{"title":"Arthouse Animation!","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/fantastic_planet_la_planete_sauvage_460x_33e381b0-150b-4ebd-92a3-87fce738ddf6.webp?v=1719763482\" width=\"245\" height=\"147\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"spirited-away","title":"Spirited Away","description":"\u003cp\u003eChihiro's family is moving to a new house, but when they stop on the way to explore an abandoned village, her parents undergo a mysterious transformation and Chihiro is whisked into a world of fantastic spirits ruled over by the sorceress, Yubaba. Put to work in a magical bathhouse for spirits and demons, Chihiro must use all her wits to survive in this strange new place, find a way to free her parents and return to the normal world. 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The earliest surviving animated feature film – preserved in the BFI National Archive – it has been hailed as one of the world’s most innovative and influential animations. On 19 August 2013, the BFI releases The Adventures of Prince Achmed on Blu-ray for the first time, in a Dual Format Edition with a newly recorded narration and the original orchestral score, along with a selection of Lotte Reiniger’s short films.\u003c\/p\u003e\n\u003cp\u003eHandsome young Prince Achmed is brave and eager for adventure, so when the most powerful sorcerer in the world challenges him to fly a magic horse, Achmed plunges headlong into a series of exciting escapades that take him from Baghdad to China via the enchanted spirit lands of Wak-Wak.\u003c\/p\u003e\n\u003cp\u003eMade in card, cut entirely by hand, and then manipulated using sheets of lead joined by wires, Reiniger’s exquisite shadow characters move intricately through colourful worlds of demons, witches, beautiful princesses and flying castles. The incredible talent and creativity shown here has influenced the animation in other films including Snow White, Harry Potter and the Deathly Hallows and The Sword in the Stone.\u003c\/p\u003e\n\u003cdiv data-toggle=\"#attributeextras\" class=\"title-accordion accordion-attributeextras active\"\u003eExtras\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\" role=\"tabpanel\" aria-labelledby=\"tab-label-attributeextras\" data-role=\"content\" id=\"attributeextras\" class=\"data item content\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal orchestral score by Wolfgang Zeller\u003c\/li\u003e\n\u003cli\u003eNewly recorded alternative narration based on Lotte Reiniger's own translation of her German text, spoken by actress Penelope McGhie\u003c\/li\u003e\n\u003cli\u003eThe Adventures of Dr. Dolittle (Lotte Reiniger, 1928, 33 mins): a series of three short films based on the classic stories by Hugh Lofting.\u003c\/li\u003e\n\u003cli\u003eThe Flying Coffer (Lotte Reiniger, 1921, 9 mins): a poor young fisherman tries to rescue the Emperor of China's daughter.\u003c\/li\u003e\n\u003cli\u003eThe Secret of the Marquise (Lotte Reiniger, 1922, 2 mins): an early advert for Nivea skincare products.\u003c\/li\u003e\n\u003cli\u003eThe Star of Bethlehem (Vivian Milroy, 1956.18 mins): the nativity story with music performed by the Glyndebourne Festival Chorus.\u003c\/li\u003e\n\u003cli\u003eThe Lost Son (Lotte Reiniger, 1974, 14 mins): the New Testament parable animated in Lotte Reiniger's inimitable style.\u003c\/li\u003e\n\u003cli\u003eFully illustrated booklet with newly commissioned essays by Jez Stewart and Philip Kemp, and a contribution by Marina Warner.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"ul1\"\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv class=\"col-md-6 pl-md-5 product-features-column\"\u003e\n\u003cul data-sku=\"EKA70479\" data-display=\"true\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Moovies","offers":[{"title":"Default Title","offer_id":40807585611820,"sku":"5035673011652","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/the-adventures-of-prince-achmed-region-b-new-blu-ray-5035673011652-1212239.jpg?v=1772395630"},{"product_id":"copy-of-yellow-submarine","title":"Mary and Max","description":"\u003cp\u003e\u003cspan\u003eA tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alliance MEDIA","offers":[{"title":"Default Title","offer_id":40896665026604,"sku":"030306184791","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/products\/mary-and-max-new-blu-ray-030306184791-9194713.jpg?v=1772393828"},{"product_id":"copy-of-amigo-w-slip","title":"The Son of the Stars","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eA wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003edirected by: \u003c\/span\u003eCălin Cazan and \u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eMircea Toia\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003estarring: Various\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A wild and surreal outer space adventure. A mid-80s mash-up of THE EMPIRE STRIKES BACK, ALIEN, and Edgar Rice Burrough's TARZAN. In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board ship to search for the missing astronaut - but fate intervenes, their own ship crashes - leaving their son alone - or is he?\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e1988 \/ 78 min \/ 1.33:1 \/ Romanian \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"* New restoration by Deaf Crocodile from the original 35mm negative\\n* New commentary track by film journalist Sam Deighan\\n* New interview with co-director Călin Cazan\\n* New booklet essay by Stephen R. 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Bissette\\n* Blu-ray mastering and authoring by David Mackenzie\/Fidelity in Motion\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eNew restoration by Deaf Crocodile from the original 35mm negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"* New restoration by Deaf Crocodile from the original 35mm negative\\n* New commentary track by film journalist Sam Deighan\\n* New interview with co-director Călin Cazan\\n* New booklet essay by Stephen R. Bissette\\n* Blu-ray mastering and authoring by David Mackenzie\/Fidelity in Motion\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eNew commentary track by film journalist Sam Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"* New restoration by Deaf Crocodile from the original 35mm negative\\n* New commentary track by film journalist Sam Deighan\\n* New interview with co-director Călin Cazan\\n* New booklet essay by Stephen R. Bissette\\n* Blu-ray mastering and authoring by David Mackenzie\/Fidelity in Motion\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eNew interview with co-director Călin Cazan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"* New restoration by Deaf Crocodile from the original 35mm negative\\n* New commentary track by film journalist Sam Deighan\\n* New interview with co-director Călin Cazan\\n* New booklet essay by Stephen R. Bissette\\n* Blu-ray mastering and authoring by David Mackenzie\/Fidelity in Motion\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eNew booklet essay by Stephen R. Bissette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"* New restoration by Deaf Crocodile from the original 35mm negative\\n* New commentary track by film journalist Sam Deighan\\n* New interview with co-director Călin Cazan\\n* New booklet essay by Stephen R. 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Packed with energy, excitement, electricity and enthusiasm, Bashki's work is a ground-breaking, kaleidoscopic animated trip.\u003c\/p\u003e","brand":"Alliance MEDIA","offers":[{"title":"Default Title","offer_id":41654469296172,"sku":"043396633421","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/american-pop-new-blu-ray-043396633421-8934417.jpg?v=1755538701"},{"product_id":"heroic-times-w-slip","title":"Heroic Times","description":"\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. 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Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003eJózsef Gémes\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: \u003c\/span\u003eGyula Szabó\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e1983 \/ 79 min \/ 1.37:1 \/ Hungarian Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"“A crime is a crime, even if committed by kings,” intones the narrator of director József Gémes’ animated portrait of the supposedly “heroic” age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival Game Of Thrones. Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS. Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko’s ILYA MUROMETS, John Boorman’s EXCALIBUR and Ralph Bakshi’s underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator: “I haunted the alien streets as a spirit of withered times.” Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI – National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew 4K restoration of HEROIC TIMES by the NFI – National Film Institute-Film Archive in Hungary\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew essay by film historian and professor Jennifer Lynde Barker\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShort film: “Koncertissimo” (1968, 3 min.) – in this scathing anti-war satire, an elegant crowd gathers at the concert hall to hear a very different kind of orchestra perform\u003c\/li\u003e\n\u003cli\u003eShort film: “Parade (Díszlépés)” (1969, 5 min.) – a beautiful hand-painted short about the absurdity of military dress parades\u003c\/li\u003e\n\u003cli\u003eShort film: “Funeral (Temetés)” (1970, 3 min.) – a solemn and tearful funeral is interrupted by unexpected laughter in Gémes’ black comic gem\u003c\/li\u003e\n\u003cli\u003eNew video interview with HEROIC TIMES animator Sándor Békési, moderated by Dennis Bartok of Deaf Crocodile\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew video interview with György Ráduly, Director of the National Film Institute-Film Archive on József Gémes and the history of Hungarian animation, moderated by Dennis Bartok\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":41687823450156,"sku":"850066568606","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/heroic-times-new-blu-ray-814456027784-3474419.png?v=1755538536"},{"product_id":"cat-city-w-slip","title":"Cat City","description":"\u003cp\u003e\u003cstrong\u003eCAT CITY (MACSKAFOGÓ)\u003c\/strong\u003e, 1986, Hungary, 96 min. Unflappable and unstoppable mouse secret agent Nick Grabovsky (László Sinkó) with his deadpan voice, baggy pants and a big “G” on his shirt, goes up against the criminal cat gang run by the sinister, metal-pawed Mr. Teufel (Miklós Benedek), in Hungarian director Béla Ternovszky’s surreal, animated sci-fi treasure. Set in the year 80 AMM (“After Mickey Mouse”) on Planet X where cats and rats have banded together to eliminate mice, the film features a show-stopping series of musical numbers including a deranged Euro-disco song (“Just purr with me \/ Touch me with tender paws”) and a bizarre chorus of Mexican vampire bats named Los Vampiros who inhabit an ancient Mayan temple. A cross between 1980s Don Bluth-style animation (THE SECRET OF NIMH) and the British TV series “Danger Mouse” (clearly an inspiration here), CAT CITY has long been a beloved cult favorite in Eastern Europe – recently restored by the National Film Institute in Hungary from the original 35mm camera negative for its first-ever U.S. Blu-ray release by Deaf Crocodile. In Hungarian with English subtitles.\u003c\/p\u003e\n\u003cp\u003edirected by: Béla Ternovszky\u003cbr\u003estarring: László Sinkó, Miklós Benedek, Péter Haumann\u003cbr\u003e1986 \/ 96 min \/ 1.37:1 \/ Hungarian DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew video interview with György Ráduly, Director of the National Film Institute-Film Archive in Budapest on Hungarian animation and the enduring popularity of CAT CITY, moderated by Dennis Bartok of Deaf Crocodile (In English)\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003c\/li\u003e\n\u003cli\u003eNew essay by film critic Walter Chaw (Film Freak Central)\u003c\/li\u003e\n\u003cli\u003eNew optional 5.1 audio mix\u003c\/li\u003e\n\u003cli\u003e3 rare Béla Ternovszky animated shorts:\u003c\/li\u003e\n\u003cli\u003e“Modern Training Methods (Modern edzésmódszerek)” - 1970, 7 min. Ternovszky’s delightfully wicked and gruesome satire of athletic training\u003c\/li\u003e\n\u003cli\u003e“Let Us Keep A Dog (Tartsunk kutyát)” – 1974, 6 min. For dog lovers everywhere, this classic Pannonia Studio short fueled by a wildly groovy 70s Jazz-Funk score\u003c\/li\u003e\n\u003cli\u003e“Where Is The Limit? (Mindennek van határa)” – 1975, 7 min. A cheerfully oblivious orange figure bumbles from one surreal situation into another, until he discovers he can escape from the cartoon world into the real one – with unexpected consequences\u003c\/li\u003e\n\u003cli\u003e“The Director Answers: Béla Ternovsky\" - 2023, 23 min. Dir. Yvonne Kerékgyártó – new interview with Béla Ternovszky\u003c\/li\u003e\n\u003cli\u003e“Ahead Of Its Time (Megelőzte a maga korát)” – 2020, 25 min. Dir. Péter Szalay. Fascinating video essay produced by the National Film Institute of Hungary on the creative genesis of CAT CITY and its importance in Hungarian animation\u003c\/li\u003e\n\u003cli\u003e“We Just Made It For The Fun Of It (Jókedvünkben készítettük)” – 2020, 30 min. Dir. Péter Szalay. CAT CITY director Béla Ternovszky discusses his long creative career at Pannonia Studio and the making of his most famous film, illustrated with rare film footage, stills and animation sketches\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"deaf crocodile","offers":[{"title":"Default Title","offer_id":42007708991532,"sku":"814456028118","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/cat-city-new-blu-ray-814456028118-2843754.png?v=1755537405"},{"product_id":"the-triplets-of-belleville-1","title":"The Triplets Of Belleville","description":"\u003cp\u003e\u003cspan\u003eYou've never seen anything like THE TRIPLETS OF BELLEVILLE, a wildly inventive and highly original animated feature crowded with colorful characters and fantastic imagery. Kidnapped by mysterious, square-shouldered henchmen, a Tour de France cyclist named Champion is spirited across the ocean to the teeming metropolis of Belleville. His grandmother and faithful dog follow his trail and are taken in by a trio of eccentric jazz-era divas. The motley sleuths follow the clues to an Underground betting parlor and now the chase is on!\u003c\/span\u003e\u003c\/p\u003e","brand":"Alliance MEDIA","offers":[{"title":"Default Title","offer_id":42436549705772,"sku":"043396633674","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-triplets-of-belleville-new-blu-ray-043396633674-6049663.jpg?v=1755535963"},{"product_id":"the-tune-w-slip","title":"The Tune","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eLegendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music). On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby: a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons. There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”. Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart: “Lost?” “No, I just don’t know where I am.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Bill Plympton\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Daniel Neiden, Maureen McElheron, Marty Nelson, Emily Bindiger\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e1992 \/ 69 min \/ 1.33:1 \/ English 2.0 Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNew restoration of THE TUNE by the Academy Film Archive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\"Your Face\" (1987) -- Plympton's wonderfully bizarre, Oscar-nominated animated short (restored by the Academy Film Archive)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"How To Kiss\" (1988) -- Plympton's outrageous, body-morphing cartoon short\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e“Guard Dog” (2004) – another Oscar-nominated dark comic gem from Plympton revealing a dog’s wildest fears as his owner takes him for a walk (restored by the Academy Film Archive)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\"The Flying House - Dreams of a Rarebit Fiend\" - famed animator Winsor McCay's last film from 1921, restored \/ re-scored \/ newly voiced by Plymptoon Studios in 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Legendary animator and cartoonist Bill Plympton’s first feature, THE TUNE is a wildly surreal animated musical comedy about a struggling songwriter named Del (voiced by Daniel Neiden), desperate to write a hit tune to save his relationship with his long-suffering girlfriend Didi (voiced by Maureen McElheron, who co-wrote the script and composed the music).  On his way to meet her and his boss, Del gets sidetracked in the cheerfully deranged Alternate Universe of Flooby Nooby:  a strangely nostalgic vision of 1950s middle-class America as filtered through the affectionate-but-twisted sensibilities of David Lynch, Talking Heads and classic Warner Bros. Bugs Bunny cartoons.  There’s a Doggie Elvis who croons about his pompadour; a love duet between a Burger and Fry, a slice of Cherry Pie and a Scoop of Ice Cream; and a joyfully sadistic Bellhop at The Love Sick Hotel, all singing lovably warped tunes like “Dig My Do,” “No Nose Blues” and “Tango Shmango”.  Plympton’s famed animation style, done in colored pencils with a gorgeous pastel palette, is perfectly suited to this beautifully off-kilter saga of a man who loses his way only to find his heart:  “Lost?”  “No, I just don’t know where I am.”  \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNew hour-long video interview on THE TUNE with director\/writer\/producer Bill Plympton, composer\/co-writer\/voice actor Maureen McElheron, and voice actor Daniel Neiden, moderated by Dennis Bartok of Deaf Crocodile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eTrailer for Plympton’s new feature film SLIDE with special video introduction by Bill Plympton\u003c\/li\u003e\n\u003cli\u003eNew commentary track by animation producer and podcaster Adam Rackoff and podcaster and film critic James Hancock\u003c\/li\u003e\n\u003cli\u003eNew essay by film critic Walter Chaw (Film Freak Central)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival audio commentary from 2004 with Bill Plympton and Maureen McElheron\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"deaf crocodile","offers":[{"title":"Default Title","offer_id":42516273692716,"sku":"814456028842","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-tune-new-blu-ray-814456028842-8674341.png?v=1755535833"},{"product_id":"bubble-bath-w-slip","title":"Bubble Bath","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBUBBLE BATH (HABFÜRDÖ) – 1979, 79 min. Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made. Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage. Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them. A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style. In other words: it’s not quite like any animated film you’ve ever seen before. Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release. BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile. In Hungarian with English subtitles.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: György Kovásznai\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Kornél Gelley, Albert Antalffy, Vera Venzcel, Kati Bontovits \u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e1979 \/ 79 min \/ 1.37:1 \/ Hungarian Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNew commentary track by film historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNew essay by film historian and professor Jennifer Lynde Barker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e“Interview with BUBBLE BATH Composer János Másik” – 2021, 7 min., dir. Yvonne Kerékgyártó\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Restoring BUBBLE BATH” – 2021, 9 min., dir. Yvonne Kerékgyártó. A fascinating look at the restoration of this Hungarian animated classic featuring interviews with György Raduly, director of the National Film Institute and the NFI film archivists\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e5 Rare Short films by György Kovásznai:\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eMonologue (Monológ) - (1963, 12 min.) – lovely and surreal cut-out animation in a pre-Terry Gilliam \/ Monty Python style, a wild combination of Victorian imagery and Mod 1960s design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eMetamorphosis (Átváltozások) - (1964, 7 min.) – Two faces – a woman and a man – blend and change and liquify, reflecting the history of 20th century art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eWavelengths (Hullámhosszok) - (1970, 9 min.) - Kovásznai’s abstract masterpiece with hints of Henri Matisse in its depiction of human forms floating in space, set to a surreal soundtrack of radio broadcasts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNights in the Boulevard (Körúti esték) - (1972, 9 min.) - Kovásznai’s stunningly beautiful hand-painted short of a night in the city – poets and lovers in café’s, a constant hum of music and drinks and conversation – done in a gorgeous post-Psychedelic style with hints of YELLOW SUBMARINE and his feature BUBBLE BATH to come\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eA Memory of Summer (A 74-es nyár emléke) - 1974 (1974, 10 min.) – Painted animation at its finest in Kovásznai’s stream-of-consciousness portrait of life in the Summer, color and form and brushstrokes constantly morphing and changing, all driven by a kinetic rock score\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAll of the above short films in Hungarian with English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"BUBBLE BATH (HABFÜRDÖ) – 1979, 79 min.  Hungarian director György Kovásznai’s wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée’s best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop – and both unsure of their attraction to each other, of the choices they’ve made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton’s off-kilter individualism and Ralph Bakshi’s wonderfully warped, rubbery visual style.  In other words:  it’s not quite like any animated film you’ve ever seen before.  Sadly, this was director and animator Kovásznai’s only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":42815793856556,"sku":"850066568415","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/bubble-bath-new-blu-ray-814456028958-4204519.png?v=1755535067"},{"product_id":"the-soldiers-tale","title":"The Soldier's Tale","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Soldier's Tale is an animated classic by the renowned New Yorker illustrator R.O. Blechman, based on Igor Stravinsky’s 1918 composition. This poetic tale revolves around a young soldier’s return home, where he strikes a deal with the devil, trading his beloved violin for boundless wealth. Haunted by regret, the soldier sets out on a journey to reclaim his soul and rediscovers the life he left behind. As the soldier ventures into these alternate realities, Blechman’s simple pen-and-ink drawings explode into colorful fantasies. The film was a milestone in the marriage of animation and music (Stravinsky’s “Rite of Spring” was used to score one of the most memorable sequences of Walt Disney’s Fantasia). This 2K restoration of The Soldier’s Tale (from the filmmaker’s personal 35mm print) is accompanied by Blechman’s Christmas-themed short film No Room at the Inn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial Features:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e• Audio Commentary by Director R.O. Blechman, Animator Tissa David, and Associate Producer George Griffin\u003cbr\u003e• No Room at the Inn, a Short Film by R.O. Blechman\u003cbr\u003e• The Hand of R.O. Blechman, a Collection of Animated Shorts and Commercials\u003c\/span\u003e\u003c\/p\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":42857052995628,"sku":"738329265809","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-soldiers-tale-new-blu-ray-738329265809-7146109.jpg?v=1755534935"},{"product_id":"the-wolf-house","title":"The Wolf House","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch3 itemprop=\"description\"\u003eMaria escapes from a religious cult to an abandoned house and finds two pigs that slowly morph into humans and the house into a dark, menacing world.\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA fraught fever dream of a fairy tale from Chile inspired in part by the nightmarish goings-on at the Pinochet regime's \"Colonia Dignidad\" torture colony, The Wolf House is something like a Little Red Riding Hood narrated by the wolf, an unpredictable, malevolent shape-shifter of a movie shot over five years of painstaking labor, much of it on the extraordinary stop-motion effects that make up its bulk. A film of constant disorienting transformations and smothering claustrophobia, showing the spirit of unsettling experimental animation found in the works of Walerian Borowczyk, Jan Lenica, and Jan Švankmajer is alive and well.\u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDisc includes Collected Short Films by Joaquín Cociña and Cristóbal León -WEATHERVENE by Joaquín Cociña (2010 \/ 3’25”) -DER KLEINERE RAUM (THE SMALLER ROOM) by Cristóbal León and Nina Wehrle (2009 \/ 2’21”) -LA BRUJA Y EL AMANTE (THE WITCH AND THE LOVE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default 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data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"tudcni-y13uke-7yhc6e-ssv94s\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cstrong\u003eAn apocalyptic vision pushes a group of rabbits to abandon their warren in search of a new home, in this landmark British animation.\u003c\/strong\u003e\u003c\/p\u003e\nAn apocalyptic vision pushes a group of rabbits to abandon their warren in search of a new home, in this landmark British animation. Richard Adams’ timeless novel is brought brilliantly to life as Hazel, Fiver and Bigwig tackle the brutal realities of the rural world - and mankind’s devastating impact on it - as they lead their colony to the utopian \u003cem\u003eWatership Down\u003c\/em\u003e. Featuring an acclaimed voice cast (including John Hurt and Denholm Elliott), a powerful score by composer Angela Morley and the hit single ‘Bright Eyes’ by Art Garfunkel, \u003cem\u003eWatership Down \u003c\/em\u003eis a thrilling tale of adventure, courage and resilience that continues to enthral new and old audiences alike. Newly restored by the BFI and Silver Salt Restoration, using the original 35mm negative and stereo audio tracks, this landmark animation is now available as a limited edition.