cli\u003eKen Carter: World Record (1982, 25 min.) – Archival footage of Carter’s ramp-to-ramp rocket car jump on August 19, 1982\u003c\/li\u003e\n\u003cli\u003eAim for the Roses clip (2016, 6 min.) – Excerpt from John Bolton’s documentary chronicling a musical tribute to Ken Carter\u003c\/li\u003e\n\u003cli\u003eFour short films directed by Fortier:\n\u003cul\u003e\n\u003cli\u003eThe Myth and the Reality (1973, 5 min.)\u003c\/li\u003e\n\u003cli\u003eMetal Workers (1975, 10 min.)\u003c\/li\u003e\n\u003cli\u003eThe Mad Canadian (1976, 10 min.)\u003c\/li\u003e\n\u003cli\u003eHarmonium in California (1979, 29 min.)\u003c\/li\u003e\n\u003cli\u003eNew introductions to all four shorts by Fortier\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":46011564589100,"sku":"810161483013US","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-devil-at-your-heels-wslip-new-blu-ray.webp?v=1785767528"},{"product_id":"dirty-money-w-booklet-used","title":"Dirty Money w\/BOOKLET USED","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}'\u003e50th anniversary special edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}'\u003eAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}'\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Denys Arcand\u003cbr\u003estarring: Marcel Sabourin, Luce Guilbeault, René Caron, Gabriel Arcand, J. Léo Gagnon, Maurice Gauvin, Andree Lalonde, Jean-Pierre Saulnier\u003cbr\u003e1972 \/ 100 min \/ 2.35:1 \/ French DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNewly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eMaking Money (2023, 20 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBuilding an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNew audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRestoration trailer for Dirty Money\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBooklet featuring a new interview with screenwriter Jacques Benoit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":46117690605612,"sku":"814456027517U","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/dirty-money-wslip-new-blu-ray-2.webp?v=1789200229"},{"product_id":"the-devil-at-your-heels-w-slip-used-copy","title":"The Devil At Your Heels USED","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" 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class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp\u003eThe story of a daredevil…  Ken Carter wants to jump a car a mile.\u003c\/p\u003e\n\u003cp\u003eSeasoned stunt driver Ken Carter has spent the past 20 years risking his life jumping cars three times a week. Feeling the pain from decades of injuries, he recognizes the end of his career is near. But before he calls it a day, he’s determined to achieve legend status – by jumping a car a mile over the St. Lawrence Seaway. After spending his life savings building a rocket car, he joins forces with ABC’s Wide World of Sports to build a massive ramp and put all the pieces in place to make his dream a reality. When the network sends Evel Knievel to inspect, he’s shocked by the danger involved and concludes this is the “daredevil stunt that might end all daredevil stunts.” \u003c\/p\u003e\n\u003cp\u003eAn epic journey to the heart of one man’s dangerous obsession, The Devil at Your Heels is one of the most beloved films ever to emerge from The National Film Board of Canada. Playfully narrated by celebrated Canadian actor Gordon Pinsent, this immersion in the mind of an inspired – if overly ambitious – dreamer is often described as a forerunner to American Movie. CIP is proud to present this timeless cult classic alongside four shorts by director Robert Fortier, including his earlier Ken Carter film, The Mad Canadian.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Robert Fortier\u003cbr\u003estarring: Gordon Pinsent, Ken Carter, Kenny Powers, Evel Knievel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1981 \/ 102 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eScanned and restored in 2K from the 16mm interpositive by the National Film Board of Canada\u003c\/li\u003e\n\u003cli\u003eSelected-scene commentary featuring director Robert Fortier\u003c\/li\u003e\n\u003cli\u003eDaredevil Director (2025, 18 min.) – New interview with Fortier\u003c\/li\u003e\n\u003cli\u003eNew audio interview with Gloria DeMario (2025, 8 min.)\u003c\/li\u003e\n\u003cli\u003eKeller on Carter (2025, 10 min.) – Rocket car designer Richard Keller on his collaboration with Carter\u003c\/li\u003e\n\u003cli\u003eLong John Baldry interview (1989, 4 min.) – Archival interview with the musician who created “Ken’s Theme”\u003c\/li\u003e\n\u003cli\u003eSomeone Else’s Movie episode on the film featuring Becky Shrimpton and host Norm Wilner\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast excerpt (2018, 9 min.) – Elric Kane and Brian Saur discuss the film\u003c\/li\u003e\n\u003cli\u003ePure Cinema Podcast introduction (2024, 8 min.) – Kane and Saur introduce the film at The American Cinematheque\u003c\/li\u003e\n\u003cli\u003eThe Movies That Made Me excerpt (2020, 7 min.) – Kier-La Janisse and Caelum Vatnsdal discuss the film\u003c\/li\u003e\n\u003cli\u003eKen Carter: World Record (1982, 25 min.) – Archival footage of Carter’s ramp-to-ramp rocket car jump on August 19, 1982\u003c\/li\u003e\n\u003cli\u003eAim for the Roses clip (2016, 6 min.) – Excerpt from John Bolton’s documentary chronicling a musical tribute to Ken Carter\u003c\/li\u003e\n\u003cli\u003eFour short films directed by Fortier:\n\u003cul\u003e\n\u003cli\u003eThe Myth and the Reality (1973, 5 min.)\u003c\/li\u003e\n\u003cli\u003eMetal Workers (1975, 10 min.)\u003c\/li\u003e\n\u003cli\u003eThe Mad Canadian (1976, 10 min.)\u003c\/li\u003e\n\u003cli\u003eHarmonium in California (1979, 29 min.)\u003c\/li\u003e\n\u003cli\u003eNew introductions to all four shorts by Fortier\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":46227579863084,"sku":"810161483013U","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-devil-at-your-heels-used-used-blu-ray.jpg?v=1791533312"}],"url":"https:\/\/www.orbitdvd.com\/collections\/canadian-international-pictures.oembed","provider":"Orbit DVD","version":"1.0","type":"link"}