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Introducing the world to the iconic Pinhead and his sadistic band of Cenobites, Hellraiser became an instant genre classic upon release and remains one of the frighteningly original visions in horror.\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":34429240049708,"sku":"760137291183no","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/hellraiser-new-blu-ray-760137291183-8867752.jpg?v=1774819751"},{"product_id":"female-prisoner-scorpion","title":"Female Prisoner Scorpion The Complete Collection","description":"\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e\n\u003cp\u003eStarring the iconic and beautiful Meiko Kaji (Lady Snowblood, Stray Cat Rock) in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of \"Scorpion,\" becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world. Female Prisoner #701: Scorpion introduces Nami, a gullible young woman unjustly imprisoned, who must find a way to escape in order to exact revenge upon the man who betrayed her. The visually avant-garde Female Prisoner Scorpion: Jailhouse 41 sees director Shunya Ito and star Meiko Kaji re-unite as Nami and six other female convicts escape prison once more. The Gothic horror-inspired Beast Stable finds Nami branded public enemy #1 and on the run. She soon finds refuge with a sympathetic prostitute, but runs afoul of a local gang. The final film in the series, #701's Grudge Song (from director Yasuharu Hasebe, Retaliation, Massacre Gun), shows a gentler side of Nami as she falls in with Kudo, an ex-radical suffering from physical and psychological trauma caused by police torture. Spiritual kin to Ms. 45, Coffy and The Bride Wore Black, Female Prisoner Scorpion is the pinnacle of early 1970s exploitation cinema from Japanese grindhouse studio Toei, and one of the greatest female revenge sagas ever told.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBonus Materials\u003c\/p\u003e\n\u003cp\u003eBrand new 2K restorations of all four films in the series presented on High Definition Blu-ray (1080p)\u003c\/p\u003e\n\u003cp\u003eOriginal uncompressed PCM mono audio for all films\u003c\/p\u003e\n\u003cp\u003eOptional English subtitles for all films\u003c\/p\u003e\n\u003cp\u003eReversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Gareth Evans (The Raid)\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Birth of an Outlaw, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eScorpion Old and New, a new interview with assistant director Yutaka Kohira\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailers for all four films in the series\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kier-La Janisse\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Shunya Ito\u003c\/p\u003e\n\u003cp\u003eDesigning Scorpion, a new interview with production designer Tadayuki Kuwana\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by critic Kat Ellinger\u003c\/p\u003e\n\u003cp\u003eShunya Ito: Directing Meiko Kaji, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eUnchained Melody, a new visual essay by Tom Mes on the career of Meiko Kaji\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer and Teaser\u003c\/p\u003e\n\u003cp\u003eNewly filmed appreciation by filmmaker Kazuyoshi Kumakiri (Kichiku: Banquet of the Beasts)\u003c\/p\u003e\n\u003cp\u003eYasuharu Hasebe: Finishing the Series, an archive interview with the director\u003c\/p\u003e\n\u003cp\u003eJapanese cinema critic Jasper Sharp examines the career of Yasuharu Hasebe\u003c\/p\u003e\n\u003cp\u003eThey Call Her Scorpion, a new visual essay by Tom Mes on the film series\u003c\/p\u003e\n\u003cp\u003eOriginal Theatrical Trailer\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":34429268820012,"sku":"760137301981","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/female-prisoner-scorpion-the-complete-collection-new-blu-ray-760137301981-6801063.jpg?v=1774819689"},{"product_id":"an-american-werewolf-in-london","title":"An American Werewolf in London (Standard Edition)","description":"\u003cp\u003eOne of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humor in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. 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It is a film that provokes, but it provokes intelligence above all – not just the merry continuation of our little social mechanisms.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e Possession is a visionary, scathing attack on what could be called an “alien” from within. It is a movie that deliberately goes against the new “dominant ideology”, and takes huge risks. This deep-cutting, biological cinema, delves into the guts to reach the soul. Through its fire, it revives something that a lot of contemporary movies have lost: emotion, and the prospect of the audience reacting, perhaps even throwing up (figuratively?) in front of a screen displaying their own fantasies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAwards:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCannes Film Festival (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Winner Best Actress, Isabelle Adjani\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Nominee Palme D'or\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCésar Awards, France (1982)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Winner Best Actress, Isabelle Adjani\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSão Paulo International Film Festival (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Winner Critics Award\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFantasporto International Film Festival (1983)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Winner Audience Jury Award - Special Mention\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Winner Best Actress, Isabelle Adjani\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Nominee Best Film\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBLU-RAY DISC CONTENTS:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMONDO VISION presents the first ever North American Blu-ray release of Andrzej Zulawski's POSSESSION (1981) in an all new 2K Digital Transfer supervised and approved by the director. UNCUT \u0026amp; Fully Uncensored, this edition also marks the first ever release of the film in North America in its original Director's Cut.