\u003c\/div\u003e\n\u003cdiv class=\"a-section a-spacing-small\"\u003e\n\u003cdiv class=\"title-accordion accordion-attributeextras active\" data-toggle=\"#attributeextras\"\u003eExtras\u003c\/div\u003e\n\u003cdiv class=\"data item content\" id=\"attributeextras\" data-role=\"content\" aria-labelledby=\"tab-label-attributeextras\" role=\"tabpanel\" aria-hidden=\"true\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)\u003c\/li\u003e\n\u003cli\u003eNewly recorded audio commentary by film and animation experts Catherine Lester and Sam Summers\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDefining a Style\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2005): short featurette about the film’s aesthetic\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Conversation with the Filmmakers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2005, 17 mins): Archive featurette in which director Martin Rosen and editor Terry Rawlings discuss the production history of the film\u003c\/li\u003e\n\u003cli\u003eStoryboard comparison (2005, 15 mins): a look at four sequences from the film\u003c\/li\u003e\n\u003cli\u003eSuper 8 version of the film (20 mins)\u003c\/li\u003e\n\u003cli\u003eHumberstone Super 8 footage (3 mins): Footage shot by Arthur Humberstone, one of the senior animators on Watership Down\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDesigning Watership Down\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024, 5 mins): a gallery containing some of the materials related to Watership Down courtesy of The Arthur Humberstone Animation Archive\u003c\/li\u003e\n\u003cli\u003eTrailers, teasers \u0026amp; TV Spots\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOnce We Were Four\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1942, 9 mins): a bunny quartet face an onslaught of badgers, bombs and birds of prey in this black comedy masquerading as a nature film, directed by Mary Field\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRabbits or Profits?\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1969, 15 mins): public information film providing a potted history of rabbits in the UK\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBolly in A Space Adventure\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1968, 5 mins): a short Halas \u0026amp; Batchelor animation about the adventures of Bolly and his friends on imaginary planets, featuring animation by Tony Guy, animation director on Watership Down\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMake Believe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1948, 17 mins): Anson Dyer tells 'The Tale of Ronnie Rabbit' in this 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class=\"col-md-12 col-sm-12 col-xs-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-xs-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-xs-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eHeavy Traffic, the second feature from writer\/director Ralph Bakshi (Fritz the Cat, Wizards, The Lord of the Rings, Fire and Ice), combines a quick-edit pace, a frenetic story line and an array of eye-popping animation and live-action styles. \"Powerful, raw and valid\" (Los Angeles Times), this \"remarkable blend\" of filmic styles is a \"hypnotic, life-giving experience\" (The Hollywood Reporter)! Michael Corleone (Joseph Kaufmann, Johnny Got His Jun, Jud, Brute Corps), a young cartoonist who lives with his neurotic mother and two-timing father, escapes the absurd and often ugly side of life on New York's tough streets by satirizing it's rich yet wacky characters in wildly entertaining cartoons. From the gruff homeless and wisecracking prostitutes to guntoting gangsters and corrupt cops, Michael's world becomes an outlandish kaleidoscope of shocking images and horrifying events that are either a testament of his wild imagination... or a reminder of the strangeness of reality. Beverly Hope Atkinson (TV's Sanford and Son, TV's Dark Shadows), Frank DeKova (The Ten Commandments, TV's F Troop, The Mechanic), Lillian Adams (The Jerk, Bruce Almighty, Private Benjamin), and Jamie Farr (TV's M*A*S*H, The Cannonball Run, Scrooged) round out the cast.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"vwpmc8-939xu6-jdsez9-hytr2j\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"indh5-s2wxl2-ubx23w-3i31tj\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alliance MEDIA","offers":[{"title":"Default Title","offer_id":43986995445804,"sku":"850050736257","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/heavy-traffic-new-blu-ray-850050736257-8850700.jpg?v=1755529710"},{"product_id":"felidae-4k-uhd-blu-ray-standard-edition","title":"Felidae (4K UHD\/Blu-Ray, Standard Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan\u003eFELIDAE \u003c\/span\u003e\u003cspan\u003e(1994, Wild Bunch Germany, 82 min.). “Oh no, stranger. The dead come to me,”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ewhispers Jesaja, the cat Guardian of the Dead in the skeleton-filled catacombs and labyrinths of\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edirector Michael Schaack’s brilliant and surprisingly graphic animated feature about a grisly\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eseries of unsolved murders among a group of domestic cats. (“Felidae” is the scientific name for\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ecats.) A combination feline detective story, Gothic mystery and occult horror, FELIDAE follows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003egreen-eyed protagonist Francis (voiced by Ulrich Tukur) and his grizzled, one-eyed companion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBlaubart (voiced by Mario Adorf) as they unravel the killings stretching back decades, involving\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edeath cults, genetic experimentation and a mysterious martyr religion. One of the most sought-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eafter titles among world animation fans and never before officially released in the U.S.,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFELIDAE marries the dark, adult themes and nightmarish imagery of PLAGUE DOGS and\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWATERSHIP DOWN with the family-friendly animation style of Don Bluth circa THE SECRET\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOF NIMH. Be forewarned, though: this is not a kids’ animated movie – FELIDAE features R-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003erated language and cat-themed slang (humans are dissed as merely “can openers”), bloody\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edissections and even simulated cat sex. “Truly this activity was beyond The Aristocats”, as the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003enarrator purrs. Newly scanned and restored in 4K from the original camera negative and sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eelements by Deaf Crocodile for this release, FELIDAE finally emerges as one of the great\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eanimated features made for adults from the past thirty years. Also featuring the voices of Klaus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaria Brandauer, Wolfgang Hess and Helge Schneider – and a theme song by Boy George! In\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGerman with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpecial Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew video interview with director Michael Schaack, moderated by Dennis Bartok of Deaf Crocodile\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew video interview with the key animation team including Doug Bennett, Paul Bolger, Eamonn Butler, Bernie Denk and Desmond Downes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew video interview with layout designer Armen Melkonian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew commentary by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44015428796460,"sku":"850066568064","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/felidae-4k-uhdblu-ray-standard-edition-new-4k-uhd-850066568064-6832246.png?v=1755529200"},{"product_id":"the-cathedral-of-new-emotions-standard-edition","title":"The Cathedral of New Emotions (Standard Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003eTHE CATHEDRAL OF NEW EMOTIONS\u003c\/b\u003e\u003cspan\u003e (DIE KATHEDRALE DER NEUEN GEFÜHLE) – 2006, Cinegrafik, 60 min.  Dir. Helmut Herbst.  On a shortlist with Eiichi Yamamoto’s BELLADONNA OF SADNESS and René Laloux’s FANTASTIC PLANET as one of the most surreal, psychedelic and truly cosmic animated features ever made, German director Helmut Herbst’s utterly insane THE CATHEDRAL OF NEW EMOTIONS follows a commune of Berlin stoners and intellectuals who get set adrift in space in 1972 in a packing container clutched in a giant flying hand.  Various space flotsam smashes into the windshield – enormous insects, Mighty Mouse, a Bird Man from “Flash Gordon” – while hypnotic Krautrock drones in the background moaning “Where am I??”, and a naked man bounces up and down off a massive red pepper.  So begins our descent down the psychotic rabbit hole of CATHEDRAL, a true hallucinogenic Space Freakout if there ever was one:  imagine Ralph Bakshi animating an R-rated version of John Carpenter’s DARK STAR, or the cartoon equivalent of Can’s “Ege Bamyasi” or Pink Floyd’s “Astronomy Domine.”  In other words:  set the controls for the heart of the sun.  Narrated by the ship’s doctor Quistard in the same synthesized voice everyone uses, the crew includes the female commander Bakunskaja with long gray hair and a pink hippie frock; lizard-tongued head of security Dierksen; and James and Jones, a pair of redheaded and often bare-breasted twins.  The crew spend their days staring into the pulsating light of the fusion reactor wondering about the outcome of the Vietnam War, or bemoaning their sexual inertia: “Do you know what an erotically stale situation is? … Eternal lust and unspeakable horror.  All empty promises.”  Their descent into moral and political lethargy is interrupted by the arrival of a very attractive young man, Mulligan, who’s discovered in their monthly supply shipment from the discount store.  Eventually this screwy crew of seriously baked stoners find themselves searching for the enigmatic Matthew Madson, a Yeti-like wild man who may be the mysterious astronaut who first convinced them to embark on their deranged odyssey.  Visually the film is like no other, filled with holographic blue phallus plants and characters morphing into gray fleshy blobs every time they pass a Black Hole, constantly disrobing and attempting to seduce each other (and despite the random nudity, the crewmembers are weirdly androgynous as if genders are becoming meaningless.)  The dialogue is equally bizarre, littered with cryptic sound bites:  “Did you know that neutrons can smile?”, “I think you are also just fiction” and the film’s mantra, “My eyes are cast down in awe.”  The movie’s genesis is equally strange:  based on a 1974 film by Herbst called DIE PHANTASTISCHE WELT DES MATTHEW MADSON, CATHEDRAL was finished after a decades-long gestation in 2006 (Herbst passed away in 2021.)  One of the rarest and most obscure tiles in world animation and never before officially released on physical media, CATHEDRAL has been newly restored from the original camera negative and sound elements by Deaf Crocodile with the cooperation of Herbst’s wife, Renate Merck.  In German with English subtitles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpecial Features\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“Container Interstellar” (2001, 7 min.) – director Helmut Herbst’s animated sci-fi short with characters that would be more fully explored in CATHEDRAL OF NEW EMOTIONS, newly scanned for this release\u003c\/li\u003e\n\u003cli\u003e“Werkinterview Filmkunst: Helmut Herbst” (2013, 25 min., dir. Anja Ellenberger) – fascinating short documentary featuring interviews with Herbst and clips from his acclaimed experimental films, made for nonprofit German arts TV and newly translated for this release.  (Courtesy of TIDE TV)\u003c\/li\u003e\n\u003cli\u003eNew commentary by film historian Rolf Giesen\u003c\/li\u003e\n\u003cli\u003eNew video essay by experimental filmmaker and film scholar Stephen Broomer\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew art by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44074287497260,"sku":"850066568118","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-cathedral-of-new-emotions-standard-edition-new-blu-ray-850066568118-1270037.png?v=1755528769"},{"product_id":"gwen-and-the-book-of-sand-4k-uhd-blu-ray-standard-edition","title":"Gwen and the Book of Sand (4K UHD\/Blu-Ray, Standard Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGWEN AND THE BOOK OF SAND\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (GWEN ET LE LIVRE DE SABLE) – 1985, La \u003c\/span\u003e\u003cspan\u003eTraverse Films, 64 min. “Why search the sand for answers? It has told us everything,” whispers Roseline (voiced by Michel Robin), the 173-year old desert nomad narrator of French director Jean-François Laguionie’s hauntingly poetic animated feature of life after the apocalypse, where the few hardy survivors walk on stilts from well to well, scorpions glow like lanterns, and the mysterious Makou drops giant everyday objects – forks, eyeglasses, bathtubs – from the skies. Into this desolate science-fiction landscape, part-DUNE, part-FURY ROAD, emerges the story’s teenage heroine, Gwen (voiced by Lorella Di Cicco), who refuses to stay silent and hide in the shadows – and whose love for teenage boy Nokmoon, kidnapped by the Makou and its followers, will drive her and Roseline on an epic journey across the endless sands, “the still silence of chaos and oblivion.” A sublime and breathtaking masterpiece of world animation, painted in remarkable gouache images, GWEN… is on par with René Laloux’s FANTASTIC PLANET, Hayao Miyazaki’s NAUSICAÄ OF THE VALLEY OF THE WIND and Mamoru Oshii’s ANGEL’S EGG as a visually stunning and truly otherworldly experience, interwoven with surreal and dreamlike moments: a pillow fight in the desert; phantom projections of red UFOs in the night sky; a mystery cult who worship an ancient product catalog and sing gorgeous hymns to fireworks and a watering can made of galvanized steel. Beautifully restored in 4K with the director’s participation for La Traverse Films in France and released for the first time ever in the U.S. by Deaf Crocodile. In French with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNew video interview with director Jean-François Laguionie, moderated by Dennis Bartok of Deaf Crocodile. (In French with simultaneous English translation by Fred Cassidy).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNew video essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNew commentary by film historian Samm Deighan.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNew art by Beth Morris\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44137744924716,"sku":"850066568149","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/gwen-and-the-book-of-sand-4k-uhdblu-ray-standard-edition-new-4k-uhd-850066568149-6448896.jpg?v=1772360048"},{"product_id":"the-cathedral-of-new-emotions-standard-edition-copy","title":"The Cathedral of New Emotions (Standard Edition) USED","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003eTHE CATHEDRAL OF NEW EMOTIONS\u003c\/b\u003e\u003cspan\u003e (DIE KATHEDRALE DER NEUEN GEFÜHLE) – 2006, Cinegrafik, 60 min.  Dir. Helmut Herbst.  On a shortlist with Eiichi Yamamoto’s BELLADONNA OF SADNESS and René Laloux’s FANTASTIC PLANET as one of the most surreal, psychedelic and truly cosmic animated features ever made, German director Helmut Herbst’s utterly insane THE CATHEDRAL OF NEW EMOTIONS follows a commune of Berlin stoners and intellectuals who get set adrift in space in 1972 in a packing container clutched in a giant flying hand.  Various space flotsam smashes into the windshield – enormous insects, Mighty Mouse, a Bird Man from “Flash Gordon” – while hypnotic Krautrock drones in the background moaning “Where am I??”, and a naked man bounces up and down off a massive red pepper.  So begins our descent down the psychotic rabbit hole of CATHEDRAL, a true hallucinogenic Space Freakout if there ever was one:  imagine Ralph Bakshi animating an R-rated version of John Carpenter’s DARK STAR, or the cartoon equivalent of Can’s “Ege Bamyasi” or Pink Floyd’s “Astronomy Domine.”  In other words:  set the controls for the heart of the sun.  Narrated by the ship’s doctor Quistard in the same synthesized voice everyone uses, the crew includes the female commander Bakunskaja with long gray hair and a pink hippie frock; lizard-tongued head of security Dierksen; and James and Jones, a pair of redheaded and often bare-breasted twins.  The crew spend their days staring into the pulsating light of the fusion reactor wondering about the outcome of the Vietnam War, or bemoaning their sexual inertia: “Do you know what an erotically stale situation is? … Eternal lust and unspeakable horror.  