* The film is presented in the original aspect ratio of 1.66:1 along with an uncompressed mono audio soundtrack. This Dual Layer disc has been transferred and encoded using a high-frequency process which preserves as much of the detail and texture from the original film as is possible on the Blu-ray format.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDISC 1 : THE FEATURE FILM\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDigitally Restored HD Transfer Approved by Director Andrzej Zulawski [124min]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEXTRAS: [4Hr. 8 Mins.] [All extras except commentary come with Optional English Subtitles in White or Yellow]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Other Side of The Wall: The Making of POSSESSION [52min]\u003c\/p\u003e\n\u003cp\u003eAudio Commentary with Director Andrzej Zulawski [124min]\u003c\/p\u003e\n\u003cp\u003eVideo Interview with Director Andrzej Zulawski [36min]\u003c\/p\u003e\n\u003cp\u003eVideo Interview with Translator Eric Veaux [22min]\u003c\/p\u003e\n\u003cp\u003eTheatrical Trailer [3min]\u003c\/p\u003e\n\u003cp\u003eMore from Mondo Vision [11min] [collection of 4 trailers from Andrzej Zulawski films]\u003c\/p\u003e\n\u003cp\u003e1) La Femme Publique\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2) L'important C'est Da'imer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e3) La'mour Braque\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e4) Szamanka\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDISC 2 : SOUNDTRACK CD [ Digitally Remastered ] - This complete 32 track CD consists of all the music composed for the film, plus additional outtakes that did not make the final cut. Track 32 is a Bonus Track and exclusive to this MONDO VISION edition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePLUS :\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e84pg Commemorative Booklet - Content rich including 4 Exclusive Essays +  Rare and Insightful Archival Essays \u0026amp; Interviews (retranslated and published for the first time ever in English) + Rare Photos and Artwork.\u003c\/p\u003e\n\u003cp\u003eExclusive\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- POSSESSION: A Brief Review By Tom Huddleston, TIME OUT (2012)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- God Figured as a Public Whore Gone Crazy: Notes on Andrzej Zulawski’s POSSESSION (1981), An Essay By Daniel Bird (2009)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- POSSESSION: An Essay By Jeremiah Kipp (2011)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Pink Socks and Monsters: Excess in Andrzej Zulawski’s POSSESSION: An Essay By Todd Garbarini (2010)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArchival\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- \"Cinema Superactivity\": Extracts From An Interview With Andrzej Zulawski -- By Daniel Bird \u0026amp; Stephen Thrower (Spring 1998)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Double Apocalypse in Berlin: POSSESSION: By Max Tessier (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Doubles Working in Concert (POSSESSION): By Hubert Niogret (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- POSSESSION by Andrzej Zulawski: By Max Tessier (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- POSSESSION, Andrzej Zulawski: By Carine Varène (1981)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- The Sleep of Reason Produces Monsters: By Stephen Thrower (1998)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e8 [ 5x7 ] U.S. Lobby Card Reproductions Inside Custom Envelope\u003c\/p\u003e\n\u003cp\u003e5 [ 4x6 ] Exclusive Art Cards [ Original Paintings Courtesy of French Artist Jean-Philippe Guigou]\u003c\/p\u003e\n\u003cp\u003e1 Japanese Movie Flyer Reproduction\u003c\/p\u003e\n\u003cp\u003eIndividually Numbered Certificate Of Authenticity With Unique Serial # [Only 2000 Individually Numbered Sets Produced]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePACKAGING:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis edition of POSSESSION features a fully illustrated matte laminated Hardcover Box with magnetic enclosure + a separate Hardcover Slipcase with die-cut window. The slipcase is fully wrapped with import European blue velvet. The die-cut window reveals the original poster art from the magnetic box once the slipcase is on. Silver hot stamping is used throughout the packaging to highlight the title and the credits. Inside of the magnetic box features a foldout 6-panel digipak, shiny black trays to hold the Discs + a Hardcover magnetic pocket to store the 84pg booklet and the remaining contents. The silver hot stamping theme is carried throughout the inside. 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The film would catapult Miike to the international scene and pave the way for such other genre delights as Ichii the Killer and The Happiness of the Katakuris. Recent widower Shigeharu Aoyama is advised by his son to find a new wife, so he seeks the advice of a colleague having been out of the dating scene for many years. They take advantage of their position in a film company by staging an audition to find the perfect woman. Interviewing a series of women, Shigeharu becomes enchanted by Asami, a quiet, 24-year-old woman, who is immediately responsive to his charms. But soon things take a very dark and twisted turn as we find that Asami isn't what she seems to be... 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Romero, is a great story of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combining gruesome gore with acute social commentary and quietly breaking ground by casting a Black actor (Duane Jones) in its lead role.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNight of the Living Dead\u003ci\u003e\u003cspan\u003e \u003c\/span\u003ewas restored by the Museum of Modern Art and The Film Foundation, with funding provided by the George Lucas Family Foundation and the Celeste Bartos Preservation Fund.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sharetools\"\u003e\u003c\/div\u003e\n\u003csection class=\"product-features collapse\" data-sticky-left-end=\"\" data-sticky-left-content-end=\"\"\u003e\n\u003cdiv class=\"collapse-contain\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eTWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, supervised by director George A. 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