All empty promises.”  Their descent into moral and political lethargy is interrupted by the arrival of a very attractive young man, Mulligan, who’s discovered in their monthly supply shipment from the discount store.  Eventually this screwy crew of seriously baked stoners find themselves searching for the enigmatic Matthew Madson, a Yeti-like wild man who may be the mysterious astronaut who first convinced them to embark on their deranged odyssey.  Visually the film is like no other, filled with holographic blue phallus plants and characters morphing into gray fleshy blobs every time they pass a Black Hole, constantly disrobing and attempting to seduce each other (and despite the random nudity, the crewmembers are weirdly androgynous as if genders are becoming meaningless.)  The dialogue is equally bizarre, littered with cryptic sound bites:  “Did you know that neutrons can smile?”, “I think you are also just fiction” and the film’s mantra, “My eyes are cast down in awe.”  The movie’s genesis is equally strange:  based on a 1974 film by Herbst called DIE PHANTASTISCHE WELT DES MATTHEW MADSON, CATHEDRAL was finished after a decades-long gestation in 2006 (Herbst passed away in 2021.)  One of the rarest and most obscure tiles in world animation and never before officially released on physical media, CATHEDRAL has been newly restored from the original camera negative and sound elements by Deaf Crocodile with the cooperation of Herbst’s wife, Renate Merck.  In German with English subtitles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpecial Features\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“Container Interstellar” (2001, 7 min.) – director Helmut Herbst’s animated sci-fi short with characters that would be more fully explored in CATHEDRAL OF NEW EMOTIONS, newly scanned for this release\u003c\/li\u003e\n\u003cli\u003e“Werkinterview Filmkunst: Helmut Herbst” (2013, 25 min., dir. Anja Ellenberger) – fascinating short documentary featuring interviews with Herbst and clips from his acclaimed experimental films, made for nonprofit German arts TV and newly translated for this release.  (Courtesy of TIDE TV)\u003c\/li\u003e\n\u003cli\u003eNew commentary by film historian Rolf Giesen\u003c\/li\u003e\n\u003cli\u003eNew video essay by experimental filmmaker and film scholar Stephen Broomer\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew art by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Orbit DVD","offers":[{"title":"Default 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class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana, Arial, Helvetica; font-size: xx-small;\"\u003eCOLLECTING ALL OF ACADEMY AWARD WINNINGDIRECTORS FILMS ON BLU-RAY FOR THE FIRST TIME...\u003cbr\u003e\u003cbr\u003eIncludes the following: Collecting Cousin, Brother, Uncle, Harvie Krumpet, Ernie Biscuit, Mary and Max, Memoir of a Snail ...\u003cbr\u003e\u003cbr\u003eCollecting Adam Elliot's films on blu-ray for the first time.\u003cbr\u003e\u003cbr\u003eHD Restoration of Harvie Krumpet.\u003cbr\u003e\u003cbr\u003eIncludes 6 Art Cards and 56-page booklet with a foreword and experiences written by Adam Elliot, behind-the scenes and storyboards.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAustralian Exclusive 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data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-content-id=\"productDescription\" data-csa-c-type=\"widget\" data-feature-name=\"productDescription\" class=\"celwidget\" id=\"productDescription_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" class=\"a-row feature\" id=\"productDescription_feature_div\" data-template-name=\"productDescription\" data-feature-name=\"productDescription\"\u003e\n\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" data-csa-c-id=\"tfmf9f-js0tzu-feb5f8-djrc01\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-content-id=\"productDescription\" data-csa-c-type=\"widget\" data-feature-name=\"productDescription\" class=\"celwidget\" id=\"productDescription_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" class=\"a-row feature\" id=\"productDescription_feature_div\" data-template-name=\"productDescription\" data-feature-name=\"productDescription\"\u003e\n\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eArbelos Films presents THE BLOODY LADY - A collection of feature and short films by the influential Slovak animator, Viktor Kubal.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eLady Elisabeth Báthory lives a charmed life in a resplendent Romanesque castle, surrounded by Disney-esque wildlife and a colourful cast of obliging servants. Taking ill one day while traveling through the forest, she's nursed back to health by a handsome woodsman, and in gratitude gifts him with her own heart. But upon returning home, Lady Báthory's sunny disposition quickly turns murderous and vampiric once she discovers the secret to heart-less eternal youth lies in draining the blood of all the young women and men in her castle.\u003cbr\u003e\u003cbr\u003eWidely considered one of Slovak animation's crown jewels, THE BLOODY LADY is an improbable and bewitching fusion of gothic horror and classic children's animation, retelling of the infamous Čachtická castle and Báthory folk tale which is often cited as the inspiration for Bram Stoker's Dracula. Recently treated to a haunting live score by celebrated indie musician Claire Rousay, this underseen gem is a new cult classic in the making.\u003cbr\u003e\u003cbr\u003eTHE BLOODY LADY is the centerpiece of Viktor Kubal: Father of Slovak Animation, a retrospective of the landmark Eastern Bloc animator's pioneering work in much-loved children's shorts as well as subversive, though no less ground-breaking, feature films.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eSpecs:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eHigh Definition 1080p 1.37:1.\u003cbr\u003eDTS-HD MA 2.0 Mono.\u003cbr\u003eRegion code: All.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial Features:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eNew restoration from the original 35mm camera negative.\u003cbr\u003eNew restoration of Jurko the Highwayman (1976).\u003cbr\u003eIncluding over 20 restored short films: \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Mysterious Old Man (1944), Earth (1966), Dita at the Post Office (1967), Promotion (1968), Dita in the Air (1970), Two Good Friends (1972), Tom Thumb (1972), Tom Thumb at a Magicians (1973), Chess (1974), Tom Thumb and the Germs (1974), The Present (1976), Cinema (1977), The Ladder (1978), Only Child (1979), The Microscope (1981), What Happened to Johnny on the Road (1981), The Selection (1982), The Weatherman (1983), The Marzipan Comedy (1987), High Noon (1988), The Idol (1989)\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003eU.S. Theatrical Trailer (2024).\u003cbr\u003eNew essay \"A Dot and a Line (Everything is Possible),\" by Rastislav Steranka.\u003cbr\u003e12-page booklet.\u003cbr\u003eRegion free (A\/B\/C).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"detailBullets_feature_div\" data-csa-c-id=\"6hv7s1-fmcgu9-xcuo2b-du1fxf\" 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data-feature-name=\"detailBullets\" id=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 pl-md-5 product-features-column\"\u003e\n\u003cul data-display=\"true\" data-sku=\"EKA70506\"\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Alliance MEDIA","offers":[{"title":"Default Title","offer_id":44210081857580,"sku":"663390005095","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/the-bloody-lady-new-blu-ray-663390005095-5769207.jpg?v=1755527916"},{"product_id":"i-married-a-strange-person-standard-edition","title":"I Married a Strange Person (Standard Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details-module__title ec-header-h6\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cspan id=\"m_4757903663361470736gmail-docs-internal-guid-c7e68026-7fff-5038-d448-c21e72dfcb80\"\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003eI MARRIED A STRANGE PERSON!\u003c\/span\u003e\u003cspan\u003e (1997, Plymptoons Studio, 75 min.)  Legendary animator \u003c\/span\u003e\u003cspan\u003eBill Plympton’s\u003c\/span\u003e\u003cspan\u003e delirious and demented feature opens with two birds mating in mid flight (“Ah, good taste, what a dreadful thing!” as the film cheekily quotes Picasso).  The birdy love accidentally leads to a beam of misdirected TV satellite energy erupting a telekinetic boil on the neck of newlywed Grant (voiced by Tom Larson), which causes havoc in his marriage to his darling wife Keri (voiced by Charis Michelsen).  Are you still with us??  Good, because you’re in for a nonstop stream of Plympton’s classic surreal non sequiturs and mind bending visual puns involving Chia pets, fingernail dirt, assaults by bugs at the dinner table, riding mower antics and spontaneous eruptions of wonderfully deranged music (courtesy of frequent collaborator \u003c\/span\u003e\u003cspan\u003eMaureen McElheron\u003c\/span\u003e\u003cspan\u003e) with lyrics like \u003c\/span\u003e\u003cspan\u003e\"Would you love me if I blew up a deli \/ Got a big fat belly and became real smelly?\"\u003c\/span\u003e\u003cspan\u003e  The mysteriously powerful boil on Grant’s neck eventually attracts the notice of the voracious Smilecorp, leading to an all-out battle for control of the wandering carbuncle.  As Grant says mildly, \"I'm really sorry about all that, but it's been a very weird day for me.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eSpecial Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cspan id=\"m_4757903663361470736gmail-docs-internal-guid-8c77b832-7fff-bdf3-669b-6b784336f5d4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eTwo classic Plympton shorts: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e“Guide Dog” (2006, 6 min.), newly scanned \u0026amp; restored for this release \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e“The Loneliest Stoplight” (2015, 6 min.), narrated by Patton Oswalt\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew video interview with Bill Plympton about the making of STRANGE PERSON!, moderated by Dennis Bartok of Deaf Crocodile.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and longtime Plympton collaborator John Holderried of Plymptoons Studio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew artwork by Beth Morris.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44227053617196,"sku":"850066568170","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/i-married-a-strange-person-standard-edition-new-blu-ray-850066568170-6854966.png?v=1755527822"},{"product_id":"mutant-aliens-standard-edition","title":"Mutant Aliens (Standard Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product-details-module__title ec-header-h6\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cspan id=\"m_-1159621703840991284gmail-docs-internal-guid-7831e361-7fff-f739-b919-13c352c9e423\"\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003eMUTANT ALIENS\u003c\/span\u003e\u003cspan\u003e (2001, Plymptoons Studio, 81 min.)  Legendary animator \u003c\/span\u003e\u003cspan\u003eBill Plympton’s\u003c\/span\u003e\u003cspan\u003e lovably twisted tribute to alien invasion films ala THE QUATERMASS XPERIMENT, 20 MILLION MILES TO EARTH and MARS ATTACKS! features an American astronaut named Earl Jensen (voiced by Dan McComas) who’s intentionally stranded in space by his evil boss, Dr. Frubar (voiced by George Casden).  Twenty years later, his now-grown daughter Josie (voiced by Francine Lobis) is an astronomer with some serious lust for her hunky boyfriend (their hanky panky is both R-rated and hilarious, with his phallus in turns transforming into a charging rhino, steam train and exploding volcano).  Their lovemaking and Dr. Frubar’s evil plans are both interrupted by the unexpected return of her missing father, astronaut Earl – who reveals he apparently survived in space for the past two decades on a planet peopled (if that’s the right word) by aliens who resemble human body parts (tongues, fingers, eyeballs and unidentified pink blobs).  As brilliantly weird as ever for Plympton, MUTANT ALIENS is also surprisingly sexy:  astronaut Earl’s liaison with the fleshy pink alien blob queen shows that even in outer space, love knows no boundaries.  Plympton also shares with David Lynch a kind of perverse wholesomeness in his fascination with nostalgic 1950s Americana undercut by a gleefully wicked sense of the bizarre and surreal.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eSpecial Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"m_-1159621703840991284gmail-docs-internal-guid-d53413f8-7fff-bb11-2618-d9550cce26c8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eTwo classic Plympton shorts: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e “Hot Dog” (2008, 6 min.) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e“The Cow Who Wanted To Be A Hamburger” (2010, 6 min.)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew video interview with Bill Plympton about the making of MUTANT ALIENS, moderated by Dennis Bartok of Deaf Crocodile.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and longtime Plympton collaborator John Holderried of Plymptoons Studio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew artwork by Beth Morris.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"deaf crocodile","offers":[{"title":"Default Title","offer_id":44333193003052,"sku":"850066568217","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/mutant-aliens-standard-edition-new-blu-ray-850066568217-2681066.png?v=1755527366"},{"product_id":"mutant-aliens-deluxe-limited-edition","title":"Mutant Aliens (Deluxe Limited Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details-module__title ec-header-h6\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cspan id=\"m_-1159621703840991284gmail-docs-internal-guid-7831e361-7fff-f739-b919-13c352c9e423\"\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003eMUTANT ALIENS\u003c\/span\u003e\u003cspan\u003e (2001, Plymptoons Studio, 81 min.)  Legendary animator \u003c\/span\u003e\u003cspan\u003eBill Plympton’s\u003c\/span\u003e\u003cspan\u003e lovably twisted tribute to alien invasion films ala THE QUATERMASS XPERIMENT, 20 MILLION MILES TO EARTH and MARS ATTACKS! features an American astronaut named Earl Jensen (voiced by Dan McComas) who’s intentionally stranded in space by his evil boss, Dr. Frubar (voiced by George Casden).  Twenty years later, his now-grown daughter Josie (voiced by Francine Lobis) is an astronomer with some serious lust for her hunky boyfriend (their hanky panky is both R-rated and hilarious, with his phallus in turns transforming into a charging rhino, steam train and exploding volcano).  Their lovemaking and Dr. Frubar’s evil plans are both interrupted by the unexpected return of her missing father, astronaut Earl – who reveals he apparently survived in space for the past two decades on a planet peopled (if that’s the right word) by aliens who resemble human body parts (tongues, fingers, eyeballs and unidentified pink blobs).  As brilliantly weird as ever for Plympton, MUTANT ALIENS is also surprisingly sexy:  astronaut Earl’s liaison with the fleshy pink alien blob queen shows that even in outer space, love knows no boundaries.  Plympton also shares with David Lynch a kind of perverse wholesomeness in his fascination with nostalgic 1950s Americana undercut by a gleefully wicked sense of the bizarre and surreal.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eSpecial Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"m_-1159621703840991284gmail-docs-internal-guid-d53413f8-7fff-bb11-2618-d9550cce26c8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eTwo classic Plympton shorts: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e “Hot Dog” (2008, 6 min.) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e“The Cow Who Wanted To Be A Hamburger” (2010, 6 min.)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew video interview with Bill Plympton about the making of MUTANT ALIENS, moderated by Dennis Bartok of Deaf Crocodile.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and longtime Plympton collaborator John Holderried of Plymptoons Studio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eNew artwork by Beth Morris.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eDeluxe Edition Bonus Content\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"m_-1159621703840991284gmail-docs-internal-guid-629df8be-7fff-c31d-c16e-61237432fc5d\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eSlipcase featuring new wrap-around artwork by Bill Plympton!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e60-page illustrated book\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eIntroduction by Weird Al Yankovic\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003eEssay by film critic Walter Chaw\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eEssay by screenwriter, playwright and film journalist Steven Peros\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"deaf crocodile","offers":[{"title":"Default Title","offer_id":44333199753260,"sku":"850066568200","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/mutant-aliens-deluxe-limited-edition-damaged-new-blu-ray-850066568200d-4019737.png?v=1755526045"},{"product_id":"felidae-4k-uhd-blu-ray-deluxe-limited-edition-copy","title":"Felidae (4K UHD, Deluxe Limited Edition) USED","description":"\u003cdiv\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan\u003eFELIDAE \u003c\/span\u003e\u003cspan\u003e(1994, Wild Bunch Germany, 82 min.). “Oh no, stranger. The dead come to me,”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ewhispers Jesaja, the cat Guardian of the Dead in the skeleton-filled catacombs and labyrinths of\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edirector Michael Schaack’s brilliant and surprisingly graphic animated feature about a grisly\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eseries of unsolved murders among a group of domestic cats. (“Felidae” is the scientific name for\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ecats.) A combination feline detective story, Gothic mystery and occult horror, FELIDAE follows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003egreen-eyed protagonist Francis (voiced by Ulrich Tukur) and his grizzled, one-eyed companion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBlaubart (voiced by Mario Adorf) as they unravel the killings stretching back decades, involving\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edeath cults, genetic experimentation and a mysterious martyr religion. One of the most sought-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eafter titles among world animation fans and never before officially released in the U.S.,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFELIDAE marries the dark, adult themes and nightmarish imagery of PLAGUE DOGS and\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWATERSHIP DOWN with the family-friendly animation style of Don Bluth circa THE SECRET\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOF NIMH. Be forewarned, though: this is not a kids’ animated movie – FELIDAE features R-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003erated language and cat-themed slang (humans are dissed as merely “can openers”), bloody\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edissections and even simulated cat sex. “Truly this activity was beyond The Aristocats”, as the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003enarrator purrs. Newly scanned and restored in 4K from the original camera negative and sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eelements by Deaf Crocodile for this release, FELIDAE finally emerges as one of the great\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eanimated features made for adults from the past thirty years. Also featuring the voices of Klaus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaria Brandauer, Wolfgang Hess and Helge Schneider – and a theme song by Boy George! In\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGerman with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpecial Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew video interview with director Michael Schaack, moderated by Dennis Bartok of Deaf Crocodile\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew video interview with the key animation team including Doug Bennett, Paul Bolger, Eamonn Butler, Bernie Denk and Desmond Downes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew video interview with layout designer Armen Melkonian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew commentary by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDeluxe Edition Bonus Content\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eSlipcase featuring new illustration by Paul Bolger\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e80-page illustrated book featuring:\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew Essay by film historian Jennifer Lynde Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eNew Essay by film critic Walter Chaw\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eRare production artwork\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan id=\"m_4767145681243677007gmail-docs-internal-guid-e095e040-7fff-38fd-a58a-1e166b481206\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Orbit DVD","offers":[{"title":"Default Title","offer_id":44345575997484,"sku":"850066568071LU","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/felidae-4k-uhd-deluxe-limited-edition-used-used-4k-uhd-850066568071lu-2603367.jpg?v=1779070869"},{"product_id":"treasures-of-soviet-animation-vol-1-standard-edition","title":"Treasures of Soviet Animation Vol. 1 (Standard Edition)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product-details-module__title ec-header-h6\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cspan\u003eDeaf Crocodile presents the first volume in a series of new restorations of classic and rare Soviet animated gems from the vaults of the legendary Soyuzmultfilm studios.  \u003c\/span\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHE MYSTERY OF THE THIRD PLANET\u003c\/span\u003e\u003cspan\u003e (TAYNA TRETEY PLANETY), 1981, Soyuzmultfilm, 48 min.  Dir. Roman Kachanov.  A trio of intrepid space explorers, Professor Seleznyov, his 9-year old daughter Alisa and the hilariously doom-and-gloom Captain Zelyonyy set off on a rocket ship in the year 2181 to collect rare alien creatures for the Moscow Zoo.  They’re immediately drawn into an amazingly convoluted mystery involving a sinister doctor named Verkhovtsev, a nearly-extinct Chatter-bird, and two legendary missing cosmonauts, while galaxy hopping from one wildly colorful planet to the next.  A delirious cosmic treat for fans of FANTASTIC PLANET and DELTA SPACE MISSION, MYSTERY… features a gallery of psychedelic space creatures straight out of YELLOW SUBMARINE.  Based on “Alisa’s Voyage” by famed sci-fi author Kir Bulychev, Kachanov’s long sought-after gem packs enough plot, surreal imagery, and otherworldly worlds into its 48 minutes for an entire mini-series.  \u003c\/span\u003e\u003cspan\u003eIn Russian with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHE RETURN\u003c\/span\u003e\u003cspan\u003e (VOZVRASHCHENIE), 1980, Soyuzmultfilm, 10 min. – In Vladimir Tarasov's mind bending psychedelic masterpiece, a sleeping cosmonaut hurtles unaware towards his home planet -- but will he awake in time?  Newly restored by Deaf Crocodile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHE PASS\u003c\/span\u003e\u003cspan\u003e (PEREVAL), 1988, Soyuzmultfilm, 30 min.  \u003c\/span\u003e\u003cspan\u003e“On this night, Oleg was on duty near the fence … He sensed the emptiness and the routine.  Three times people went to the Pass.  It was all in vain.”\u003c\/span\u003e\u003cspan\u003e  So begins Russian director Vladimir Tarasov’s sublime masterpiece of animated sci-fi in which a group of terrified human survivors on an alien world try to reach their derelict spacecraft 16 years after it crashed.  On par with Tarkovsky’s SOLARIS and STALKER as one of the most hypnotic and visually stunning science-fiction stories ever filmed, THE PASS is filled with cascading, pulsating images:  night creatures that bleed in from the darkness to attack, a cat’s eyes flickering in the candlelight, frightened children reciting stories of another planet, another time.  THE PASS is the longest of Tarasov’s works and arguably his finest achievement, adapted from the first chapter in sci-fi author Kir Bulychev’s novel “The Settlement.”  Both films were newly restored by Deaf Crocodile for their first-ever U.S. Blu-ray release.  Co-presented with Seagull Films. \u003c\/span\u003e\u003cspan\u003eIn Russian with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb id=\"m_-6677901433119069324gmail-docs-internal-guid-ce6c5ed2-7fff-4179-0d35-e79e02c11c72\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTwo new video essays on Roman Kachanov and Vladimir Tarasov by film historian Evan Chester\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew commentary track by Adam Rackoff, James Hancock and Martin Kessler\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew artwork by Beth Morris.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cspan id=\"m_-6677901433119069324m_5579441373997519316gmail-docs-internal-guid-869acc92-7fff-59ee-dbeb-2fcc83d1d098\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003e\u003cspan style=\"font-family: tahoma, sans-serif;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: tahoma, sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":44396365676588,"sku":"850066568255","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/files\/treasures-of-soviet-animation-vol-1-standard-edition-new-blu-ray-850066568255-2696004.jpg?v=1772355069"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0359\/2201\/8348\/collections\/arthouse-animation-8665665.webp?v=1755525400","url":"https:\/\/www.orbitdvd.com\/collections\/arthouse-animation.oembed?page=9","provider":"Orbit DVD","version":"1.0","type":"link"}